Maybe, not exactly the movie who you expect. Its axis is the silent scenes, the heart is represented by confession, story itself seems only a sketch and the end is offered to viewer to make it.
Two men, a night of sex, a travel, the break down of car in nowhere.
Confessions, image of relations, precise frame of vulnerability, doubts, need of love and fears.
All as pieces of a special film about the way to reconciliate with yourself , to be near other, to offer and to keep , to reveal what real matters out of sexual contact.
The improvisation remains the main trait of film.
Like the good acting, Josh Lavery and Matt Hickmott offering beautiful performances. In short, just a film offering honest support for reflection and beautiful poetry of significant things defining us.
Two men, a night of sex, a travel, the break down of car in nowhere.
Confessions, image of relations, precise frame of vulnerability, doubts, need of love and fears.
All as pieces of a special film about the way to reconciliate with yourself , to be near other, to offer and to keep , to reveal what real matters out of sexual contact.
The improvisation remains the main trait of film.
Like the good acting, Josh Lavery and Matt Hickmott offering beautiful performances. In short, just a film offering honest support for reflection and beautiful poetry of significant things defining us.
