Like the film noir WHERE THE SIDEWALK ENDS, as an otherwise brutal cop looks extremely guilty of murder when he's innocent... THE SWEENEY episode BIG BROTHER puts John Thaw's Regan in a similar circumstance...
Only he doesn't punch a guy to accidentally kill him like Dana Andrews... instead, after a bit of manhandling in front of partner Dennis Waterman's Carter, alone in the interrogation room with the smug younger brother of a criminal kingpin, the kid suddenly, mysteriously, falls to the floor, with Regan now the suspect...
As the episode juggles several genre elements: from gangster-revenge, bad cop, wrong man to blaxploitation... particularly intriguing when A CLOCKWORK ORANGE goading stage actor John Clive... always with a weaselly trick up his sleeve... plays a liberal journalist dying to turn the infamous cop into a killer...
Meanwhile Maurice Roëves looks dapper and partially menacing as the title character, who hires a wild card torpedo to off Regan, yet neither story-line comes to anything, really... leaving a foot chase with Regan and Carter after a black pimp backed by a funky score to close a really good episode that's almost downright incredible.
Only he doesn't punch a guy to accidentally kill him like Dana Andrews... instead, after a bit of manhandling in front of partner Dennis Waterman's Carter, alone in the interrogation room with the smug younger brother of a criminal kingpin, the kid suddenly, mysteriously, falls to the floor, with Regan now the suspect...
As the episode juggles several genre elements: from gangster-revenge, bad cop, wrong man to blaxploitation... particularly intriguing when A CLOCKWORK ORANGE goading stage actor John Clive... always with a weaselly trick up his sleeve... plays a liberal journalist dying to turn the infamous cop into a killer...
Meanwhile Maurice Roëves looks dapper and partially menacing as the title character, who hires a wild card torpedo to off Regan, yet neither story-line comes to anything, really... leaving a foot chase with Regan and Carter after a black pimp backed by a funky score to close a really good episode that's almost downright incredible.