Serling's "Dust" is one of the more low-key episodes in the series, but one that sells its point -- about the power of love and forgiveness in the face of despair -- with well-drawn characters instead of one-dimensional caricatures. In a dying southwestern village anticipating a hanging, a sleazy peddler (Thomas Gomez) convinces the desperate father (Vladimir Sokoloff) of the condemned man that he has a magic dust that changes hate into love.
Although Serling could get preachy with his later episodes (the later, yet similar, "I Am the Night, Color Me Black" is a good example), the speeches in this story well directly out of the characters, particularly Sokoloff, whose anguish is palpable. Likewise, Gomez' actions are driven by greed and a general misanthropy, and John Larch's by an exhausted cynicism. The town's desperation is made manifest in the production design, and in the well-drawn characters.
Beware, however, of cuts of the show that edit out the last scene with Gomez and the children -- this scene is the true Twilight Zone twist, which ties the entire show together.
Although Serling could get preachy with his later episodes (the later, yet similar, "I Am the Night, Color Me Black" is a good example), the speeches in this story well directly out of the characters, particularly Sokoloff, whose anguish is palpable. Likewise, Gomez' actions are driven by greed and a general misanthropy, and John Larch's by an exhausted cynicism. The town's desperation is made manifest in the production design, and in the well-drawn characters.
Beware, however, of cuts of the show that edit out the last scene with Gomez and the children -- this scene is the true Twilight Zone twist, which ties the entire show together.