The Big Bang Theory (TV Series)
The Nerdvana Annihilation (2008)
Reference View | Change View
- TV-PG
- 20min
- Comedy, Romance
- 28 Apr 2008
- TV Episode
Penny gets mad at the guys when their full scale model of a time machine causes her to miss work, which prompts Leonard to give up all of his nerd memorabilia.
Director:
Writers:
Stars:
Reviews:
Photos and Videos
Complete, Cast awaiting verification
Johnny Galecki | ... |
Leonard Hofstadter
|
|
Jim Parsons | ... |
Sheldon Cooper
|
|
Kaley Cuoco | ... |
Penny
|
|
Simon Helberg | ... |
Howard Wolowitz
|
|
Kunal Nayyar | ... |
Raj Koothrappali
|
|
Andrew W. Walker | ... |
Mike
(as Andrew Walker)
|
Directed by
Mark Cendrowski |
Written by
Chuck Lorre | ... | (created by) (creator) & |
Bill Prady | ... | (created by) (creator) |
Stephen Engel | ... | (teleplay) & |
Steven Molaro | ... | (teleplay) |
Bill Prady | ... | (story) |
Produced by
Lee Aronsohn | ... | executive producer |
Kristy Cecil | ... | associate producer |
Peter Chakos | ... | producer |
Robert Cohen | ... | co-executive producer |
Stephen Engel | ... | consulting producer |
Jennifer Glickman | ... | consulting producer |
David Goetsch | ... | co-executive producer (as Dave Goetsch) |
Chuck Lorre | ... | executive producer (showrunner) |
Steven Molaro | ... | producer |
Faye Oshima Belyeu | ... | producer |
Bill Prady | ... | executive producer |
Mary T. Quigley | ... | co-producer |
Cinematography by
Steven V. Silver | ... | director of photography |
Editing by
Peter Chakos |
Editorial Department
Ryan Berdan | ... | post-production coordinator (uncredited) |
Tony D'Amore | ... | final colorist (uncredited) |
Todd Morris | ... | assistant editor (uncredited) |
Casting By
Ken Miller | ||
Nikki Valko |
Production Design by
John Shaffner |
Set Decoration by
Ann Shea |
Costume Design by
Mary T. Quigley |
Makeup Department
Peggy Nichols | ... | makeup artist |
Faye Woods | ... | hair stylist |
Matthew W. Mungle | ... | special makeup effects artist (uncredited) |
Richard Redlefsen | ... | special makeup effects artist: morlocks (uncredited) |
Clinton Wayne | ... | special makeup effects artist (uncredited) |
Production Management
Kelly Lee | ... | unit production manager (as Kelly-Anne Lee) |
Second Unit Director or Assistant Director
Bill Ghaffary | ... | second assistant director |
Chris Klausen | ... | second assistant director |
Howard Murray | ... | associate director |
Anthony Rich | ... | first assistant director |
Art Department
Scott L. London | ... | property master |
Francoise Cherry-Cohen | ... | set designer (uncredited) |
Justin D. Hetzel | ... | art department production assistant (uncredited) |
Bryan Rogers | ... | set dresser (uncredited) |
Sound Department
Bob La Masney | ... | re-recording mixer |
Charlie McDaniel | ... | re-recording mixer |
Bruce Peters | ... | production sound mixer |
Ron Arnold | ... | sound recordist (uncredited) |
Michael Kreple | ... | foley mixer (uncredited) |
Camera and Electrical Department
Roland Monty Reese | ... | dimmer board op |
Greg Gayne | ... | still photographer (uncredited) |
Robert Zeigler | ... | digital imaging technician (uncredited) |
Casting Department
Nikki Hoffman | ... | extras casting |
Peter Pappas | ... | casting associate |
Adam Hochfeld | ... | extras casting (uncredited) |
Music Department
Barenaked Ladies | ... | composer: theme music / performer: theme music |
Leo Tee | ... | music clearance manager (uncredited) |
Script and Continuity Department
Julie Fleischer | ... | script supervisor |
Additional Crew
Don Foster | ... | executive consultant |
Brian George | ... | production coordinator |
Eddie Gorodetsky | ... | executive consultant |
Mark Roberts | ... | executive consultant |
David Saltzberg | ... | science consultant (as David Saltzberg Ph.D.) |
Mona Garcea | ... | executive assistant (uncredited) |
Maile Gerken | ... | production assistant (uncredited) |
Lisa Maniker | ... | product placement (uncredited) |
Anthony Robinson | ... | production assistant (uncredited) |
Jason T. Welden | ... | computer/video playback (uncredited) |
Production Companies
Distributors
- CBS (2008) (United States) (tv)
- Amazon Prime Video (2020) (Venezuela) (video) (VOD)
- CTV Television Network (2008) (Canada) (tv)
- Channel 4 Television Corporation (2008) (United Kingdom) (tv)
- Cool TV (2010) (Hungary) (tv)
- Veronica (2009) (Netherlands) (tv)
- Warner Home Video (2008) (United States) (DVD)
Special Effects
Other Companies
- Technicolor (post-production services)
- Warner Bros. Post Production Services (sound services)
- Panavision (camera equipment provided by)
Storyline
Plot Summary |
Leonard buys a replica time machine online. As the boys move it into the apartment they accidentally make Penny late for work causing her to lash out at Leonard for his nerdy ways. Upset, Leonard decides to get rid of all his 'nerdmabelia' and the guys try to convince him not to. Written by Anonymous |
Plot Keywords | |
Genres | |
Parents Guide | Add content advisory for parents » |
Certification |
Additional Details
Also Known As |
|
Runtime |
|
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Did You Know?
Trivia | The Time Machine in this episode is a replica not the original from The Time Machine (1960). The original is owned by film collector Bob Burns who declined the use of it for the show. See more » |
Goofs | Sheldon states that Captain Kirk will steal a cloaking device from the Romulans in 2328. Kirk's era was set in the 23rd century, which would mean the correct year would have been more like 2228. See more » |
Movie Connections | Referenced in Episode #26.112 (2010). See more » |
Soundtracks | History of Everything See more » |
Crazy Credits | CHUCK LORRE PRODUCTIONS, #206 I think we can all agree that the cliché, "no pain, no gain," is a fundamental truth. When we experience physical pain in the gym, we gain muscles and stamina. When we endure hardship and sacrifice in order to succeed, we gain a feeling of satisfaction and achievement, not to mention financial rewards. When we truly embrace emotional pain, we gain compassion for the suffering of others, an appreciation for the fleeting nature of things, as well as wisdom and spiritual humility. Every act of birth is an act of pain. Our very lives are sustained by the suffering and death of plants and animals, who in turn are sustained by other organisms having a very bad day. That being said, I think we can also agree that this system sucks and needs to be seriously re-jiggered. Now I'm not saying I have a better approach than this pain/gain thing that's been in place for millions of years -- but that doesn't mean we couldn't start tossing around some ideas. For instance, why couldn't an infrastructure for life be developed around the theme, "no dream, no gain?" Sounds like heaven, right? Or is dreaming too easy? Would life quickly become complacent and cease to gain? But then, is gain really that critical? Or is gain the whole point? Is the fact that life exists at all proof that God or the universe hates complacency? It certainly explains why aboriginal people are constantly being murdered for the sake of "progress." It even explains why HBO went down the toilet. See more » |
Quotes |
Raj Koothrappali:
[the time machine prop Leonard bought is life-size]
Did the listing actually say "miniature"? Leonard Hofstadter: I just assumed. Well, who sells a full-sized time machine for $800? Sheldon Cooper: In a Venn diagram, that would be an individual located within the intersection of the sets "No longer want my time machine" and "Need $800". Howard Wolowitz: It's actually a tremendous bargain. Even with shipping, it works out to less than $4 a pound. Raj Koothrappali: Cocktail shrimp are $12.50. Leonard Hofstadter: How are we gonna get it upstairs? Howard Wolowitz: If we take the dish off, it might fit in the elevator. Leonard Hofstadter: Yes, but the elevator's been broken for two years. Sheldon Cooper: I've been meaning to ask you: do you think we should make a call about that? Howard Wolowitz: Not necessary. I have a master's in engineering. I remotely repair satellites on a regular basis. I troubleshoot space shuttle payloads. [Howard walks over to the elevator] Howard Wolowitz: When the Mars Rover started pulling to the left, I performed a front-end alignment from 62 million miles away. [Howard presses the elevator call button, then puts his ear to the elevator doors] Howard Wolowitz: [walking back to the group] No, that baby's broken. See more » |