On 4 March 1943, Greer Garson stepped behind a lectern at the Cocoanut Grove nightclub inside the Ambassador Hotel in Los Angeles. Garson, 38, was accepting the Academy Award for Best Actress for her work inMrs Miniver, a romantic war drama directed by William Wyle. She was only the 15th actor in the history of Hollywood to take home the trophy. That was an achievement in itself, but Garson made history in another, more unexpected way that night.
Her acceptance speech remains, to this day, the longest in the history of the Academy Awards. While today’s winners are asked to keep to 45 seconds, Garson spoke for a comparatively generous seven minutes.
The speech, sadly, wasn’t preserved in full. Even the Academy of Motion Picture Arts & Sciences, which organises the Oscars each year, says it has newsreel footage of “only portions” of Garson’s address – for a total of three minutes and 56 seconds.
Her acceptance speech remains, to this day, the longest in the history of the Academy Awards. While today’s winners are asked to keep to 45 seconds, Garson spoke for a comparatively generous seven minutes.
The speech, sadly, wasn’t preserved in full. Even the Academy of Motion Picture Arts & Sciences, which organises the Oscars each year, says it has newsreel footage of “only portions” of Garson’s address – for a total of three minutes and 56 seconds.
- 2/14/2023
- by Clémence Michallon
- The Independent - Film
On 4 March 1943, Greer Garson stepped behind a lectern at the Cocoanut Grove nightclub inside the Ambassador Hotel in Los Angeles. Garson, 38, was accepting the Academy Award for Best Actress for her work inMrs Miniver, a romantic war drama directed by William Wyle. She was only the 15th actor in the history of Hollywood to take home the trophy. That was an achievement in itself, but Garson made history in another, more unexpected way that night.
Her acceptance speech remains, to this day, the longest in the history of the Academy Awards. While today’s winners are asked to keep to 45 seconds, Garson spoke for a comparatively generous seven minutes.
The speech, sadly, wasn’t preserved in full. Even the Academy of Motion Picture Arts & Sciences, which organises the Oscars each year, says it has newsreel footage of “only portions” of Garson’s address – for a total of three minutes and 56 seconds.
Her acceptance speech remains, to this day, the longest in the history of the Academy Awards. While today’s winners are asked to keep to 45 seconds, Garson spoke for a comparatively generous seven minutes.
The speech, sadly, wasn’t preserved in full. Even the Academy of Motion Picture Arts & Sciences, which organises the Oscars each year, says it has newsreel footage of “only portions” of Garson’s address – for a total of three minutes and 56 seconds.
- 2/14/2023
- by Clémence Michallon
- The Independent - Film
The November 12, 1958 edition of The Village Voice featured the first installment of the column “Movie Journal” by Jonas Mekas.
“Movie Journal” would become what the Underground Film Journal would argue was the most significant organizing tool of avant-garde cinema created by Jonas, even more so than the Film-makers’ Cooperative and the Anthology Film Archives he helped found. But what was the column like before it gained such notoriety?
Well, we don’t have to guess. The book collection Movie Journal doesn’t start reprinting Jonas’s columns until 1959, but the entire archives of the Voice are online.
As a weekly publication, the Voice only published twelve “Movie Journal” columns in 1958. The Underground Film Journal has read all twelve and extracted what films Jonas reviewed each week; as well as made notes of significant avant-garde film happenings.
Jonas reviewed only a few avant-garde films those first two months, including Maya Deren...
“Movie Journal” would become what the Underground Film Journal would argue was the most significant organizing tool of avant-garde cinema created by Jonas, even more so than the Film-makers’ Cooperative and the Anthology Film Archives he helped found. But what was the column like before it gained such notoriety?
Well, we don’t have to guess. The book collection Movie Journal doesn’t start reprinting Jonas’s columns until 1959, but the entire archives of the Voice are online.
As a weekly publication, the Voice only published twelve “Movie Journal” columns in 1958. The Underground Film Journal has read all twelve and extracted what films Jonas reviewed each week; as well as made notes of significant avant-garde film happenings.
Jonas reviewed only a few avant-garde films those first two months, including Maya Deren...
- 11/28/2021
- by Mike Everleth
- Underground Film Journal
by Cláudio Alves
For the first half of his career, Montgomery Clift typified an image of restless youth and tragic beauty onscreen. Many of his early films found Clift playing young traumatized soldiers or men embroiled in doomed romance, lively characters whose nervous energy electrified the frame. The second era of Monty films, starting with 1957's Raintree County, saw a transformation of his persona. Nathaniel previously explored some inklings of masochism in the narratives of From Here to Eternity and The Young Lions, but Clift's next few projects solidified him as a paragon of cinematic suffering.
Perhaps no project better encapsulates the idea of Montgomery Clift as a saint-like figure, a martyr, than the Vincent J. Donehue's 1958 film Lonelyhearts…...
For the first half of his career, Montgomery Clift typified an image of restless youth and tragic beauty onscreen. Many of his early films found Clift playing young traumatized soldiers or men embroiled in doomed romance, lively characters whose nervous energy electrified the frame. The second era of Monty films, starting with 1957's Raintree County, saw a transformation of his persona. Nathaniel previously explored some inklings of masochism in the narratives of From Here to Eternity and The Young Lions, but Clift's next few projects solidified him as a paragon of cinematic suffering.
Perhaps no project better encapsulates the idea of Montgomery Clift as a saint-like figure, a martyr, than the Vincent J. Donehue's 1958 film Lonelyhearts…...
- 10/12/2020
- by Cláudio Alves
- FilmExperience
Theodore Bikel. Theodore Bikel dead at 91: Oscar-nominated actor and folk singer best known for stage musicals 'The Sound of Music,' 'Fiddler on the Roof' Folk singer, social and union activist, and stage, film, and television actor Theodore Bikel, best remembered for starring in the Broadway musical The Sound of Music and, throughout the U.S., in Fiddler on the Roof, died Monday morning (July 20, '15) of "natural causes" at the UCLA Medical Center in Los Angeles. The Austrian-born Bikel – as Theodore Meir Bikel on May 2, 1924, in Vienna, to Yiddish-speaking Eastern European parents – was 91. Fled Hitler Thanks to his well-connected Zionist father, six months after the German annexation of Austria in March 1938 ("they were greeted with jubilation by the local populace," he would recall in 2012), the 14-year-old Bikel and his family fled to Palestine, at the time a British protectorate. While there, the teenager began acting on stage,...
- 7/23/2015
- by Andre Soares
- Alt Film Guide
Teresa Wright and Matt Damon in 'The Rainmaker' Teresa Wright: From Marlon Brando to Matt Damon (See preceding post: "Teresa Wright vs. Samuel Goldwyn: Nasty Falling Out.") "I'd rather have luck than brains!" Teresa Wright was quoted as saying in the early 1950s. That's understandable, considering her post-Samuel Goldwyn choice of movie roles, some of which may have seemed promising on paper.[1] Wright was Marlon Brando's first Hollywood leading lady, but that didn't help her to bounce back following the very public spat with her former boss. After all, The Men was released before Elia Kazan's film version of A Streetcar Named Desire turned Brando into a major international star. Chances are that good film offers were scarce. After Wright's brief 1950 comeback, for the third time in less than a decade she would be gone from the big screen for more than a year.
- 3/11/2015
- by Andre Soares
- Alt Film Guide
Oscar 2015 winners (photo: Chris Pratt during Oscar 2015 rehearsals) The complete list of Oscar 2015 winners and nominees can be found below. See also: Oscar 2015 presenters and performers. Now, a little Oscar 2015 trivia. If you know a bit about the history of the Academy Awards, you'll have noticed several little curiosities about this year's nominations. For instance, there are quite a few first-time nominees in the acting and directing categories. In fact, nine of the nominated actors and three of the nominated directors are Oscar newcomers. Here's the list in the acting categories: Eddie Redmayne. Michael Keaton. Steve Carell. Benedict Cumberbatch. Felicity Jones. Rosamund Pike. J.K. Simmons. Emma Stone. Patricia Arquette. The three directors are: Morten Tyldum. Richard Linklater. Wes Anderson. Oscar 2015 comebacks Oscar 2015 also marks the Academy Awards' "comeback" of several performers and directors last nominated years ago. Marion Cotillard and Reese Witherspoon won Best Actress Oscars for, respectively, Olivier Dahan...
- 2/22/2015
- by Steve Montgomery
- Alt Film Guide
Maria von Trapp dead at 99: ‘The Sound of Music’ character played by Heather Menzies was last surviving member of the singing von Trapp family (photo: The singing von Trapp family) Maria von Trapp, the last surviving member of the singing von Trapp family portrayed in The Sound of Music, died in her sleep at her Vermont home on Wednesday, February 19, 2014. Baron Georg von Trapp’s second-eldest daughter, Maria Franziska (born in Zell am See, Salzburg, Austria, in 1914) was 99. Heather Menzies played Baron von Trapp’s second-eldest daughter, renamed Louisa von Trapp, in 20th Century Fox’s 1965 blockbuster directed by Robert Wise, and starring Julie Andrews as singing nun-to-be Maria Kutschera (later Baroness Maria von Trapp) and Christopher Plummer as the Baron. (See Heather Menzies, Charmian Carr, Kym Karath, and Angela Cartwright at 2008 event.) Financially ruined during the Great Depression, Baron von Trapp and his family began performing as a...
- 2/23/2014
- by Andre Soares
- Alt Film Guide
Eiji Okada, Emmanuelle Riva in DGA (but not Oscar) nominee Alain Resnais' Hiroshima, mon amour (top); Melina Mercouri, Jules Dassin in Dassin's Oscar- (but not DGA-) nominated Never on Sunday (bottom) DGA Awards vs. Academy Awards 1953-1959: Odd Men Out Jack Clayton, David Lean, Stanley Donen 1960 DGA (14)Vincente Minnelli, Bells Are RingingWalter Lang, Can-CanDelbert Mann, The Dark at the Top of the StairsRichard Brooks, Elmer GantryAlain Resnais, Hiroshima, mon amourVincente Minnelli, Home from the HillCarol Reed, Our Man in HavanaCharles Walters, Please Don't Eat the DaisiesLewis Gilbert, Sink the Bismarck!Vincent J. Donehue, Sunrise at Campobello AMPASJules Dassin, Never on Sunday DGA/AMPASBilly Wilder, The ApartmentJack Cardiff, Sons and LoversAlfred Hitchcock, PsychoFred Zinnemann, The Sundowners 1961 DGA (21)Robert Stevenson, The Absent Minded ProfessorBlake Edwards, Breakfast at Tiffany'sWilliam Wyler, The Children's HourAnthony Mann, El CidJoshua Logan, FannyHenry Koster, Flower Drum SongRobert Mulligan, The Great ImpostorPhilip Leacock, Hand in HandJack Clayton,...
- 1/10/2012
- by Andre Soares
- Alt Film Guide
Montgomery Clift, I Confess Montgomery Clift on TCM: A Place In The Sun, The Heiress, Raintree County Schedule (Et) and synopses from the TCM website: 6:00 Am Raintree County (1957) In this sumptuous Civil War story, a willful southern belle goes mad out of fear that she may be part black. Dir: Edward Dmytryk. Cast: Montgomery Clift, Elizabeth Taylor, Eva Marie Saint. C-173 mins, Letterbox Format. 9:00 Am Lonelyhearts (1958) A sensitive young reporter assigned to write an advice column gets caught up in his readers' lives. Dir: Vincent J. Donehue. Cast: Montgomery Clift, Robert Ryan, Myrna Loy. Bw-103 mins. 11:00 Am The Big Lift (1950) Two Air Force sergeants find love while flying the Berlin Airlift. Dir: George Seaton. Cast: Montgomery Clift, Paul Douglas, Cornell Borchers. Bw-118 mins. 1:00 Pm Red River (1948) A young cowhand rebels against his rancher stepfather during a perilous cattle drive. Dir: Howard Hawks. Cast: John Wayne, Montgomery Clift,...
- 8/20/2011
- by Andre Soares
- Alt Film Guide
Ralph Bellamy on TCM: Sunrise At Campobello, The Awful Truth Schedule (Et) and synopses from the TCM website: 6:00 Am Carefree (1938) A psychiatrist falls in love with the woman he's supposed to be nudging into marriage with someone else. Dir: Mark Sandrich. Cast: Fred Astaire, Ginger Rogers, Ralph Bellamy. Bw-83 mins. 7:30 Am The Secret Six (1931) A secret society funds the investigation of a bootlegging gang. Dir: George Hill. Cast: Wallace Beery, Lewis Stone, John Mack Brown. Bw-84 mins. 9:00 Am Headline Shooter (1933) A newsreel photographer neglects his love life to get the perfect shot. Dir: Otto Brower. Cast: William Gargan, Frances Dee, Ralph Bellamy. Bw-61 mins. 10:15 Am Picture Snatcher (1933) An ex-con brings his crooked ways to a job as a news photographer. Dir: Lloyd Bacon. Cast: James Cagney, Ralph Bellamy, Patricia Ellis. Bw-77 mins. 11:45 Am The Wedding Night (1935) A married author falls for the beautiful farm girl...
- 8/14/2011
- by Andre Soares
- Alt Film Guide
Ralph Bellamy, Greer Garson, Sunrise at Campobello Ralph Bellamy was what many would call a "dependable" player: always there (nearly 100 movies), always capable, (almost) always losing the girl. Why Bellamy never became a major movie star is beyond me — especially considering that guys like James Stewart, Fred MacMurray, Dick Powell, Don Ameche, Joseph Cotten, etc. were top leading men of that era. Perhaps Bellamy was just both too good-looking and too intelligent-looking to keep Ginger Rogers from Fred Astaire (Carefree), Irene Dunne and Rosalind Russell from Cary Grant (The Awful Truth and His Girl Friday, respectively), and Anna Sten from Gary Cooper (The Wedding Night). All four films — in addition to 11 other Ralph Bellamy movies — will be presented on Turner Classic Movies on Sunday, August 14, as part of TCM's "Summer Under the Stars" film series. [Ralph Bellamy Movie Schedule.] Unfortunately, there are no TCM premieres, but included are a few lesser-known titles, e.g.
- 8/14/2011
- by Andre Soares
- Alt Film Guide
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