"Castle Rock" Past Perfect (TV Episode 2018) Poster

(TV Series)

(2018)

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8/10
Mixed feelings about this one
HereGoHellCome29 August 2018
Bill Skarsgård is the very definition of creepy, right down to the way he walks and carries himself. This episode is definitely setting up for something big.

The part that made no sense was when Ruth, who has advanced Alzheimer's, had just murdered Alan, but instead of the police arresting Ruth, they just go. Then Henry and his son also decide to leave and Ruth is alone in the house for hours. Yeah, that's a great idea.
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8/10
Castle Rock - Past Perfect
Scarecrow-8830 August 2018
Warning: Spoilers
This episode, following the masterpiece that was "The Queen", "Past Perfect" has a lot going on, really elaborating some connective tissue between Henry and The Kid. Introduced in "The Box" character actor, Mark Harelik (The Big Bang Theory), here as a former professor named Gordon, and actress Lauren Bowels (True Blood), as his cheating wife-her affair with a fellow professor the cause of his breakdown and concurring troubled soul-come to Castle Rock to open the deceased Warden Lacy's home as a morbid bed and breakfast in "Past Perfect" and by episode's end have an unfortunate encounter with Henry that leads to a butcher knife stab to the neck opening a nasty arterial spray and an ax to the head when Jackie must get involved! When Henry was searching the Lacy house for clues, his blind wife wanted him out, with a locked basement revealed but not opened. Well in "Past Perfect" that basement door is opened, the lock removed with Gordon's wife finds the key, with a plethora of eerie portraits of The Kid painted by Warden Lacy over the years since his captivity in the hidden room of the closed wing of Shawshank. The portraits Gordon would hang in a study just have a very unsettling vibe to them, painted in angles often with Skarsgård looking away from Lacy, either to his right or left.

But when Henry arrives to the house, entering the basement illegally when Gordon doesn't answer, locating the study where the portraits hang on the walls, he locates a certain one from 1991 with Skarsgård wearing a sweater exactly as he wore as a kid! And before he flees Ruth's home, cut in the side by her knife when she thought he was Matthew, Skarsgård tells Henry that he waited for 27 years after helping him escape...details about the missing eleven days are starting to surface as the series approaches the final episode of the season. How does Skarsgård's Kid and Henry correlate with Lacy's prison captivity and Matthew in the woods? It does appear the series is heading towards answering (perhaps) those questions. But after Skarsgård cleans up Ruth's house, showing Henry Alan's dead body, seemingly caring about concealing from Ruth her responsibility for Pangborn's demise, eventually the police will arrive to the tragic scene. The episode further implicates Henry as much as Skarsgård for the "curse" that seems to follow him, a path / trail / count of bodies left behind since returning to Castle Rock, a deputy literally calls him to his face "The Black Death" (!), emphasizing the apparent racism and barely veiled contempt towards the capital murder lawyer held under scrutiny for Matthew and now Alan's deaths.

In a later conversation with Molly when Skarsgård speaks the most he ever has during the show's entire run up until this point, he tells her that she will die and that Henry is not yet ready...ready for what, the obvious question. Molly does envision herself injured (perhaps dead) in the woods, and this is echoed by Skarsgård when he informs her that he saw her fate as well! Molly being able to locate Henry in the "sound chamber" of the RV, because of their psychic connection, there seemed to have been a perpetrator as Odin is shown with a screwdriver impaled in his eye! Who killed Odin? Although the images are very fast and brief, flashes without much clarity as of yet, Henry is starting to gain recollection/memory of his own lost time, certain to shed light on what exactly happened to him (and maybe even Matthew). Molly's story continues to remain as important to the overall story arc as Henry and Skarsgård's. When Ruth speaks to Henry, she didn't think she shot Alan (asking him to go get Alan, *sigh*) but Matthew, leaving her son pondering what actually happened. Because we were allowed access within her dementia-plagued mind, her plight is quite aware to us.

The murdered couple passing through, just in the wrong place at the wrong time when deciding to stay at Gordon's bed and breakfast, and Wendell deciding to get off the bus after being sent back home by Henry, give us fateful decisions that alter their lives. While Wendell's fate remains unknown, his receiving the same auditory pain (after a crow splats on the bus window) as his father, not willing to just leave daddy behind, the couple are just having sex upstairs when a seemingly possessed Gordon (eerily reminiscent of the caretakers at the Overlook) attacks them, leaving him and the wife no other alternative but to hack up the bodies, back up the parts, and get rid of them! Jackie happening upon them right as they are about to take off the bagged bodies, she unknowingly interrupts a grisly bit of cleanup, later returning when she finds a bloody broach...and lucky for Henry she does!
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8/10
Here's Skarsgård!
AhmedSpielberg9931 August 2018
Many critics didn't like this episode because it revisited a once-opened sub-plot. I agree that it's a bit too late to get back to a sub-plot while the show becomes nearer to its end. But I found that this sub-plot has something to do with the main plot. Actually, it's merged very well with the story, and it seems that it even adds to the story. So what's the wrong with that?! Also, it's darn entertaining!

I loved how creepy the atmosphere of Past Perfect is. Nevertheless, it assures that Castle Rock suffers a great deal of inconsistency in tone, and style.

What really got my attention is how much this show is related to The Shining. In fact, it doesn't only take place in the same universe of The Shining, It expands on this universe using The Shining's rules. Maybe in a messy way, but it still a decent one.

(8/10)
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10/10
Castle rock is answer for your nightmares
matiasbockerman30 August 2018
Previous episode was emotional and sad, and this one was Creepy as Hell. Some people say there was too much mess, and I agree for that, but still...that was a mess with a style, Creepy, tense and very terryfying mess. This episode touches my deepiest and the most primitive fears. Acting was great, as always on the past 8 episodes. It's Well written and absolutely wonderfully directed. And soundediting...what can I say?It's very Disturbing and Twisted, it really got me s#itting in my pants. There's one word to describe this episode: WOW!
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9/10
"Everywhere this guy goes, people die."
classicsoncall6 February 2023
Warning: Spoilers
For horror fans waiting for a slasher/gore episode, they finally got their wish with this installment. A couple (Mark Harelik, Lauren Bowles) who relocate to Castle Rock to open a murder museum bed and breakfast in the former Lacy home are surprised by a treasure trove of the former warden's paintings in the basement, all of which depict 'The Kid' (Bill Skarsgård) over a span of years without aging. I got a kick out of the moving company the no-last-name couple hired to bring their possessions; it was called 'Out of Dodge Movers', as in 'get the hell out of..'. I thought that was clever.

With Henry Deaver (André Holland) trapped in a camper van from the prior episode, Molly Strand (Melanie Lynskey) comes to the rescue with her psychically tuned ability that more and more people seem to acquire in connection with The Kid. Henry's son Wendell (Chosen Jacobs) has it now too, tortured by it on the way back home to Boston. The story answered my question whether or not Ruth Deaver (Sissy Spacek) actually shot and killed Alan Pangborn in Chapter Seven, since that occurred right in the middle of Ruth's dementia driven nightmares. Sadly, he won't be around in future stories except in potential flashbacks, which are a trademark of this series.

Getting to the scary part, Henry goes to the former Lacy house and enters unbidden, eventually discovering a room full of paintings of The Kid. When the owners find him, they attempt to kill him to prevent their discovery as murderers, this time with Jackie Torrance (Jane Levy) making the save. The only problematic element of this chapter has to do with the police failing to arrest or otherwise apprehend Ruth Deaver for Pangborn's death, perhaps conceding her dementia not to be a risk factor of running away. But it still didn't make any sense.

I have to keep reminding myself that this series is based on the writings of Stephen King and not written by King himself. The actual writers here have his style down pat, with twists that make any of his novels page turners. This one concludes with a sure-fire statement by The Kid to Molly to ratchet up the mystery - "Out there in the woods. That's where you died".
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7/10
Past Perfect
bobcobb3016 September 2018
Warning: Spoilers
Past Perfect felt more like a one-off than something that played a big part in the central story, but we will see moving forward if that changes in any way. It came off like one of the low budget horror movies that I love, but overall it lacked the sort of ominous tone set in previous installments.

The show is good, but right now is not quite living up to the hype.
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4/10
All over the floor now, and they don't really give a damn.
oohsusu29 August 2018
Warning: Spoilers
Things are just all over the place now. Never mind reason, common sense and continuity, people are just barging in to others houses like their own barns. Are you found with a corpse on your property? Tell them it wasn't you like your Shaggy's cousin. Police won't bother check on anybody else present. Got a hunch feeling in the middle of the night? Get straight to the trailer hidden in the woods that other had to get lost a whole day to get to. Just slapping me silly and call me moron would be more respectful than this.
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5/10
Better than last episode but really terribly written and directed
speaktomenow29 August 2018
Warning: Spoilers
The first five minutes of this episode were much better than the previous week's entire ep. After that it fell in a massive hole. It's all soooo slow and plodding. It's not moody, it's not scary, it's just lazy on all fronts. The directing, the editing, the writing...it's a boring mess.

It's like the actors have no idea what any of this means or what the point is, so the lumber from scene to scene, draaaaaaagggging out every line and every pause. There's also the complete absence of any logic to any of the behaviour and no connection to keep us thinking there's actually a plot.

Bill Skarsgard just slouches and slumps from shoulder to shoulder, and what's clearly meant to be 'menace' and 'threat' just plays like some form of autism. He's about as scary as a pillow fight. Yes I get he was and may end up to be pennywise, but at this pace, who cares?

I still can't forgive last weeks appaling indulgent train wreck with Ruth which felt like they just spliced together all the left over scenes in a copy and paste rush, but at least introducing the weird BnB owners looked promising...oh until they killed them both off.
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