An unashamedly old-fashioned adaptation of a lesser-known H. G. Wells novel, previously made into a movie (complete with Ray Harryhausen stop-motion aliens) back in 1964. Mark Gatiss should be applauded for bringing something less familiar to the screen, showing that there's still a market for small-screen science fiction and horror (he also made the retro horror anthology, CROOKED HOUSE).
Unfortunately, FIRST MEN IN THE MOON doesn't turn out to be the greatest film ever made. It's commendably old-fashioned, yes, featuring a great performance from none-other than Gatiss as a bizarre Edwardian mad scientist who creates a compound that will take his ship to the moon. Paired up with Gatiss is straight man Rory Kinnear, son of Roy and the spitting image of his father. Given that this production has an extremely low budget, much of the film is made up of dialogue as the pair fight, debate and argue, but of course the inevitable CGI effects eventually come when the twosome make their trip to the moon.
The good stuff: for once, the CGI aliens look pretty good, and on par with Harryhausen's own creations. There's plenty of humour to soften the story, and Gatiss and Kinnear work well together. The bad stuff: the story seems very twee in places and the plotting is stretched out to the extreme, with very little actual incident to fill the running time. It has the feel of a children's show, although bizarrely the BBC like to show this stuff on an obscure channel in the middle of the night. A shame, as the kids gorging themselves on the latest DOCTOR WHO would probably enjoy this – and it's something I myself would have loved if I'd seen it at an early age.
Unfortunately, FIRST MEN IN THE MOON doesn't turn out to be the greatest film ever made. It's commendably old-fashioned, yes, featuring a great performance from none-other than Gatiss as a bizarre Edwardian mad scientist who creates a compound that will take his ship to the moon. Paired up with Gatiss is straight man Rory Kinnear, son of Roy and the spitting image of his father. Given that this production has an extremely low budget, much of the film is made up of dialogue as the pair fight, debate and argue, but of course the inevitable CGI effects eventually come when the twosome make their trip to the moon.
The good stuff: for once, the CGI aliens look pretty good, and on par with Harryhausen's own creations. There's plenty of humour to soften the story, and Gatiss and Kinnear work well together. The bad stuff: the story seems very twee in places and the plotting is stretched out to the extreme, with very little actual incident to fill the running time. It has the feel of a children's show, although bizarrely the BBC like to show this stuff on an obscure channel in the middle of the night. A shame, as the kids gorging themselves on the latest DOCTOR WHO would probably enjoy this – and it's something I myself would have loved if I'd seen it at an early age.