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6/10
The Twilight Zone - The Junction
Scarecrow-8829 August 2016
Warning: Spoilers
Bill Duke (Mac-Predator (1987)) directed "The Junction", a unique tale of "time displacement" where a coal mining search into an old junction leads miner, John Parker (Willliam Allen Young), into an avalanche he survives. Trapped in a shaft, John encounters a fellow miner, Roy Dobson (Chris Mulkey), who was injured after a collapse from another avalanche with rubble having fallen on his legs. Roy, however, is a miner from 1912! The flashlight on John's helmet and a watch on his wrist—not to mention, a "colored" man working the mines—surprise Roy to no end. With stale coal air at a minimum, both Roy and John discuss each other's relationships with their wives, actually developing a nice camaraderie (there never is a sense of racial tension, as much as, the situation that has befallen them creating nervous fear) as they wait for the miners *from both 1986 and 1912* to come to their rescue. The ending is pat and conveniently turns out well for both men (it appears the miners from 1912 will rescue John, which would have brought him into a time he didn't belong, but rubble ruined that) as a letter from 1912, delivered to John's wife, written by Roy, could very well lead to his rescue. The alternate time rift stories are a TZ staple, and this one has two men from such different worlds comparing currency and getting to know each other. I guess if there was a gripe, it is that we don't see the two men getting a great deal of time together before both return to where they came from; however, the letter to John's wife is a neat development that leads to a change in direction thanks to Roy's persistent desire to help the man who assisted him in injury. 6/10

"The Card" was rather surreal (imagine if a credit card junkie, irresponsible and clumsy, would lose her pets and kids if she failed to pay and was delinquent!) but it pulls no punches! Susan Blakely, very pretty and totally sells the harried suburban mom with little interest in keeping up with late fees for credit cards. When she first arrives at a "last resort" credit card company (president being Virginia Kiser who has an air of cutthroat and sneaky about her), without even reading the contract, Susan signs. Soon, because her behavior is so predictable, is delinquent on a seven day payment (low cost payment, at that) and begins to suffer the loss of a cat and dog. The sinister addition to losing them is that her kids and husband (played by perennial scene stealing character actor, William Atherton, who defers his usual pricks for a reasonable and patient fellow, more than tolerant of his wife's spending habits) don't even remember them. Missed payments and a delinquent account: goodbye kids! When her hubby fails to remember them having kids, Susan is at her wits end (and it is well communicated through Susan's anguish and horror). What happens when you lose it all? Will Susan cutting up the card help her cause? Word of warning: read your credit card contract! 6/10
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8/10
A harsh take on spending to much it will take away everything in one's life one by one!
blanbrn22 May 2011
For decades the American public has been dealing with credit cards and the need and want for materialism, spending more wanting more let's just say living above your means. Yet that has bad vibes to it as one by one a person can have their belongings taken away they can even have their soul and identity vanish literally. And this "TZ" episode from season 2 1987 titled "The Card" showcases that theme just perfect, but also it shows that a lifestyle of to much can lead to a cruel and harsh end.

The tale has Susan Blakely as Linda a California housewife with three little boys, along with her husband she has a beautiful home and nice material things. Most of this has come on credit, now that she's with a new credit company that's titled just "The Card", a harsh lesson is about to be learned. As with any credit card company fees and hidden rules apply so when the bills become due quick it hurts Linda. Then one by one this new credit card company starts to take away Linda's most loved possessions like her pets, then oddly enough one by one her children and husband simply vanish into thin air! Then next it's her house and automobile.

This episode was really harsh it shows that depending on credit for life will eventually backfire in a very wicked and harsh way it will strip you of everything from possessions and loved ones as soon you will not exist. Good lesson for those who overspend material things are not worth throwing your life away.
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7/10
Don't leave home without it
safenoe17 December 2021
Warning: Spoilers
The Card is about a credit card run amok, causing havoc and chaos in the life of a family. In some ways this episode is incredibly prescient where massive credit card crushes families as they seek to keep up with the Joneses or Sopranos.
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9/10
It Just Wasn't in the Cards
Hitchcoc30 June 2017
I love this first episode. In a way, it's sort of satisfying to watch a woman who is totally irresponsible get nailed by a credit card company. She has only seven days to make full payments, but in her addled brain, what's the worst that could happen? That's the significant question. One day her cat disappears, then her dog, and on and on. Very clever use of the outrageous. The second, "The Juncture," involves two men trapped in a mine explosion. The kicker is that they entered that mine seventy years apart. They develop a relationship as time goes along as hey await rescue. There is also a supernatural element that rears its head.
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10/10
How the "heck" do you want your eggs? The Junction
jsh-2371924 March 2022
Warning: Spoilers
One of my absolute favorites. An accidental time travel trip that puts two men in the same place but 70+/- years apart. The actors are perfect for their characters. One is having marital problems. One was dating a twin and they switched places on the day he proposed. So he asked the wrong one to marry him and she said, "Yes". So she's the one he married. I really enjoyed the different background story lines. Everyone else reviewed the story and characters so I won't. I just love the episode. The letter that was kept in the church for 70 years to be delivered on a certain date but was delivered a day late saved Parker's life. The cave-in saved his marriage. I know I tend to ramble but I just love this episode. But I like most time travel stories,
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4/10
The Card/The Junction
chrstphrtully16 December 2016
Warning: Spoilers
THE CARD (3 of 10)

A spendthrift housewife with horrible credit (Blakely) accepts an offer for a new credit card. When her account goes delinquent, she learns the credit company's collection practices are more draconian than she expected.

The idea behind this story would appear to be a natural fit for the Twilight Zone, as the theme of one's vices leading to bizarre and horrible consequences was a staple for the original series. The execution of the idea from a writing, direction and effects standpoint, on the other hand, falls far short. In many of the original series' episodes (e.g., "The Masks", "Escape Clause") used the running time to flesh out the characters to give the payoff special resonance; "The Card", on the other hand, simply uses the 22 minute running time to dutifully run through each step of the escalating collections process, and giving the audience little or no additional insight into the Blakely's character (or anyone else's, for that matter). The result is a plodding, by-the-numbers episode that has an unnecessarily cruel end.

Blakely's character is the only one who's given more than one dimension (Atherton is particularly badly served by Michael Cassutt's script), and even that additional dimension is limited to the fact that she loves her family. Blakely gives a game performance, but she's given no room to run; indeed, she comes off as a deeply flawed individual, but one hardly deserving of the sadistic end that comes to her.

-- SPOILER COMING --

The direction is no better, as nothing in the staging or shooting of the episode makes it any more effective. Indeed, the visual effects of everything disappearing around Blakely's character are unspeakably juvenile, complete with "whoosh" sound effects.

In short, this is an episode that takes a one-note "twist" idea, and adds absolutely nothing to it.

THE JUNCTION (6 of 10)

A miner on the outs with his wife (William Allen Young) is trapped in a cave-in while exploring a new shaft; although he thinks he is alone, he finds he's trapped with another miner (Chris Mulkey), who was apparently trapped in the same mine seventy-five years earlier.

The story here is one that would pass for minor league "Twilight Zone" fare -- no deep moral truths, and although some believable character shifts, nothing terribly memorable -- but it's reasonably effective for what it is. Virginia Aldridge's script and the production design do a nice job of setting the feel of the coal town, and the dialogue between Young and Mulkey is believable and effectively delivered.

While the twist plays more like something out of "One Step Beyond," it's still effective enough on its own terms. If nothing else, it's a welcome relief from the awful segment that preceded it.
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5/10
Want to get a credit card? Not after this...
Leofwine_draca13 June 2015
THE CARD is a pretty funny black comedy and a treat for fans of THE NEW TWILIGHT ZONE. In it, a typical suburban housewife (Susan Blakeley) bags herself a brand new credit card which has some stringent conditions attached to it if you happen to be tardy when paying off the debt. Conditions that are of a repossession-type nature. What starts as a relatively subtle tale ends up going completely over the top as the housewife learns the error of her ways.

This is another moralistic story but one which plays out well and serves as an ample warning for anyone tempted to get themselves such a card. The straight-faced nature of the production makes it all the funnier, especially with the climax which brings to mind the one in POLTERGEIST. Plus it's always fun to see a typically exasperated William Atherton playing the husband...

THE JUNCTION is less interesting, although it has a decent set-up. A schmaltzy climax ruins the effect somewhat. A cheating miner finds himself trapped in a mine after a cave-in, only to meet up with a fellow miner who seems to be from another time period - 1912 to be precise. The execution isn't so bad here, with a few claustrophobic moments, but that ending is very poor.
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