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Eileen Chang (story)
James Schamus (screenplay)
(suite)
24 septembre 2007 (Taiwan) suite
To kill the enemy, she would have to capture his heart....and break her own. suite
An espionage thriller set in WWII-era Shanghai, in which a young woman, Wang Jiazhi, gets swept up in a dangerous game of emotional intrigue with a powerful political figure, Mr. Yee. full summary | add synopsis
Nominated for Golden Globe. Another 15 wins & 23 nominations suite
A beautiful masterpiece plus de (128 total)
| Tony Leung Chiu Wai | ... | Mr. Yee | |
| Wei Tang | ... | Wong Chia Chi / Mak Tai Tai | |
| Joan Chen | ... | Yee Tai Tai | |
| Lee-Hom Wang | ... | Kuang Yu Min | |
| Chung Hua Tou | ... | Old Wu | |
| Chih-ying Chu | ... | Lai Shu Jin | |
| Ying-hsien Kao | ... | Huang Lei | |
| Yue-Lin Ko | ... | Liang Jun Sheng | |
| Johnson Yuen | ... | Auyang Ling Wen / Mr. Mak | |
| Kar Lok Chin | ... | Tsao | |
| Yan Su | ... | Ma Tai Tai | |
| Saifei He | ... | Hsiao Tai Tai | |
| Ruhui Song | ... | Wang's Aunt | |
| Anupam Kher | ... | Khalid Saiduddin | |
| Jie Liu | ... | Leung Tai Tai | |
| Hui-Ling Wang | ... | Liao Tai Tai | |
| Akiko Takeshita | ... | Japanese Tavern Boss Lady | |
| Hayato Fujiki | ... | Japanese Colonel Sato | |
| Seto Masumi | ... | Geisha in Japanese Tavern | |
| Noriko Kohyama | ... | Musician in Japanese Tavern (as Koyama Noriko) | |
| Shayam Pathak | ... | Jewelry Shopkeeper | |
| Gu Zhang-Ping | ... | Hong Kong Tailor | |
| Gao Bo-Wen | ... | Male Ping-Tan Singer | |
| Yu Qun | ... | Female Ping-Tan Singer | |
| Yat-Tung Lau | ... | HKU Theater Audience (as Lau Yat Tung) | |
| Yu Lai Cheng | ... | HKU Theater Audience (female) | |
| Yuji Kojima | ... | Japanese Commander Taicho | |
| Mizogomi Yoko | ... | Japanese Teacher | |
| Minamikata Fumika | ... | Japanese Tavern Waitress | |
| Anys Fatnassi | ... | New Kiessling Cafe Waiter | |
| Tang Ya Jun | ... | Tricycle Cab Waiter | |
| Shi Hong | ... | Woman at Police Line | |
| Deng Wei | ... | Prostitute in Brothel | |
| Li Dou | ... | Old Man at Bookstore | |
| reste de la distribution par ordre alphabétique: | |||
| Lisa Lu | ... | Mahjong partner of Aunt | |
| Jacob J Ziacan | ... | Western student (uncredited) | |
Réalisé par | |||
| Ang Lee | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Eileen Chang | story | |
| James Schamus | screenplay | |
| Hui-Ling Wang | screenplay | |
Produit par | |||
| Lloyd Chao | .... | associate producer | |
| William Kong | .... | producer | |
| Ang Lee | .... | producer | |
| David Lee | .... | co-producer | |
| Er-Dong Liu | .... | line producer | |
| Zhong-lun Ren | .... | executive producer | |
| James Schamus | .... | executive producer | |
| Darren Shaw | .... | executive producer | |
| Dai Song | .... | executive producer | |
| Doris Tse | .... | co-producer | |
Musique originale | |||
| Alexandre Desplat | |||
Image | |||
| Rodrigo Prieto | |||
Montage | |||
| Tim Squyres | |||
Distribution des rôles | |||
| Rosanna Ng | |||
Création des décors | |||
| Lai Pan | |||
Direction artistique | |||
| Kwok-wing Chong | (as Joel Chong) | ||
| Eric Lam | |||
| Sai-Wan Lau | |||
| Bill Lui | |||
| Alex Mok | |||
| Synderella Peng | |||
Création des costumes | |||
| Lai Pan | |||
Assistant réalisateur | |||
| Tze Hung Lam | .... | second assistant director | |
| Rosanna Ng | .... | first assistant director | |
Département Art | |||
| Sai Kit Wong | .... | property master | |
Technicien du son | |||
| Leslie Bloom | .... | foley artist | |
| Marko A. Costanzo | .... | foley artist | |
| Chris Fielder | .... | assistant sound editor | |
| Mark Filip | .... | sound effects editor | |
| Eugene Gearty | .... | sound re-recording mixer | |
| Eugene Gearty | .... | supervising sound editor | |
| Frank Kern | .... | supervising foley editor | |
| Drew Kunin | .... | sound mixer | |
| George A. Lara | .... | foley mixer | |
| Jane McCulley | .... | adr editor | |
| Katherine Gordon Miller | .... | assistant sound editor | |
| Branka Mrkic | .... | dialogue editor (as Branka Mrkic-Tana) | |
| Jessica Parks | .... | apprentice sound editor | |
| Reuben Simon | .... | sound editor | |
| Wyatt Sprague | .... | sound effects editor | |
| Reilly Steele | .... | sound re-recording mixer | |
| Philip Stockton | .... | supervising sound editor | |
| Betty P. Teng | .... | associate adr editor | |
| Steven Visscher | .... | foley editor | |
Visual Effects | |||
| Sarah Barber | .... | visual effects coordinator: Mr. X Inc. | |
| Aaron Barclay | .... | compositing lead | |
| Michael Becki | .... | digital compositor | |
| Barb Benoit | .... | digital compositor | |
| Dennis Berardi | .... | senior visual effects producer: MR. X Inc. | |
| Kristy Blackwell | .... | digital compositor | |
| Jeff Briant | .... | visual effects production assistant: Mr X Inc. | |
| Dan Carnegie | .... | visual effects animator: Mr. X Inc. | |
| Cyril Frederick Chu | .... | digital artist | |
| Ovidiu Cinazan | .... | digital compositor | |
| Patrick Clancey | .... | digital opticals | |
| Rob Del Ciancio | .... | digital compositor | |
| Jeremy Dineen | .... | visual effects animator | |
| Anand Dorairaj | .... | digital compositor | |
| Jason Edwardh | .... | tracking lead | |
| David Fix | .... | senior systems administrator: Mr. X Inc | |
| Zachary J. Gans | .... | visual effects production assistant: Mr. X Inc. | |
| Matt Glover | .... | visual effects production assistant | |
| Omar Gudjonsson | .... | digital compositor | |
| Annu Gulati | .... | digital compositor | |
| Timo Huber | .... | digital compositor | |
| Dushyant Kashyap | .... | digital effects artist | |
| Miklos Kozary | .... | digital compositor: Mr X. Inc. | |
| Ken Lam | .... | digital compositor | |
| Mai-Ling Lee | .... | digital artist | |
| Shun Sing Edward Lee | .... | senior digital compositor | |
| Elliot Mallon | .... | modeller | |
| Jim Maxwell | .... | matte painter: Mr. X Inc | |
| Sarah McMurdo | .... | visual effects producer: Mr. X Inc | |
| Jaideep Mohan | .... | digital compositor | |
| Jesh Murthy | .... | visual effects | |
| Kevin Quatman | .... | compositing lead: Mr. X Inc | |
| Matt Ralph | .... | digital effects artist | |
| Dominic Remane | .... | lighting lead | |
| Chris Ross | .... | digital effects scanning | |
| Matt Schofield | .... | matte painter: Mr. X Inc | |
| Carolyn Shelby | .... | digital effects artist | |
| Ben Simons | .... | senior technical supervisor | |
| Danita Slaughter | .... | digital opticals editor | |
| Brendan Taylor | .... | visual effects supervisor: Mr. X Inc | |
| David Thompson | .... | digital compositor | |
| Jean Phillipe Traore | .... | Flame artist | |
| Michael Turoff | .... | visual effects | |
| Lisa Tutunjian | .... | digital intermediate editor | |
| Armando Velazquez | .... | digital compositor | |
| Brianne Wells | .... | preliminary visual effects coordinator: Mr. X Inc | |
| Fiona Campbell Westgate | .... | senior visual effects producer: Mr. X Inc | |
| Kyle Yoneda | .... | effects animator | |
| Wojciech Zielinski | .... | CG supervisor: Mr.X Inc | |
| Thomas Mathai | .... | data manager (uncredited) | |
| Mitch Paulson | .... | digital colorist assist (uncredited) | |
Département Casting | |||
| David H. Kramer | .... | adr voice casting | |
| Ronnie Shum | .... | casting coordinator | |
Dpartement Editorial | |||
| Kenny Becker | .... | color timer | |
| George Chavez | .... | color timer | |
| Lee Engelmann | .... | color timer | |
| Tom Engleman | .... | color timer (as Tom Englemann) | |
| Chris Hinton | .... | color timer | |
| Gary Levy | .... | first assistant editor | |
| Yvan Lucas | .... | colorist: Efilm | |
| Tom Mayclim | .... | negative cutter | |
| Christian Prejza | .... | digital intermediate producer | |
| Tom Reiser | .... | colorist assist: Efilm | |
| Lisa Tutunjian | .... | digital intermediate editor | |
| Caleb Wisdorf | .... | post-production coordinator | |
Département Musique | |||
| Jean-Pascal Beintus | .... | orchestrator | |
| Christine Bergren | .... | music legal and clearance | |
| Andrew Dudman | .... | score mixer | |
| Andrew Dudman | .... | score recording engineer | |
| Dan Lieberstein | .... | music consultant | |
| Jen Pray | .... | music clearance | |
Divers | |||
| Cheung Cheuk | .... | production assistant | |
| Tsz Cheung Cheung | .... | making-of | |
| Joyce Hsieh | .... | production accountant | |
| Wing Tai Lau | .... | production assistant | |
| Sherrie Liu | .... | script supervisor | |
| Heidi Ng | .... | production assistant | |
| Synderella Peng | .... | title designer | |
| Chow Hin Yeung Roy | .... | assistant: director | |
| Chow Hin Yeung Roy | .... | researcher | |
| Ronnie Shum | .... | production assistant | |
Merci | |||
| Rebecca Pan | .... | special thanks: artistic contribution | |
| Gustavo Santaolalla | .... | special thanks | |
Lust, Caution (USA)
Se jie (China: Mandarin title)
suite
Rated NC-17 for some explicit sexuality; Rated R for strong sexual content and a scene of brutal violence (edited version).
157 min | 148 min (edited version)
1,85 : 1 suite
USA:NC-17 | Hong Kong:III | Singapore:NC-16 (edited version) | Taiwan:R-18 | Malaysia:18PL (cut) | South Korea:18 | Germany:16 | UK:18 | Australia:R | Philippines:R-18 | Ireland:18 | Netherlands:16 | Canada:16+ (Quebec) | Canada:18A (British Columbia/Ontario) | Canada:R (Alberta/Manitoba) | Norway:15 | Switzerland:16 (canton of Vaud) | Switzerland:16 (canton of Geneva) | Finland:K-15 | Italy:VM14 | Portugal:M/18 | France:-12 | Japan:R-18 | Sweden:15 | USA:R (heavily cut version) | Singapore:R21 (re-release) (uncut) | Argentina:18 | USA:TV-MA (TV rating) (uncut version) | New Zealand:R18 | Peru:18 | Australia:MA (Cable TV rating)
'Lust, Caution' was submitted as Taiwan's entry to the Best Foreign Language Film Category of the 80th Annual Academy Awards (2008), but it was rejected on 17 October 2007 by the Academy of Motion Pictures Arts & Sciences because many of the film's personnel were not Taiwanese. Taiwan then substituted Huai-en Chen's Lian xi qu (2006). suite
Anachronismes: The London Taxi seen is the FX4 Fairway which wasn't introduced until 1959. suite
Références Destry Rides Again (1939) suite
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| Novecento | La coda dello scorpione | Paroxismus | The Departed | Furyô anego den: Inoshika Ochô |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb USA section | Add this title to MyMovies |
This film is about a woman enticing a top ranking official in the occupying Japanese government, in order to assassinate him.
I am very impressed by this film after just watching 5 minutes of it. The mahjong scene is very well made. Behind all the gossip, it has so much subtle tension. Everyone is secretly calculating another and planning their next move, both in the game and outside the game. Another striking thing that I noticed is that the panning motion of the camera. I am sure it is very tricky to get it right! A continuous shot of taking a piece of mahjong, then the hand of tiles, then throwing the unwanted one away. All done in one shot. It's really good camera work.
There is a lot of complex emotions, both expressed and implied. For example, Wang Jiazhi's pain of having to give up her virginity is skilfully implied. Later, her pain of being intimate with Mr Yee is expressed in a rage. The psychological games in the subsequent parts is well portrayed. Wei Tang is masterful in playing her role. She portrays a wide variety of facial expression and bodily gestures so naturally and skilfully. Her power of seduction is undeniable. The surreal atmosphere that she creates when she is Mai Tai Tai is stunning. I have never heard of her before, and I hope she will get to play in more film in the future.
Despite the film being two and a half hour long, it did not feel like it at all. In fact, I am glad that Ang Lee gives us enough time to appreciate the beauty of the film. The plot is gripping, and there is a lot to be pondered on. Men have to caution against lust, while for women, they may have to caution against something else. I will no reveal it here, watch the film to see for yourself.
This film is a beautiful masterpiece. Just a side note, the sexuality in this film is so extremely the polar opposite compared to Ang Lee's last film "Brokeback Mountain". I find this very interesting.