Francis Ford Coppola’s 1974 classic The Conversation is 50 years old – and is coming to 4K Ultra HD Blu-ray…
It’s a terrific movie trivia question: at the 1975 Academy Awards, Francis Ford Coppola had two films nominated for Best Picture. The one that people tend to know is The Godfather Part II, which took home the Oscar. The one that might even be better than that is the paranoid thriller The Conversation, that’s very much a candidate for being Coppola’s best film.
It stars Gene Hackman, and the Cannes Palme D’Or winner is now celebrating its 50th birthday. As part of that celebration, it’s coming to 4K Ultra HD Blu-ray for the very first time.
Set for release on 15th July, you can find more information on the release, and order a copy, right here.
Initially, the movie will be available in an impressive-looking collectors’ set, with two discs in the box,...
It’s a terrific movie trivia question: at the 1975 Academy Awards, Francis Ford Coppola had two films nominated for Best Picture. The one that people tend to know is The Godfather Part II, which took home the Oscar. The one that might even be better than that is the paranoid thriller The Conversation, that’s very much a candidate for being Coppola’s best film.
It stars Gene Hackman, and the Cannes Palme D’Or winner is now celebrating its 50th birthday. As part of that celebration, it’s coming to 4K Ultra HD Blu-ray for the very first time.
Set for release on 15th July, you can find more information on the release, and order a copy, right here.
Initially, the movie will be available in an impressive-looking collectors’ set, with two discs in the box,...
- 5/3/2024
- by Simon Brew
- Film Stories
Dan Wallin, the music scoring engineer who recorded such classic film scores as “Spartacus,” “Bullitt,” “The Wild Bunch” and “Out of Africa,” died early Wednesday in Hawaii. He was 97.
Twice Oscar-nominated for best sound (1970’s “Woodstock” and 1976’s “A Star Is Born”), he won a 2009 Emmy for sound mixing on the Academy Awards telecast and received two additional Emmy nominations in the sound mixing category.
But it was Wallin’s skill behind the console, recording and mixing musical scores for movies and TV, that won him legions of fans among nearly all of Hollywood’s top composers and ensured steady employment for more than half a century.
He recorded the music for an estimated 500 films, including those for “Bonnie and Clyde,” “Cool Hand Luke” and “Finian’s Rainbow” in the 1960s; “The Way We Were,” “Blazing Saddles,” “Nashville,” “King Kong” and “Saturday Night Fever” in the 1970s; “Somewhere in Time,” “The Right Stuff...
Twice Oscar-nominated for best sound (1970’s “Woodstock” and 1976’s “A Star Is Born”), he won a 2009 Emmy for sound mixing on the Academy Awards telecast and received two additional Emmy nominations in the sound mixing category.
But it was Wallin’s skill behind the console, recording and mixing musical scores for movies and TV, that won him legions of fans among nearly all of Hollywood’s top composers and ensured steady employment for more than half a century.
He recorded the music for an estimated 500 films, including those for “Bonnie and Clyde,” “Cool Hand Luke” and “Finian’s Rainbow” in the 1960s; “The Way We Were,” “Blazing Saddles,” “Nashville,” “King Kong” and “Saturday Night Fever” in the 1970s; “Somewhere in Time,” “The Right Stuff...
- 4/10/2024
- by Jon Burlingame
- Variety Film + TV
There was perhaps no movie director more in demand in the 1970s than Francis Ford Coppola, who was leading the New Hollywood film movement with epics like “The Godfather” (1972), “The Godfather Part II” (1974) and “Apocalypse Now” (1979). But fewer viewers remember his quiet neo-noir drama “The Conversation,” a complete turnaround in production scale and arguably his only intimate, simple dramatic film. While it was not as financially successful as the previously aforementioned grander classics, the mystery thriller was just as acclaimed and lauded, earning three Oscar nominations and winning the Palme d’Or at the 1974 Cannes Film Festival. Now on its 50th anniversary, let’s look back at one of Coppola’s overlooked films, “The Conversation,” which was released on April 7, 1974.
The picture stars Gene Hackman as Harry Caul, a top surveillance expert who stumbles upon an ambiguous comment – that may lead to a potential murder – while recording for one of...
The picture stars Gene Hackman as Harry Caul, a top surveillance expert who stumbles upon an ambiguous comment – that may lead to a potential murder – while recording for one of...
- 4/9/2024
- by Christopher Tsang
- Gold Derby
Superhero movies were nearing their maximalist peak in 2017 — "Avengers: Infinity War" was a year away, while the DC Extended Universe was self-destructively racing toward "Justice League" without a roadmap or significant audience buy-in — when James Mangold quietly, confidently subverted the genre with "Logan." There had been attempts at revisionist superhero films before, but they were mostly based on/influenced by explicitly revisionist graphic novels (e.g. Zack Snyder's "Watchmen" and Christopher Nolan's Batman trilogy). Josh Trank's "Chronicle" was probably the boldest of the bunch, but that was a top-to-bottom original.
Mangold's "Logan" was different. It used Hugh Jackman, the man who'd been playing Wolverine for 17 years, to tell an X-Men tale that branched out from the film franchise's narrative to depict a Logan in physical decline. Nothing lasts forever — not even, apparently, Wolverine's mutant healing process. He is in unremitting pain, and each altercation plunges him deeper into agony.
Mangold's "Logan" was different. It used Hugh Jackman, the man who'd been playing Wolverine for 17 years, to tell an X-Men tale that branched out from the film franchise's narrative to depict a Logan in physical decline. Nothing lasts forever — not even, apparently, Wolverine's mutant healing process. He is in unremitting pain, and each altercation plunges him deeper into agony.
- 4/7/2024
- by Jeremy Smith
- Slash Film
The Conversation
The Conversation, 11.15pm, BBC2, Monday, November 13
Francis Ford Coppola was enjoying a purple patch when he made this gripping psychological thriller between his Oscar-winning Godfathers - and it’s worth remembering that in addition to winning the Best Adapted Screenplay Oscar in 1975 for Godfather II, he was also nominated for Best Original Screenplay for this, losing out to Chinatown. The Conversation’s subject of surveillance is ever-green, while its anti-hero Harry Caul is also one for the ages. From the opening slow zoom sequence on the conversation of the title to the sound design from Walter Murch and the jazz-inflected score from David Shire, the craft is classy all round. Look out for Harrison Ford in an early role as a slimeball and a small and uncredited but...
The Conversation, 11.15pm, BBC2, Monday, November 13
Francis Ford Coppola was enjoying a purple patch when he made this gripping psychological thriller between his Oscar-winning Godfathers - and it’s worth remembering that in addition to winning the Best Adapted Screenplay Oscar in 1975 for Godfather II, he was also nominated for Best Original Screenplay for this, losing out to Chinatown. The Conversation’s subject of surveillance is ever-green, while its anti-hero Harry Caul is also one for the ages. From the opening slow zoom sequence on the conversation of the title to the sound design from Walter Murch and the jazz-inflected score from David Shire, the craft is classy all round. Look out for Harrison Ford in an early role as a slimeball and a small and uncredited but...
- 11/13/2023
- by Amber Wilkinson
- eyeforfilm.co.uk
Apple TV+’s hit limited series “Hijack” starring Idris Elba is a nail-biting thrill ride set in real-time. Over the years, there have been many types of hijack films. Besides planes, there have been suspenseful takeovers of ships, trains, subways and even trucks.
“The Taking of the Pelham One Two Three,” from 1974 — avoid the two remakes — is a superb thriller about four men who take over a New York subway car and hold the passengers, conductor and an undercover policeman hostage unless they get $1 million (remember that was a lot of money 49 years ago). If their demands aren’t met, they will start killing hostages. Directed by Joseph Sargent and adapted by Peter Stone from the best-selling novel by John Godey, “Taking” boasts a stellar cast at the top of their game including Walter Matthau, Robert Shaw, Hector Elizondo and Martin Balsam. David Shire penned the influential score.
A year...
“The Taking of the Pelham One Two Three,” from 1974 — avoid the two remakes — is a superb thriller about four men who take over a New York subway car and hold the passengers, conductor and an undercover policeman hostage unless they get $1 million (remember that was a lot of money 49 years ago). If their demands aren’t met, they will start killing hostages. Directed by Joseph Sargent and adapted by Peter Stone from the best-selling novel by John Godey, “Taking” boasts a stellar cast at the top of their game including Walter Matthau, Robert Shaw, Hector Elizondo and Martin Balsam. David Shire penned the influential score.
A year...
- 8/8/2023
- by Susan King
- Gold Derby
The Story: Nine years after the disappearance of astronaut Dave Bowman (Keir Dullea), Discovery One mission overseer, Heywood Floyd (Roy Scheider) is given the opportunity to take part in a joint U.S-u.S.S.R mission to see what went wrong. There’s only one problem – the two countries are on the cusp of nuclear war, and tension between the American and Soviet teams looks to unmoor an already impossible mission.
The Players: Starring: Roy Scheider, Helen Mirren, John Lithgow, Bob Balaban and Keir Dullea. Music by David Shire. Written and directed by Peter Hyams.
The History: Crafting a sequel to Stanley Kubrick’s 2001: A Space Odyssey sounds like a fool’s errand. Being that it’s one of the most acclaimed films ever made, in order to be judged any kind of success the sequel would have to be some kind of masterpiece. In 1984, director Peter Hyams,...
The Players: Starring: Roy Scheider, Helen Mirren, John Lithgow, Bob Balaban and Keir Dullea. Music by David Shire. Written and directed by Peter Hyams.
The History: Crafting a sequel to Stanley Kubrick’s 2001: A Space Odyssey sounds like a fool’s errand. Being that it’s one of the most acclaimed films ever made, in order to be judged any kind of success the sequel would have to be some kind of masterpiece. In 1984, director Peter Hyams,...
- 5/28/2023
- by Chris Bumbray
- JoBlo.com
Amazon Studios is taking to the streets to promote Ben Affleck’s “Air,” which chronicles the beginnings of the iconic Air Jordan sneaker brand.
The studio has teamed up with iconic sneaker culture icon Jason Markk to host a multi-city consumer experience, dubbed “Fresh Air,” which ties into the film’s social campaign, “A shoe is just a shoe until I step into it.”
The activation will see guerilla street teams flood U.S. cities including Los Angeles, New York, Miami and Chicago, in a unique opportunity to bring together sneakerheads and celebrate the culture and history of the sneaker community. The street team will also have a presence at the Jason Markk flagship store in L.A.
Free to the public, the “Fresh Air” activation allows attendees to celebrate self-expression through fashion as they share their sneaker stories while getting a complimentary shoe cleaning, with premium care products from...
The studio has teamed up with iconic sneaker culture icon Jason Markk to host a multi-city consumer experience, dubbed “Fresh Air,” which ties into the film’s social campaign, “A shoe is just a shoe until I step into it.”
The activation will see guerilla street teams flood U.S. cities including Los Angeles, New York, Miami and Chicago, in a unique opportunity to bring together sneakerheads and celebrate the culture and history of the sneaker community. The street team will also have a presence at the Jason Markk flagship store in L.A.
Free to the public, the “Fresh Air” activation allows attendees to celebrate self-expression through fashion as they share their sneaker stories while getting a complimentary shoe cleaning, with premium care products from...
- 3/22/2023
- by Jazz Tangcay and Charna Flam
- Variety Film + TV
A superb thriller is now better than ever on 4K. We’ve always known why it rewards viewings: it’s both thrilling and funny. When Robert Shaw, Martin Balsam and Hector Elizondo hijack a subway train, Walter Matthau must scramble to collect a ransom while trying to figure out how they’ll make their escape. Peter Stone’s dialogue is delightful — the loud & mouthy ’70s New Yorkers are hilariously abrasive — and lovable. “Who wants to know?!!!” Includes a Blu-ray disc and a new commentary.
The Taking of Pelham One Two Three 4K
4K Ultra HD + Blu-ray
Kl Studio Classics
1974 / Color B&w / 2:35 widescreen / 104 min. / Street Date December 20, 2022 / available through Kino Lorber / 39.95
Starring Walter Matthau, Robert Shaw, Martin Balsam, Hector Elizondo, Earl Hindman, James Broderick, Dick O’Neill, Lee Wallace, Tom Pedi, Jerry Stiller, Rudy Bond, Kenneth McMillan, Doris Roberts, Julius Harris,Robert Weil.
Cinematography Owen Roizman
Original Music David Shire...
The Taking of Pelham One Two Three 4K
4K Ultra HD + Blu-ray
Kl Studio Classics
1974 / Color B&w / 2:35 widescreen / 104 min. / Street Date December 20, 2022 / available through Kino Lorber / 39.95
Starring Walter Matthau, Robert Shaw, Martin Balsam, Hector Elizondo, Earl Hindman, James Broderick, Dick O’Neill, Lee Wallace, Tom Pedi, Jerry Stiller, Rudy Bond, Kenneth McMillan, Doris Roberts, Julius Harris,Robert Weil.
Cinematography Owen Roizman
Original Music David Shire...
- 12/27/2022
- by Glenn Erickson
- Trailers from Hell
Francis Ford Coppola's 1992 "Dracula" was promoted as a faithful adaptation of the 1897 novel, down to its full title "Bram Stoker's Dracula." Don't think for a moment this means the movie is a stuffy stage reading, concerned only with literally adapting the text. No, Coppola's rendition of Stoker is one of the most visually audacious films of its decade.
Mini-documentary "In Camera: The Naïve Visual Effects of Dracula" explores how Coppola and his team used entirely in-camera special effects, resulting in a film as tactile as it is lavish. Coppola explains this choice was motivated by period accuracy:
"Given that the book 'Dracula' was written around 1900, being the same date as the birth of the cinema... coming out of magicians and illusions and basically magic tricks, I thought would not only make the film entirely in a false place, in a studio, but I would only use effects...
Mini-documentary "In Camera: The Naïve Visual Effects of Dracula" explores how Coppola and his team used entirely in-camera special effects, resulting in a film as tactile as it is lavish. Coppola explains this choice was motivated by period accuracy:
"Given that the book 'Dracula' was written around 1900, being the same date as the birth of the cinema... coming out of magicians and illusions and basically magic tricks, I thought would not only make the film entirely in a false place, in a studio, but I would only use effects...
- 10/4/2022
- by Devin Meenan
- Slash Film
There’s a classic sound to heist films, especially of the ’60s and ’70s – a little jazzy, a little stealthy, occasionally raucous and wild – and composer Daniel Pemberton cleverly channels it throughout “The Bad Guys,” the DreamWorks Animation action comedy that opens today.
“The film in some ways is an homage to classic caper movies,” says the English composer, “and it’s a world I really love playing in. You get to be really bold: big breaks, big brass sections, big tunes and big grooves.”
Pemberton’s high-energy music sets the mood and drives the action in Pierre Perifel’s animated adventure about a notorious criminal gang that considers going straight after they cross paths with a guinea-pig philanthropist and their red-fox governor.
“At its core, it’s a very joyous score, even though there’s sneakiness, tension, all that kind of stuff,” he notes. He cites Quincy Jones’ “The Italian Job,...
“The film in some ways is an homage to classic caper movies,” says the English composer, “and it’s a world I really love playing in. You get to be really bold: big breaks, big brass sections, big tunes and big grooves.”
Pemberton’s high-energy music sets the mood and drives the action in Pierre Perifel’s animated adventure about a notorious criminal gang that considers going straight after they cross paths with a guinea-pig philanthropist and their red-fox governor.
“At its core, it’s a very joyous score, even though there’s sneakiness, tension, all that kind of stuff,” he notes. He cites Quincy Jones’ “The Italian Job,...
- 4/22/2022
- by Jon Burlingame
- Variety Film + TV
Small thief and parolee Max Dembo is pinned in a parole system that all but guarantees he’ll go back to robbing banks and jewelry stores. Dustin Hoffman has one of his best and most unusual roles, taken from the story of a real bank robber. Directed by Ulu Grosbard, the docu-drama look at the seedy side of Los Angeles is graced with a perfect cast: Theresa Russell, Gary Busey, Harry Dean Stanton, M. Emmet Walsh, and Kathy Bates. Sure, the rotten parole officer drives Dembo back to crime, but pulling jobs is in his blood. It’s one of the best portraits of a criminal ever.
Straight Time
Blu-ray
Warner Archive Collection
1978 / Color / 1:85 widescreen / 114 min. / Available at Amazon.com / Street Date September 29, 2021 / 21.99
Starring: Dustin Hoffman, Theresa Russell, Gary Busey, Harry Dean Stanton, M. Emmet Walsh, Rita Taggart, Kathy Bates, Sandy Baron, Jake Busey.
Cinematography: Owen Roizman
Art Director: Dick Lawrence
Film Editors: Sam O’Steen,...
Straight Time
Blu-ray
Warner Archive Collection
1978 / Color / 1:85 widescreen / 114 min. / Available at Amazon.com / Street Date September 29, 2021 / 21.99
Starring: Dustin Hoffman, Theresa Russell, Gary Busey, Harry Dean Stanton, M. Emmet Walsh, Rita Taggart, Kathy Bates, Sandy Baron, Jake Busey.
Cinematography: Owen Roizman
Art Director: Dick Lawrence
Film Editors: Sam O’Steen,...
- 1/15/2022
- by Glenn Erickson
- Trailers from Hell
Marilyn Bergman, the Oscar-, Emmy- and Grammy-winning songwriter whose lyrics written with her husband, Alan Bergman, graced such hits as “The Way We Were,” “The Windmills of Your Mind,” “In the Heat of the Night” and the songs from “Yentl,” has died. She was 93 years old.
Bergman was the first woman president and chairman of the board of the American Society of Composers, Authors and Publishers (ASCAP), a post she held from 1994 to 2009. She and her husband and lifelong writing partner Alan Bergman wrote the words to some of the most popular film and TV songs of the 1960s, ’70s and ’80s, and continued to write together well into the 2000s.
They were Oscar nominated 16 times, and won three. The Bergmans were frequent collaborators with composers Michel Legrand and Marvin Hamlisch (“The Way We Were”).
The Bergmans were inducted into the Songwriters Hall of Fame in 1980 and received its Johnny...
Bergman was the first woman president and chairman of the board of the American Society of Composers, Authors and Publishers (ASCAP), a post she held from 1994 to 2009. She and her husband and lifelong writing partner Alan Bergman wrote the words to some of the most popular film and TV songs of the 1960s, ’70s and ’80s, and continued to write together well into the 2000s.
They were Oscar nominated 16 times, and won three. The Bergmans were frequent collaborators with composers Michel Legrand and Marvin Hamlisch (“The Way We Were”).
The Bergmans were inducted into the Songwriters Hall of Fame in 1980 and received its Johnny...
- 1/8/2022
- by Jon Burlingame
- Variety Film + TV
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Even the most iconic films wouldn’t be the same without music. A good film score knows how to hit the right notes in accurately conveying everything from mood and theme, to emotions and tone. Similar to a soundtrack, which is a collection of music that wasn’t written specifically for the film but fits the overall theme, musical scores are meant to enrich the viewing experience. And if you’ve watched a movie that gave you goosebumps, the music could have something to do with it.
If you’re a cinephile or movie buff who enjoys musical scores, we rounded up a list of some of the best scores to buy on...
Even the most iconic films wouldn’t be the same without music. A good film score knows how to hit the right notes in accurately conveying everything from mood and theme, to emotions and tone. Similar to a soundtrack, which is a collection of music that wasn’t written specifically for the film but fits the overall theme, musical scores are meant to enrich the viewing experience. And if you’ve watched a movie that gave you goosebumps, the music could have something to do with it.
If you’re a cinephile or movie buff who enjoys musical scores, we rounded up a list of some of the best scores to buy on...
- 7/29/2021
- by Latifah Muhammad
- Indiewire
The 20th annual World Soundtrack Awards saw composers Nicholas Britell and Hildur Guðnadóttir take home prizes for their musical works featured in HBO’s Succession and Todd Philip’s Joker, respectively.
Britell, whose Succession theme song took home an Emmy award in 2019, received the World Sountrack Award’s TV composer of the Year Award. Guðnadóttir, who landed her first Oscar nomination and win for her Joker score this year, was awarded the award ceremony’s Film Composer of the Year prize.
The annual awards ceremony, which crowned winners for a number of categories including Best Original Song and Discovery of the Year, honored Oscar-winning composer Gabriel Yared with its Lifetime Achievement Award. Previous Lifetime Achievement Award honorees include Elmer Bernstein, David Shire and Frédéric Devreese.
“”I am thrilled and very honoured to be presented with the Lifetime Achievement Award. I have been a...
Britell, whose Succession theme song took home an Emmy award in 2019, received the World Sountrack Award’s TV composer of the Year Award. Guðnadóttir, who landed her first Oscar nomination and win for her Joker score this year, was awarded the award ceremony’s Film Composer of the Year prize.
The annual awards ceremony, which crowned winners for a number of categories including Best Original Song and Discovery of the Year, honored Oscar-winning composer Gabriel Yared with its Lifetime Achievement Award. Previous Lifetime Achievement Award honorees include Elmer Bernstein, David Shire and Frédéric Devreese.
“”I am thrilled and very honoured to be presented with the Lifetime Achievement Award. I have been a...
- 10/24/2020
- by Alexandra Del Rosario
- Deadline Film + TV
You’ll be halfway through “I’m Your Woman” before its premise is clear, but the mystery is as gripping as its payoff. Director Julia Hart’s fourth feature pairs an engrossing turn from Rachel Brosnahan with a tense ‘70s-set script constructed with jigsaw precision. The full picture may amount to a contrived gangster story, but Hart (who scripted with her partner Jordan Horowitz) approaches that formula from the inside out.
“I’m Your Woman” owes much to Brosnahan’s evolving performance as she goes from terrified housewife to trenchant survivalist over the course movie, and the movie consolidates the strengths of Hart’s previous work. Like her breakout Civil War script “The Keeping Room,” it finds women trapped in a man’s world, and forced to resort to violence as a means of escape. And like the lo-fi superhero drama “Fast Color,” its heroine goes on the lam before she truly understands what’s chasing her,...
“I’m Your Woman” owes much to Brosnahan’s evolving performance as she goes from terrified housewife to trenchant survivalist over the course movie, and the movie consolidates the strengths of Hart’s previous work. Like her breakout Civil War script “The Keeping Room,” it finds women trapped in a man’s world, and forced to resort to violence as a means of escape. And like the lo-fi superhero drama “Fast Color,” its heroine goes on the lam before she truly understands what’s chasing her,...
- 10/16/2020
- by Eric Kohn
- Indiewire
Normal 0 false false false En-us X-none X-none
“Next Stop… Hijack!”
By Raymond Benson
There were many motion pictures made in the 1960s, 70s, and 80s that depict New York City as a less than desirable place to be. A hell on earth full of crime, grime, sin, debauchery, drugs, gangs, and corruption. You know the titles—The Out of Towners, Midnight Cowboy, Joe, Taxi Driver…
While the portrayal may very well have been true, to a certain extent, this reviewer lived in Manhattan over a decade during the relevant years and found it to be the most exciting, vibrant, culturally potent, and beautifully stimulating environment. Not only that, the #6 Irt train is one this reviewer rode almost daily, so the stops, the milieu, and the atmosphere were dead-on familiarities. As some of us like to say today in the age when 42nd Street and Times Square have been “Disney-ized,” we...
“Next Stop… Hijack!”
By Raymond Benson
There were many motion pictures made in the 1960s, 70s, and 80s that depict New York City as a less than desirable place to be. A hell on earth full of crime, grime, sin, debauchery, drugs, gangs, and corruption. You know the titles—The Out of Towners, Midnight Cowboy, Joe, Taxi Driver…
While the portrayal may very well have been true, to a certain extent, this reviewer lived in Manhattan over a decade during the relevant years and found it to be the most exciting, vibrant, culturally potent, and beautifully stimulating environment. Not only that, the #6 Irt train is one this reviewer rode almost daily, so the stops, the milieu, and the atmosphere were dead-on familiarities. As some of us like to say today in the age when 42nd Street and Times Square have been “Disney-ized,” we...
- 7/25/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Rialto Pictures is bringing Francis Ford Coppola’s Palme d’Or winning 1974 movie The Conversation back to theaters, starting March 20 at New York’s Film Forum and Landmark’s Nuart Theatre in L.A., with newly struck 35mm prints personally supervised by the five-time Oscar winning filmmaker.
The platform release will offer theaters an alternate Dcp restoration remixed in Dolby 5.1 by 3x Oscar winning sound designer Walter Murch.
Written, produced and directed by Coppola, The Conversation stars Gene Hackman as Harry Caul, a paranoid, secretive surveillance expert who has a crisis of conscience when he suspects that a couple, on whom he is spying, will be murdered. Upon re-hearing the tapes, however, Caul believes he may be putting the couple in danger if he turns the material over to his client. But what one hears can ultimately turn out to be quite different from what was actually recorded.
The platform release will offer theaters an alternate Dcp restoration remixed in Dolby 5.1 by 3x Oscar winning sound designer Walter Murch.
Written, produced and directed by Coppola, The Conversation stars Gene Hackman as Harry Caul, a paranoid, secretive surveillance expert who has a crisis of conscience when he suspects that a couple, on whom he is spying, will be murdered. Upon re-hearing the tapes, however, Caul believes he may be putting the couple in danger if he turns the material over to his client. But what one hears can ultimately turn out to be quite different from what was actually recorded.
- 2/19/2020
- by Anthony D'Alessandro
- Deadline Film + TV
A version of this story about Thomas Newman and the Newman family first appeared in the Down to the Wire issue of TheWrap’s Oscar magazine.
When you think of the first families of the Oscars, you might think of the Coppolas, with nominations for director Francis Ford Coppola, his father Carmine, his daughter Sofia, his son Roman, his nephew Nicolas Cage, his former son-in-law Spike Jonze and his brother-in-law David Shire; or the Hustons, with Walter, his son John and John’s daughter Angelica all nominated.
But no family has more Oscar nominations than the Newmans. This year, the Academy’s most honored family received its record-breaking 91st, 92nd and 93rd nominations: a pair in the Best Original Score category for Thomas Newman’s “1917” and his cousin Randy Newman’s “Marriage Story,” and an additional nomination for Randy’s song “I Can’t Let You Throw Yourself Away” from...
When you think of the first families of the Oscars, you might think of the Coppolas, with nominations for director Francis Ford Coppola, his father Carmine, his daughter Sofia, his son Roman, his nephew Nicolas Cage, his former son-in-law Spike Jonze and his brother-in-law David Shire; or the Hustons, with Walter, his son John and John’s daughter Angelica all nominated.
But no family has more Oscar nominations than the Newmans. This year, the Academy’s most honored family received its record-breaking 91st, 92nd and 93rd nominations: a pair in the Best Original Score category for Thomas Newman’s “1917” and his cousin Randy Newman’s “Marriage Story,” and an additional nomination for Randy’s song “I Can’t Let You Throw Yourself Away” from...
- 1/30/2020
- by Steve Pond
- The Wrap
One of the longest-running musical partnerships in Broadway history, lyricist and director Richard Maltby, Jr. and composer David Shire, will be honored, along with a diverse group of 17 other outstanding artists, at the 35th Annual Bistro Awards on Monday, March 9 at Gotham Comedy Club 208 West 23rd Street. As is the Bistro Awards tradition, the evening will feature performances by the winners.
- 1/30/2020
- by BWW News Desk
- BroadwayWorld.com
First photo of the Out of the Box Theatrics' limited engagement of Sybille Pearson book, Richard Maltby, Jr.lyrics and David Shire's music heart-warming musical, Baby, are now available. The production has extended through Saturday, December 21, 2019 due to strong ticket sales. Directed and choreographed by Ethan Paulini, Baby stars Tony Award-winner Alice Ripley and plays a site-specific loft in midtown Manhattan 14 W 45th Street. Preview performances began on Friday, December 6, 2019. Limited tickets are available online at www.ootbtheatrics.com.
- 12/10/2019
- by BWW News Desk
- BroadwayWorld.com
Out of the Box Theatrics has released First Look photos of the cast of their upcoming limited engagement production of Baby. Featuring a book by Sybillie Pearson, lyrics by Richard Maltby, Jr. and music by David Shire's music, the production will be directed and choreographed by Ethan Paulini at a site-specific loft in midtown Manhattan 14 W 45th Street, Friday, December 6 through Saturday, December 14, 2019. Tickets are now on sale.
- 11/18/2019
- by BWW News Desk
- BroadwayWorld.com
Out of the Box Theatrics' Founding Artistic Director, Liz Flemming announced today that Tony Award-winner Alice Ripley will lead the cast of a limited NYC engagement of Sybillie Pearson book, Richard Maltby, Jr. lyrics and David Shire'smusic heart-warming musical, Baby. Directed and choreographed by Ethan Paulini, the production will play a site-specific loft in midtown Manhattan 14 W 45th Street Friday, December 6 through Saturday, December 14, 2019. Tickets are now on sale here.
- 11/4/2019
- by BWW News Desk
- BroadwayWorld.com
When I think about the American New Wave, I’m always traveling through the vast open roads of North America, its forever-changing landscapes and mythical American dreams, with all its bittersweet promise. Sonically speaking, I’m in that space, too. So much of the New Hollywood cinema is vast Americana; Death Valley and desert-hot gas stations, the ultimate nihilistic road movie. But so much of it is everywhere else too; sleek Manhattan apartment blocks, the old Wild West, and the outer regions of space. In my head it’s a mixtape of philosophical and artistic ideas, one of cinema’s counter-culture melting pots where more questions are raised than answered and the plot is not driven by a desire for resolution.This mix was dreamed up as a mixtape: driving across state lines, re-adjusting the radio station on the dashboard as the trip moves further towards a destination that is unknown.
- 10/13/2019
- MUBI
Halloween begins early in New York this year with the first annual Sleepy Hollow International Film Festival, kicking off this week in Sleepy Hollow and Tarrytown. In addition to showcasing Washington Irving’s iconic story that introduced readers to the headless horseman, the festival will be home to all manner of macabre celebrations, including a live stage reading of Ed Wood's Plan 9 from Outer Space and a performance of Jeffrey Combs' one-man show Nevermore: An Evening with Edgar Allan Poe.
Go here to read the full schedule for Sleepy Hollow International Film Festival, visit their website for more info, and read the official press release for additional details:
Press Release: Sleepy Hollow, NY – The first annual Sleepy Hollow International Film Festival (Shiff) taking place in Sleepy Hollow and Tarrytown, New York, on October 10-13, 2019, has just released its full program of events!
Taking place at the historic Tarrytown Music Hall and Warner Library,...
Go here to read the full schedule for Sleepy Hollow International Film Festival, visit their website for more info, and read the official press release for additional details:
Press Release: Sleepy Hollow, NY – The first annual Sleepy Hollow International Film Festival (Shiff) taking place in Sleepy Hollow and Tarrytown, New York, on October 10-13, 2019, has just released its full program of events!
Taking place at the historic Tarrytown Music Hall and Warner Library,...
- 10/9/2019
- by Derek Anderson
- DailyDead
One of three editors on Sam Esmail’s Homecoming, Rosanne Tan was asked to tap into the visual and sonic style of “paranoid thriller movies [from] the past,” working within a broad conceptual framework set by Esmail, while trying to surprise him with the choices she made.
Based on a podcast by co-creators Micah Bloomberg and Eli Horowitz, the series is set at Homecoming, a facility claiming to help soldiers in their transition back to civilian life. Cutting back and forth between two time periods, the half-hour drama’s focal point is Heidi (Julia Roberts), a social worker at the facility who comes to intuit a much more sinister agenda on the part of her employer.
Cutting four episodes of Homecoming, Tan played a pivotal role in shaping the series’ tone and visual style. After working on the third season of Mr. Robot, the editor knew Esmail’s preference for unconventional,...
Based on a podcast by co-creators Micah Bloomberg and Eli Horowitz, the series is set at Homecoming, a facility claiming to help soldiers in their transition back to civilian life. Cutting back and forth between two time periods, the half-hour drama’s focal point is Heidi (Julia Roberts), a social worker at the facility who comes to intuit a much more sinister agenda on the part of her employer.
Cutting four episodes of Homecoming, Tan played a pivotal role in shaping the series’ tone and visual style. After working on the third season of Mr. Robot, the editor knew Esmail’s preference for unconventional,...
- 6/20/2019
- by Matt Grobar
- Deadline Film + TV
Music supervisor Maggie Phillips had her hands full on “Homecoming” and “The Umbrella Academy,” but for very different reasons. When director Sam Esmail insisting on using only pre-existing classic soundtracks to score his conspiracy thriller, Phillips found herself in uncharted territory, which turned into a licensing nightmare. And even though the series about an adopted sibling superhero rivalry offered a more conventional challenge, Phillips was still keen on pushing the nostalgic factor in fresh musical ways.
“All of my projects before [‘Homecoming’] I’ve chosen songs and editors are temping in score, and then the composer comes in and replaces,” Phillips said. “And sometimes I’ll help with the temp score, but that’s not very common. But Sam wanted all pre-existing soundtracks as cues [to evoke the paranoia vibe] of ‘All the President’s Men,’ ‘Klute,’ and ‘The Conversation,’ and then that list got expanded and changed out of necessity because of the licensing...
“All of my projects before [‘Homecoming’] I’ve chosen songs and editors are temping in score, and then the composer comes in and replaces,” Phillips said. “And sometimes I’ll help with the temp score, but that’s not very common. But Sam wanted all pre-existing soundtracks as cues [to evoke the paranoia vibe] of ‘All the President’s Men,’ ‘Klute,’ and ‘The Conversation,’ and then that list got expanded and changed out of necessity because of the licensing...
- 6/13/2019
- by Bill Desowitz
- Indiewire
Songwriter Norman Gimbel, whose works won him an Oscar, Grammy and admission to the Songwriters Hall of Fame, has died. He passed on Dec. 19 at his home in Montecito, Calif. at age 91, according to a tribute posted by Bmi. Gimbel’s lyrics to Roberta Flack’s Killing Me Softly and Jim Croce’s I Got A Name were just some of the highlights of a catalog that reads like a compilation of 20th century hits. His lyrics graced the English language version of The Girl from Ipanema and the TV themes to Happy Days and Laverne & Shirley; he earned an Academy Award with David Shire for Jennifer Warnes’s It Goes Like It Goes; he was the Best Original Song winner for 1979’s Sally Field starrer Norma Rae; and shared the Grammy Song of the Year with longtime writing collaborator Charles Fox in 1973 for Killing Me Softly.Gimbel and...
- 12/28/2018
- by Bruce Haring
- Deadline Film + TV
Norman Gimbel, an Oscar and Grammy-winning composer whose lyrics graced hit songs such as Roberta Flack’s “Killing Me Softly with His Song” and Jim Croce’s “I Got a Name,” died at the age of 91 on December 19 at his longtime home in Montecito, Calif.
His death was confirmed by Bmi, which paid tribute on its website, noting: “Bmi was greatly saddened to learn of the passing of renowned songwriter Norman Gimbel, a truly prolific and gifted writer who will be greatly missed by his many friends and fans here.”
The Brooklyn native wrote the words to both “The Girl from Ipanema” and the “Happy Days” theme, earning an Academy Award with David Shire for Jennifer Warnes’ “It Goes Like It Goes,” the Best Original Song winner for 1979’s “Norma Rae,” which also garnered Sally Field her first of two Best Actress Oscars.
With his longtime writing collaborator Charles Fox,...
His death was confirmed by Bmi, which paid tribute on its website, noting: “Bmi was greatly saddened to learn of the passing of renowned songwriter Norman Gimbel, a truly prolific and gifted writer who will be greatly missed by his many friends and fans here.”
The Brooklyn native wrote the words to both “The Girl from Ipanema” and the “Happy Days” theme, earning an Academy Award with David Shire for Jennifer Warnes’ “It Goes Like It Goes,” the Best Original Song winner for 1979’s “Norma Rae,” which also garnered Sally Field her first of two Best Actress Oscars.
With his longtime writing collaborator Charles Fox,...
- 12/28/2018
- by Roy Trakin
- Variety Film + TV
Norman Gimbel, the Oscar- and Grammy-winning lyricist whose career included Roberta Flack's "Killing Me Softly With His Song," Jim Croce's "I Got a Name" and the themes to Happy Days and Laverne & Shirley, has died. He was 91.
Gimbel died Dec. 19 at his longtime home in Montecito, Calif., son Tony Gimbel told The Hollywood Reporter.
The Brooklyn native shared his original song Academy Award with David Shire for "It Goes Like It Goes," performed by Jennifer Warnes for Norma Rae (1979), starring Sally Field in an Oscar-winning turn.
With music by his most frequent ...
Gimbel died Dec. 19 at his longtime home in Montecito, Calif., son Tony Gimbel told The Hollywood Reporter.
The Brooklyn native shared his original song Academy Award with David Shire for "It Goes Like It Goes," performed by Jennifer Warnes for Norma Rae (1979), starring Sally Field in an Oscar-winning turn.
With music by his most frequent ...
- 12/28/2018
- The Hollywood Reporter - Film + TV
Norman Gimbel, the Oscar- and Grammy-winning lyricist whose career included Roberta Flack's "Killing Me Softly With His Song," Jim Croce's "I Got a Name" and the themes to Happy Days and Laverne & Shirley, has died. He was 91.
Gimbel died Dec. 19 at his longtime home in Montecito, Calif., son Tony Gimbel told The Hollywood Reporter.
The Brooklyn native shared his original song Academy Award with David Shire for "It Goes Like It Goes," performed by Jennifer Warnes for Norma Rae (1979), starring Sally Field in an Oscar-winning turn.
With music by his most frequent ...
Gimbel died Dec. 19 at his longtime home in Montecito, Calif., son Tony Gimbel told The Hollywood Reporter.
The Brooklyn native shared his original song Academy Award with David Shire for "It Goes Like It Goes," performed by Jennifer Warnes for Norma Rae (1979), starring Sally Field in an Oscar-winning turn.
With music by his most frequent ...
- 12/28/2018
- The Hollywood Reporter - Movie News
This article marks Part 15 of the Gold Derby series analyzing 84 years of Best Original Song at the Oscars. Join us as we look back at the timeless tunes recognized in this category, the results of each race and the overall rankings of the winners.
The 1978 Oscar nominees in Best Original Song were:
“Ready to Take a Chance Again” from “Foul Play”
“Hopelessly Devoted to You” from “Grease”
“When You’re Loved” from “The Magic of Lassie”
“The Last Time I Felt Like This” from “Same Time, Next Year”
“Last Dance” from “Thank God It’s Friday”
Won: “Last Dance” from “Thank God It’s Friday”
Should’ve won: “Ready to Take a Chance Again” from “Foul Play”
After the ho-hum affairs of 1976 and 1977, it’s nice to come upon a Best Original Song line-up with not just one or two listenable nominees. In fact, 45 years of Best Original Song in,...
The 1978 Oscar nominees in Best Original Song were:
“Ready to Take a Chance Again” from “Foul Play”
“Hopelessly Devoted to You” from “Grease”
“When You’re Loved” from “The Magic of Lassie”
“The Last Time I Felt Like This” from “Same Time, Next Year”
“Last Dance” from “Thank God It’s Friday”
Won: “Last Dance” from “Thank God It’s Friday”
Should’ve won: “Ready to Take a Chance Again” from “Foul Play”
After the ho-hum affairs of 1976 and 1977, it’s nice to come upon a Best Original Song line-up with not just one or two listenable nominees. In fact, 45 years of Best Original Song in,...
- 12/7/2018
- by Andrew Carden
- Gold Derby
Louisa Mellor Nov 9, 2018
From the creator of Mr Robot and starring Julia Roberts, Amazon’s Homecoming thriller channels classic '70s paranoia…
Before it was a TV show starring Julia Roberts and Bobby Cannavale, Homecoming was an audio drama starring Catherine Keener and David Schwimmer. Two seasons have been released so far, telling the story of Heidi Bergman, a counsellor working at a facility helping to reintegrate traumatised veterans into society.
Amazon bought the rights and brought in Mr. Robot’s Sam Esmail to add pictures to Eli Horowitz and Micah Bloomberg’s story. By all accounts, after a faithful adaptation of the podcast’s first episode, he and the team have added a great deal more than just pictures. Heidi’s story has been both expanded and accelerated, while background elements have been developed in preparation for an already-commissioned second season (look out for a mid-credits scene in the...
From the creator of Mr Robot and starring Julia Roberts, Amazon’s Homecoming thriller channels classic '70s paranoia…
Before it was a TV show starring Julia Roberts and Bobby Cannavale, Homecoming was an audio drama starring Catherine Keener and David Schwimmer. Two seasons have been released so far, telling the story of Heidi Bergman, a counsellor working at a facility helping to reintegrate traumatised veterans into society.
Amazon bought the rights and brought in Mr. Robot’s Sam Esmail to add pictures to Eli Horowitz and Micah Bloomberg’s story. By all accounts, after a faithful adaptation of the podcast’s first episode, he and the team have added a great deal more than just pictures. Heidi’s story has been both expanded and accelerated, while background elements have been developed in preparation for an already-commissioned second season (look out for a mid-credits scene in the...
- 11/9/2018
- Den of Geek
For “Mr. Robot” creator Sam Esmail, classic thrillers were the inspiration to adapt Gimlet podcast “Homecoming” into an episodic series. He wanted to capture the tension and paranoia of films by directors like Alfred Hitchcock, Alan J. Pakula, Brian De Palma, and Stanley Kubrick.
“When we started talking about music, I started to talking to my editors about those classic scores by Pino Donaggio, Bernard Herrmann, John Williams and John Carpenter even,” said Esmail.
However, Esmail didn’t want to use these classic scores as a reference point, or temp music: He wanted to use the actual scores.
“I just started thinking, this is going to be really unfair to ask a music composer to ape David Shire’s ‘Conversation’ theme,” said Esmail. “That’s just ridiculous, or to ask someone to ape Michael Smalls’ theme from ‘Klute.'”
Esmail broached the subject with music supervisor Maggie Phillips when she first interviewed for the job.
“When we started talking about music, I started to talking to my editors about those classic scores by Pino Donaggio, Bernard Herrmann, John Williams and John Carpenter even,” said Esmail.
However, Esmail didn’t want to use these classic scores as a reference point, or temp music: He wanted to use the actual scores.
“I just started thinking, this is going to be really unfair to ask a music composer to ape David Shire’s ‘Conversation’ theme,” said Esmail. “That’s just ridiculous, or to ask someone to ape Michael Smalls’ theme from ‘Klute.'”
Esmail broached the subject with music supervisor Maggie Phillips when she first interviewed for the job.
- 11/5/2018
- by Chris O'Falt
- Indiewire
David Shire's melodies have earned him an Oscar, a Grammy, countless Emmy and Tony nominations, as well a special place in the hearts of audiences spanning as far back as 1960. David drops by Shetler Studios to look back on his career and revisit not only such films as The Conversation, The Taking Of Pelham One Two Three, All The President's Men, Return to Oz, Zodiac, Norma Rae, and Saturday Night Fever, but to explore his collaboration with Richard Maltby Jr that produced such musicals as Starting Here, Starting Now, Baby, Take Flight, Big, Closer Than Ever, Love Match, How Do You Do, I Love You, and The Sap Of Life.
- 6/27/2018
- by Behind the Curtain
- BroadwayWorld.com
Death is just a thing that happens sometimes. If we’re being completely honest, death is a thing that happens all the time. Now. And now. And in the space between those words. Almost two people die every second of every day, blindly joining hands as they close their eyes and jump into the abyss — quickly now, so as not to hold up the line. Life goes on because not everyone goes with it.
Like a traditional melodrama that’s been thoroughly filleted and then pounded flat, Russell Harbaugh’s raw and exquisite “Love After Love” is a very honest film about how things change when someone is gone, which means that it’s also a film about how they don’t. One moment a bed is full, the next moment the bed is empty; one moment a house is empty, the next moment the house is haunted. Everything is effected,...
Like a traditional melodrama that’s been thoroughly filleted and then pounded flat, Russell Harbaugh’s raw and exquisite “Love After Love” is a very honest film about how things change when someone is gone, which means that it’s also a film about how they don’t. One moment a bed is full, the next moment the bed is empty; one moment a house is empty, the next moment the house is haunted. Everything is effected,...
- 3/28/2018
- by David Ehrlich
- Indiewire
Friars have socialized and been entertained by every major Broadway and Great American Songbook composer starting with Friar George M. Cohan, who in addition to writing over 50 Broadway shows and 300 songs happened to pen Over There at a table during lunch at the Friars Club. Last night continuing this tradition, and in the same building that Friar Irving Berlin, Sammy Cahn and countless luminaries have performed, musical theatre legends Richard Maltby Jr. and David Shire entertained The Friars with a major dose of Maltby amp Shire music.
- 11/15/2017
- by Stephen Sorokoff
- BroadwayWorld.com
By Todd Garbarini
High school friends Enid Coleslaw (Thora Birch) and Rebecca Doppelmeyer (Scarlett Johansson) absolutely cannot wait to be free of the prison of school, defiantly flipping the bird and squashing their mortarboards following their graduation. Enid isn’t off the hook just yet: her “diploma” is instead a note informing her that she must “take some stupid art class” (her words) if she hopes to graduate. Their fellow classmates are caricatures of everyone we all knew during our adolescence. Melora (Debra Azar) is inhumanly happy all the time and oblivious to Enid and Rebecca’s sense of ennui and contempt. Todd (T.J. Thyne) is ultra-nervous to talk with the insouciant Rebecca at the punchbowl. Another bespectacled student sits off by himself. Enid and Rebecca are at both an intellectual and emotional crossroads. They want to share an apartment; however, they seem unaware of the amount of money they...
High school friends Enid Coleslaw (Thora Birch) and Rebecca Doppelmeyer (Scarlett Johansson) absolutely cannot wait to be free of the prison of school, defiantly flipping the bird and squashing their mortarboards following their graduation. Enid isn’t off the hook just yet: her “diploma” is instead a note informing her that she must “take some stupid art class” (her words) if she hopes to graduate. Their fellow classmates are caricatures of everyone we all knew during our adolescence. Melora (Debra Azar) is inhumanly happy all the time and oblivious to Enid and Rebecca’s sense of ennui and contempt. Todd (T.J. Thyne) is ultra-nervous to talk with the insouciant Rebecca at the punchbowl. Another bespectacled student sits off by himself. Enid and Rebecca are at both an intellectual and emotional crossroads. They want to share an apartment; however, they seem unaware of the amount of money they...
- 8/7/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Red Bull Theatertoday announced a very special Revelation Reading for two nights only, on Sunday, June 18th and Monday June 19th at The Duke on 42nd Street 229 West 42nd Street, between 7th and 8th Avenues Red Bull will present a concert reading of The Country Wife, a new musical adapted from the play of the same name by William Wycherley by Richard Maltby Jr. with lyrics by Richard Maltby Jr. and music by David Shire, and direction by Mr. Maltby.
- 6/13/2017
- by BWW News Desk
- BroadwayWorld.com
Red Bull Theater today announced a very special Revelation Reading for two nights only, on Sunday, June 18th and Monday June 19th at The Duke on 42nd Street 229 West 42nd Street, between 7th and 8th Avenues Red Bull will present a concert reading of The Country Wife, a new musical adapted from the play of the same name by William Wycherley by Richard Maltby Jr. with lyrics by Richard Maltby Jr. and music by David Shire, and direction by Mr. Maltby.
- 5/10/2017
- by BWW News Desk
- BroadwayWorld.com
Long Wharf Theatre, under the director of Artistic Director Gordon Edelstein and Managing Director Joshua Borenstein, presents the world premiere of The Most Beautiful Room in New York, a new musical with book and lyrics by Adam Gopnik and music by David Shire, directed by Edelstein.The production will take place beginning tonight,May 3, and runningthrough May 28, 2017 on the Claire Tow Stage in the C. Newton Schenck III Theatre. BroadwayWorld has a first look at the cast in action below...
- 5/3/2017
- by BWW News Desk
- BroadwayWorld.com
For many years, director Ben Wheatley has been one of Britain’s top genre exports from his early supernatural crime-thriller Kill List to the dark comedy Sightseers and the trippy war movie, A Field in England. Last year, he even took on the difficult task of adapting J.B. Ballard’s High-Rise, starring Tom Hiddleston, a crazy movie that also paid homage to another great British filmmaker, Stanley Kubrick. (All of these movies were either written, co-written and/or edited by Wheatley’s long-time silent partner, Amy Jump.)
Wheatley’s new movie Free Fire features an amazing ensemble cast that includes Brie Larson, Armie Hammer, Cillian Murphy, Sharlto Copley, Michael Smiley and more, as it sets up a gun deal that goes wrong and turns into a violent shoot out inside an abandoned warehouse.
The movie shows the amazing skills of Wheatley and Jump with terrific dialogue and some of the most insane action scenes,...
Wheatley’s new movie Free Fire features an amazing ensemble cast that includes Brie Larson, Armie Hammer, Cillian Murphy, Sharlto Copley, Michael Smiley and more, as it sets up a gun deal that goes wrong and turns into a violent shoot out inside an abandoned warehouse.
The movie shows the amazing skills of Wheatley and Jump with terrific dialogue and some of the most insane action scenes,...
- 4/19/2017
- by Edward Douglas
- LRMonline.com
The story might go on and on and on but our three part interview with Tony Award winner Richard Malby, Jr. must come to an end. In our last discussion, Richard discusses how an observant stage manager got him working on Miss Saigon, why Arthur Laurents isn't the next Agatha Christie, when he knew Big The Musical wasn't going to work, and what the secret is behind his collaboration with composer David Shire.
- 1/15/2017
- by Behind the Curtain
- BroadwayWorld.com
Richard Maltby Jr, acclaimed lyricist and director, sits down again with Rob and Kevin to pull back the curtain on his illustrious career. In this episode, Richard discusses how he met David Shire, looks back onLove MatchampHow Do You Do I Love You,two musicals that never came to Broadway, and the process of working with choreographers. Plus, Richard pulls back the curtain on such legends as Andrew Lloyd Webber, Ronny Graham, and Cameron Mackintosh.
- 12/19/2016
- by Behind the Curtain
- BroadwayWorld.com
The world premiere of the Garth Drabinsky production of Sousatzka, the new musical by three-time Tony Award-nominated book writer Craig Lucas and the legendary composing team of Tony Award winner Richard Maltby, Jr. Lyrics and Academy Award winner David Shire Music, is headed to Broadway in 2017. The show will star Tony Award winner Victoria Clark in the title role of Madame Sousatzka, a celebrated, eccentric, Polish-born piano teacher who was forced into exile. Today, Clark shared what drew her to the role in a post on the musical's Facebook page.
- 11/4/2016
- by BWW News Desk
- BroadwayWorld.com
The Globe and Mail stated, 'Craig Lucas also a Tony winner forThe Light in the Piazza wrote the adaptation - which moves part of the action to South Africa, while the songs were by the composerlyricist team David Shire and Richard Maltby Jr., whose Broadway outings are 1983'sBabyand 1996'sBig. Two designers who just won Tony awards forHamiltonwere also involved - Paul Tazewell costumes and Howell Binkley lighting.'...
- 7/23/2016
- by BWW News Desk
- BroadwayWorld.com
A special edition of this confirmed '70s crowd pleaser? I'm there. Robert Shaw has big plans to hijack a New York subway car, and subway cop Walter Matthau is determined to stop him. The Taking of Pelham One Two Three 42nd Anniversary Special Edition Blu-ray Kl Studio Classics 1974 / Color / 2:35 widescreen / 104 min. / Street Date July 5, 2016 / available through Kino Lorber / 29.95 1974 / Color / 2:35 widescreen / 104 min. / Street Date November 1, 2011 / 19.99 Starring Walter Matthau, Robert Shaw, Martin Balsam, Hector Elizondo, Earl Hindman, James Broderick, Dick O'Neill, Lee Wallace, Tom Pedi, Jerry Stiller, Rudy Bond, Kenneth McMillan, Doris Roberts, Julius Harris. Cinematography Owen Roizman Original Music David Shire Written by Peter Stone from the novel by John Godey Produced by Gabriel Katzka, Edgar J. Sherick Directed by Joseph Sargent
Reviewed by Glenn Erickson
I reviewed an MGM-Fox Blu-ray of United Artists' The Taking of Pelham One Two Three back in late 2011, and I can't...
Reviewed by Glenn Erickson
I reviewed an MGM-Fox Blu-ray of United Artists' The Taking of Pelham One Two Three back in late 2011, and I can't...
- 7/2/2016
- by Glenn Erickson
- Trailers from Hell
When "Spotlight" won Best Picture in February, many observers recalled the Academy Awards race of four decades ago, when Watergate saga "All the President's Men" was a top contender.
Both movies made heroes out of the dogged reporters who had uncovered earth-shaking scandals, and both films made the often tedious process of journalism into gripping drama without distorting it much. Indeed, until "Spotlight" came along, "All the President's Men" had been considered the best movie ever made about journalism throughout the 40 years since its release, on April 9, 1976.
Today, "All the President's Men" is remembered as one of the last landmark movies of Hollywood's 1970s renaissance, and a highlight in the careers of stars Robert Redford and Dustin Hoffman. To celebrate the film's 40th anniversary, here are ten things you probably didn't know about "Atpm."
1. Washington Post reporters Bob Woodward and Carl Bernstein were still busy investigating Watergate when Robert Redford...
Both movies made heroes out of the dogged reporters who had uncovered earth-shaking scandals, and both films made the often tedious process of journalism into gripping drama without distorting it much. Indeed, until "Spotlight" came along, "All the President's Men" had been considered the best movie ever made about journalism throughout the 40 years since its release, on April 9, 1976.
Today, "All the President's Men" is remembered as one of the last landmark movies of Hollywood's 1970s renaissance, and a highlight in the careers of stars Robert Redford and Dustin Hoffman. To celebrate the film's 40th anniversary, here are ten things you probably didn't know about "Atpm."
1. Washington Post reporters Bob Woodward and Carl Bernstein were still busy investigating Watergate when Robert Redford...
- 4/8/2016
- by Gary Susman
- Moviefone
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Diverse, awe-inspiring and memorable treasures that have sadly fallen off the radar
The noughties were a tough decade for film music fans. Not only was there the unprecedented loss of four great masters in the form of Jerry Goldsmith, Elmer Bernstein, Michael Kamen and Basil Poledouris; the nature of the industry itself began to go through some seismic changes, not all of them for the better.
With the art of film scoring becoming ever more processed, driven increasingly by ghost writers, electronic augmentation and temp tracks, prospects looked bleak. However, this shouldn’t shield the fact that there were some blindingly brilliant scores composed during this period. Here’s but a small sampling of them.
25. The Departed (Howard Shore, 2006)
When it came to the sound of his Oscar-winning crime thriller, director Martin Scorsese hit on the inspired notion of having composer Howard Shore base it around a tango,...
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Diverse, awe-inspiring and memorable treasures that have sadly fallen off the radar
The noughties were a tough decade for film music fans. Not only was there the unprecedented loss of four great masters in the form of Jerry Goldsmith, Elmer Bernstein, Michael Kamen and Basil Poledouris; the nature of the industry itself began to go through some seismic changes, not all of them for the better.
With the art of film scoring becoming ever more processed, driven increasingly by ghost writers, electronic augmentation and temp tracks, prospects looked bleak. However, this shouldn’t shield the fact that there were some blindingly brilliant scores composed during this period. Here’s but a small sampling of them.
25. The Departed (Howard Shore, 2006)
When it came to the sound of his Oscar-winning crime thriller, director Martin Scorsese hit on the inspired notion of having composer Howard Shore base it around a tango,...
- 3/3/2016
- by simonbrew
- Den of Geek
By Patrick Shanley
Managing Editor
This year’s best original song front runner seems to be Lady Gaga and Diane Warren’s “Til It Happens To You” from the documentary, The Hunting Ground, which examines the prevalence of sexual assault cases on college campuses throughout the U.S. The song is very personal for both artists, as both recently opened up about their past experiences with sexual assault in a L.A. Times interview.
The song’s importance, and its resonance with audiences (the music video has over 24 million hits on Youtube) and Academy voters, lies in its social commentary. The four young women who are the subjects of the film (Annie E. Clark, Andrea L. Pino, Sofie Karasek and Kamilah Willingham) recently penned a letter to the songwriters thanking them and that “the release of your song will have an unparalleled impact on the culture of campuses nationwide,” as reported by Billboard.
Managing Editor
This year’s best original song front runner seems to be Lady Gaga and Diane Warren’s “Til It Happens To You” from the documentary, The Hunting Ground, which examines the prevalence of sexual assault cases on college campuses throughout the U.S. The song is very personal for both artists, as both recently opened up about their past experiences with sexual assault in a L.A. Times interview.
The song’s importance, and its resonance with audiences (the music video has over 24 million hits on Youtube) and Academy voters, lies in its social commentary. The four young women who are the subjects of the film (Annie E. Clark, Andrea L. Pino, Sofie Karasek and Kamilah Willingham) recently penned a letter to the songwriters thanking them and that “the release of your song will have an unparalleled impact on the culture of campuses nationwide,” as reported by Billboard.
- 1/28/2016
- by Patrick Shanley
- Scott Feinberg
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