La BêteCOMPETITIONComandante (Edoardo De Angelis)The Promised Land (Nikolaj Arcel)Dogman (Luc Besson) La Bête (Bertrand Bonello) Hors-Saison (Stéphane Brizé) Enea (Pietro Castellitto) Maestro (Bradley Cooper)Priscilla (Sofia Coppola)Finalmente L’Alba (Saverio Costanzo)Lubo (Giorgio Diritti) Origin (Ava DuVernay) The Killer (David Fincher)Memory (Michel Franco)Io capitano (Matteo Garrone)Evil Does Not Exist (Ryûsuke Hamaguchi)The Green Border (Agnieszka Holland)The Theory of Everything (Timm Kröger)Poor Things (Yorgos Lanthimos)El conde (Pablo Larrain)Ferrari (Michael Mann)Adagio (Stefano Sollima)Woman OfHolly (Fien Troch)Out Of COMPETITIONFictionSociety of the Snow (J.A. Bayona)Coup de Chance (Woody Allen)The Wonderful Story of Henry Sugar (Wes Anderson)The Penitent (Luca Barbareschi)L’Ordine Del Tempo (Liliana Cavani)Vivants (Alix Delaporte)Welcome to Paradise (Leonardo di Constanzo)Daaaaaali! (Quentin Dupieux)The Caine Mutiny Court-Martial (William Friedkin)Making of (Cedric Kahn)Aggro Dr1ft (Harmony Korine)Hitman (Richard Linklater)The Palace (Roman Polanski...
- 7/29/2023
- MUBI
The Venice Film Festival sails on in Italy — even with much of Hollywood at a standstill.
The annual cinema celebration hosted by La Biennale di Venezia and directed by Alberto Barbera runs from August 30 through September 9. Despite already having lost Luca Guadagnino’s “Challengers” from its opening night slot due to its SAG-AFTRA talent including star Zendaya being unable to accompany the world premiere due to strike work stoppage orders, Venice has plenty of movie goodness in store for its 80th edition.
Competition highlights include Bradley Cooper’s “Maestro,” Sofia Coppola’s “Priscilla,” David Fincher’s “The Killer,” Michael Mann’s “Ferrari,” Yorgos Lanthimos’ “Poor Things,” Ava DuVernay’s “Origin,” Luc Besson’s “Dogman,” Michel Franco’s “Memory,” Pablo Larrain’s “El Conde,” and many more. Out of competition, Venice will screen new films from Harmony Korine, Richard Linklater, Woody Allen, Wes Anderson, Roman Polanski, and William Friedkin.
The annual cinema celebration hosted by La Biennale di Venezia and directed by Alberto Barbera runs from August 30 through September 9. Despite already having lost Luca Guadagnino’s “Challengers” from its opening night slot due to its SAG-AFTRA talent including star Zendaya being unable to accompany the world premiere due to strike work stoppage orders, Venice has plenty of movie goodness in store for its 80th edition.
Competition highlights include Bradley Cooper’s “Maestro,” Sofia Coppola’s “Priscilla,” David Fincher’s “The Killer,” Michael Mann’s “Ferrari,” Yorgos Lanthimos’ “Poor Things,” Ava DuVernay’s “Origin,” Luc Besson’s “Dogman,” Michel Franco’s “Memory,” Pablo Larrain’s “El Conde,” and many more. Out of competition, Venice will screen new films from Harmony Korine, Richard Linklater, Woody Allen, Wes Anderson, Roman Polanski, and William Friedkin.
- 7/25/2023
- by Ryan Lattanzio
- Indiewire
Two movies whose directors are likely to draw protests, Woody Allen’s French-language “Coup de Chance” and Roman Polanski’s “The Palace,” will make their world premieres at the 2023 Venice International Film Festival, Venice artistic director Alberto Barbera and La Biennale di Venezia president Roberto Cicutto announced at a Tuesday morning press conference.
Both films will screen out of competition, though they’ll likely draw an inordinate amount of attention at a festival that has assembled a robust lineup of major filmmakers even as it struggles with the effects of the SAG-AFTRA and WGA strikes.
Films booked for the Venice main competition include Bradley Cooper’s Leonard Bernstein biopic “Maestro”; Yorgos Lanthimos’ sci-fi drama “Poor Things”; Sofia Coppola’s Priscilla Presley film “Priscilla”; Michael Mann’s auto-racing film “Ferrari”; Ava DuVernay’s “Origin,” with Aunjanue Ellis-Taylor, Niecy Nash-Betts and Vera Farmiga; and David Fincher’s “The Killer,” with Michael Fassbender.
Both films will screen out of competition, though they’ll likely draw an inordinate amount of attention at a festival that has assembled a robust lineup of major filmmakers even as it struggles with the effects of the SAG-AFTRA and WGA strikes.
Films booked for the Venice main competition include Bradley Cooper’s Leonard Bernstein biopic “Maestro”; Yorgos Lanthimos’ sci-fi drama “Poor Things”; Sofia Coppola’s Priscilla Presley film “Priscilla”; Michael Mann’s auto-racing film “Ferrari”; Ava DuVernay’s “Origin,” with Aunjanue Ellis-Taylor, Niecy Nash-Betts and Vera Farmiga; and David Fincher’s “The Killer,” with Michael Fassbender.
- 7/25/2023
- by Steve Pond
- The Wrap
On the heels of yesterday’s TIFF announcement, the first major fall festival of the season––Venice International Film Festival––is unveiling its lineup. Taking place August 30-September 9, the competition jury this year is chaired by Damien Chazelle.
Highlights include new films from David Fincher, Michael Mann, Wes Anderson, Ryusuke Hamaguchi, Sofia Coppola, Bradley Cooper, Bertrand Bonello, Frederick Wiseman, Roman Polanski, William Friedkin, Ava DuVernay, Harmony Korine, Richard Linklater, Woody Allen, and more.
Competition
Adagio; dir. Stefano Sollima
The Beast; dir. Bertrand Bonello
Io Capitano; dir. Matteo Garrone
Comandante; dir. Edoardo de Angelis
El Conde; dir. Pablo Larraín
Die Theorie von Allem; dir. Timm Kröger
Dogman; dir. Luc Besson
Enea; dir. Pietro Castellitto
Evil Does Not Exist; dir. Ryusuke Hamaguchi
Ferrari; dir. Michael Mann
Finalmente L’Alba; dir. Saverio Costanzo
Green Border; dir. Agnieszka Holland
Holly; dir. Fien Troch
Hors-Saison; dir. Stéphane Brizé
The Killer; dir. David Fincher
Lubo; dir. Giorgio Diritti
The Promised Land; dir.
Highlights include new films from David Fincher, Michael Mann, Wes Anderson, Ryusuke Hamaguchi, Sofia Coppola, Bradley Cooper, Bertrand Bonello, Frederick Wiseman, Roman Polanski, William Friedkin, Ava DuVernay, Harmony Korine, Richard Linklater, Woody Allen, and more.
Competition
Adagio; dir. Stefano Sollima
The Beast; dir. Bertrand Bonello
Io Capitano; dir. Matteo Garrone
Comandante; dir. Edoardo de Angelis
El Conde; dir. Pablo Larraín
Die Theorie von Allem; dir. Timm Kröger
Dogman; dir. Luc Besson
Enea; dir. Pietro Castellitto
Evil Does Not Exist; dir. Ryusuke Hamaguchi
Ferrari; dir. Michael Mann
Finalmente L’Alba; dir. Saverio Costanzo
Green Border; dir. Agnieszka Holland
Holly; dir. Fien Troch
Hors-Saison; dir. Stéphane Brizé
The Killer; dir. David Fincher
Lubo; dir. Giorgio Diritti
The Promised Land; dir.
- 7/25/2023
- by Jordan Raup
- The Film Stage
Includes films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Venice Film Festival announced the programme for its 80th edition, including a 23-strong Competition with new films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Scroll down for full line-up
The selection was announced by festival president Roberto Cicutto and artistic director Alberto Barbera. The SAG-AFTRA strike in the US has had a “quite modest” impact on the selection according to Barbera, who was forced to pull Luca Guadagnino’s Challengers as the opening film over the weekend due to the strike.
Venice Film Festival announced the programme for its 80th edition, including a 23-strong Competition with new films from David Fincher, Sofia Coppola, Ava DuVernay, Yorgos Lanthimos, Bradley Cooper and Ryusuke Hamaguchi.
Scroll down for full line-up
The selection was announced by festival president Roberto Cicutto and artistic director Alberto Barbera. The SAG-AFTRA strike in the US has had a “quite modest” impact on the selection according to Barbera, who was forced to pull Luca Guadagnino’s Challengers as the opening film over the weekend due to the strike.
- 7/25/2023
- by Ben Dalton¬Orlando Parfitt
- ScreenDaily
This year’s selection will be announced at 11:00 Cest (10:00 BST) by Roberto Cicutto and Alberto Barbera.
The line-up for the 80th Venice International Film Festival (August 30-September 9) will be revealed this morning at 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera
The press conference will be live-streamed below, and this page will be updated with the films as they are announced.
Luca Guadagnino’s Challengers was originally set to open the festival but was pulled by MGM amid the actors’ strike. It was replaced by Edoardo De Angelis’ Comandante.
The closing film...
The line-up for the 80th Venice International Film Festival (August 30-September 9) will be revealed this morning at 11:00 Cest (10:00 BST) by festival president Roberto Cicutto and artistic director Alberto Barbera
The press conference will be live-streamed below, and this page will be updated with the films as they are announced.
Luca Guadagnino’s Challengers was originally set to open the festival but was pulled by MGM amid the actors’ strike. It was replaced by Edoardo De Angelis’ Comandante.
The closing film...
- 7/25/2023
- by Ben Dalton¬Orlando Parfitt
- ScreenDaily
A Farewell To Angela Ricci Lucchi At Redcat | 631 W 2nd St.
On Tuesday, Redcat will pay tribute to the late Angela Ricci Lucchi with a six-film program of shorts made by the Italian artist in tandem with her longtime partner and collaborator Yervant Gianikian. Among the first filmmakers to utilize found footage as an explicitly political tool, Ricci Lucchi (who passed away in February 2018) and Gianikian spent over 40 years exploring issues of violence, war, oppression and corruption through the rich and provocative use of historical imagery and archival materials. Beginning with their first work, 1975’s Erat-Sora, a ...
On Tuesday, Redcat will pay tribute to the late Angela Ricci Lucchi with a six-film program of shorts made by the Italian artist in tandem with her longtime partner and collaborator Yervant Gianikian. Among the first filmmakers to utilize found footage as an explicitly political tool, Ricci Lucchi (who passed away in February 2018) and Gianikian spent over 40 years exploring issues of violence, war, oppression and corruption through the rich and provocative use of historical imagery and archival materials. Beginning with their first work, 1975’s Erat-Sora, a ...
- 9/30/2019
- The Hollywood Reporter - Movie News
A Farewell To Angela Ricci Lucchi At Redcat | 631 W 2nd St.
On Tuesday, Redcat will pay tribute to the late Angela Ricci Lucchi with a six-film program of shorts made by the Italian artist in tandem with her longtime partner and collaborator Yervant Gianikian. Among the first filmmakers to utilize found footage as an explicitly political tool, Ricci Lucchi (who passed away in February 2018) and Gianikian spent over 40 years exploring issues of violence, war, oppression and corruption through the rich and provocative use of historical imagery and archival materials. Beginning with their first work, 1975’s Erat-Sora, a ...
On Tuesday, Redcat will pay tribute to the late Angela Ricci Lucchi with a six-film program of shorts made by the Italian artist in tandem with her longtime partner and collaborator Yervant Gianikian. Among the first filmmakers to utilize found footage as an explicitly political tool, Ricci Lucchi (who passed away in February 2018) and Gianikian spent over 40 years exploring issues of violence, war, oppression and corruption through the rich and provocative use of historical imagery and archival materials. Beginning with their first work, 1975’s Erat-Sora, a ...
- 9/30/2019
- The Hollywood Reporter - Film + TV
The films in this program, for the most part, seem to pertain to global space, in particular the subjective experience of movement that one can glean from travel, displacement, or the disorienting impact of visual technologies. Now, I know from experience that I always enjoy the disorientations generated by the 3D films of Blake Williams, but sadly I was unable to preview his new film 2008 because I could not secure equipment on which to view it. Apologies for that. The rest of the program is discussed below.Amusement RideQ: What's a "structural film"?
A: That's easy! Everybody knows what a structural film is! It's when engineers design an airplane or a bridge, and they build a model to find out if it will fall apart too soon. The film shows where all the stresses are!—Owen Land, On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and...
A: That's easy! Everybody knows what a structural film is! It's when engineers design an airplane or a bridge, and they build a model to find out if it will fall apart too soon. The film shows where all the stresses are!—Owen Land, On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and...
- 9/8/2019
- MUBI
The lineup has been unveiled for year’s edition of the Venice International Film Festival, taking place August 28 through September 7. Aside from films previously announced as coming to Tiff, some major new announcements include Olivier Assayas’ Wasp Network, James Gray’s Ad Astra, Roy Andersson’s About Endlessness, Ciro Guerra’s Waiting for the Barbarians, David Michôd’s The King, Benedict Andrews’ Kristen Stewart-led biopic Seberg, and Roman Polanski’s J’accuse. Only two films by female directors made into the competition lineup: Haifaa Al-Mansour’s The Perfect Candidate and Shannon Murphy’s Babyteeth.
Check out the lineup below (hat tip to Mubi), which also includes other sections at the festival.
Competition
The Truth (Hirokazu Kore-eda)
The Perfect Candidate (Haifaa Al-Mansour)
About Endlessness (Roy Andersson)
Wasp Network (Olivier Assayas)
Marriage Story (Noah Baumbach)
Guest of Honour (Atom Egoyan)
Ad Astra (James Gray)
A Herdade (Tiago Guedes)
Gloria Mundi (Robert Guédiguian...
Check out the lineup below (hat tip to Mubi), which also includes other sections at the festival.
Competition
The Truth (Hirokazu Kore-eda)
The Perfect Candidate (Haifaa Al-Mansour)
About Endlessness (Roy Andersson)
Wasp Network (Olivier Assayas)
Marriage Story (Noah Baumbach)
Guest of Honour (Atom Egoyan)
Ad Astra (James Gray)
A Herdade (Tiago Guedes)
Gloria Mundi (Robert Guédiguian...
- 7/25/2019
- by Jordan Raup
- The Film Stage
Update: Much of the Venice Film Festival’s 2019 competition field, which was announced this morning in Rome, lines up as expected with Warner Bros/DC origns story Joker; Fox/Disney’s Brad Pitt space drama Ad Astra; Steven Soderbergh’s starry Netflix dark comedy, The Laundromat; and Noah Baumbach’s Marriage Story from Netflix making the cut to begin potential awards-season runs.
Kristen Stewart drama Seberg (formerly Against All Enemies) is also an official selection entry, though in something of a surprise is taking an out-of-competition slot. Other intriguing titles include Haifaa Al-Mansour’s The Perfect Candidate (she is one of just two female filmmakers in the competition); Olivier Assayas’ Wasp Network, a thriller with Penelope Cruz and Edgar Ramirez; and Pablo Larrain’s Ema.
Fest chief Alberto Barbera is already facing criticism from European Cinema groups over the inclusion of three Netflix titles. He’s also likely to stir...
Kristen Stewart drama Seberg (formerly Against All Enemies) is also an official selection entry, though in something of a surprise is taking an out-of-competition slot. Other intriguing titles include Haifaa Al-Mansour’s The Perfect Candidate (she is one of just two female filmmakers in the competition); Olivier Assayas’ Wasp Network, a thriller with Penelope Cruz and Edgar Ramirez; and Pablo Larrain’s Ema.
Fest chief Alberto Barbera is already facing criticism from European Cinema groups over the inclusion of three Netflix titles. He’s also likely to stir...
- 7/25/2019
- by Nancy Tartaglione
- Deadline Film + TV
There are only two films by female directors in competition.
The line-up of the 76th Venice Film Festival (August 28 – September 7) has been announced.
Scroll down for the full line-up
This year features some high-profile projects including Todd Phillips’ Joker and James Gray’s Ad Astra, a lack of female directors in competition once again, and the controversial selection of Roman Polanski’s latest film.
Australian title Babyteeth, from first-time director Shannon Murphy, and Saudi filmmaker Haifaa Al-Mansour’s The Perfect Candidate are the two films in the 21-strong competition from female filmmakers. Last year festival chief Alberto Barbera was heavily...
The line-up of the 76th Venice Film Festival (August 28 – September 7) has been announced.
Scroll down for the full line-up
This year features some high-profile projects including Todd Phillips’ Joker and James Gray’s Ad Astra, a lack of female directors in competition once again, and the controversial selection of Roman Polanski’s latest film.
Australian title Babyteeth, from first-time director Shannon Murphy, and Saudi filmmaker Haifaa Al-Mansour’s The Perfect Candidate are the two films in the 21-strong competition from female filmmakers. Last year festival chief Alberto Barbera was heavily...
- 7/25/2019
- by Orlando Parfitt
- ScreenDaily
For 11 years running, our end-of-the-year tradition on the Notebook has been to poll our roster of contributors to create fantasy double features of new and old films. But what about the curators behind Mubi itself? This year we begin what we hope to be a new tradition: publishing the favorite films of the year as chosen by our programming team: Daniel Kasman in the U.S., Anaïs Lebrun and Chiara Marañón in the U.K. We each have two lists: our top new films that premiered in 2018, and then a selection of revivals screened in cinemas.PREMIERESDaniel Kasman1. Blue (Apichatpong Weerasethakul, Thailand)2. The Image Book (Jean-Luc Godard, Switzerland)3. Support the Girls (Andrew Bujalski, USA)4. The Other Side of the Wind (Orson Welles, USA)5. The Waldheim Waltz (Ruth Beckermann, Austria)6. Unsane (Steven Soderbergh, USA)7. The Grand Bizarre (Jodie Mack, USA)8. The Red Shadow [director's cut]9. What You Gonna Do When the World's on Fire?...
- 12/24/2018
- MUBI
When I met Yervant Gianikian on a cloudy morning during the 2018 edition of the Viennale, the first thing that struck me was the presence of his deceased partner Angela Ricci Lucchi in all he would come to tell me. Gianikian switched between “we“ and “I“ when talking about their work, often employing the present tense for things past. I decided to keep these shifts in the interview, which was not really an interview but a collecting of memories, images and little stories behind them. The same is true for their film I diari di Angela - Noi due cineasti, a touching love letter to their life and work together as well as a sort of saved memory of one of the most important artistic oeuvres dealing with the violence of the 20th century. The film is structured around the written and painted diaries of Ricci Lucchi and filmed images accompanying the diary.
- 12/19/2018
- MUBI
World premieres include Simone Kostova’s debut feature ’Thirty’.
The International Film Festival Rotterdam (Iffr) has unveiled the first 26 titles to be confirmed for its 48th edition, running Jan 23-Feb 3, 2019.
The early selections include hotly-tipped foreign-language Oscar contender Capernaum by Lebanese director Nadine Labaki, Claire Denis’s space thriller High Life and Jia Zhangke’s epic melodrama Ash Is Purest White.
First world premieres include German filmmaker Simona Kostova’s debut feature Thirty (Dreissig), capturing the lives of a group of friends living in Berlin over the course of 24 hours.
Fabienne Godet’s drama Our Wonderful Lives will get its...
The International Film Festival Rotterdam (Iffr) has unveiled the first 26 titles to be confirmed for its 48th edition, running Jan 23-Feb 3, 2019.
The early selections include hotly-tipped foreign-language Oscar contender Capernaum by Lebanese director Nadine Labaki, Claire Denis’s space thriller High Life and Jia Zhangke’s epic melodrama Ash Is Purest White.
First world premieres include German filmmaker Simona Kostova’s debut feature Thirty (Dreissig), capturing the lives of a group of friends living in Berlin over the course of 24 hours.
Fabienne Godet’s drama Our Wonderful Lives will get its...
- 11/7/2018
- by Melanie Goodfellow
- ScreenDaily
World premieres include Simone Kostova’s debut feature ’Thirty’.
The International Film Festival Rotterdam (Iffr) has unveiled the first 26 titles to be confirmed for its 48th edition, running Jan 23-Feb 3, 2019.
The early selections include hotly-tipped foreign-language Oscar contender Capernaum by Lebanese director Nadine Labaki, Claire Denis’s space thriller High Life and Jia Zhangke’s epic melodrama Ash Is Purest White.
First world premieres include German filmmaker Simona Kostova’s debut feature Thirty (Dreissig), capturing the lives of a group of friends living in Berlin over the course of 24 hours.
Fabienne Godet’s drama Our Wonderful Lives will get its...
The International Film Festival Rotterdam (Iffr) has unveiled the first 26 titles to be confirmed for its 48th edition, running Jan 23-Feb 3, 2019.
The early selections include hotly-tipped foreign-language Oscar contender Capernaum by Lebanese director Nadine Labaki, Claire Denis’s space thriller High Life and Jia Zhangke’s epic melodrama Ash Is Purest White.
First world premieres include German filmmaker Simona Kostova’s debut feature Thirty (Dreissig), capturing the lives of a group of friends living in Berlin over the course of 24 hours.
Fabienne Godet’s drama Our Wonderful Lives will get its...
- 11/7/2018
- by Melanie Goodfellow
- ScreenDaily
Chis Marker's Chat écoutant la musiqueThere are dog people and there are cat people, this we know, and there are even people who claim to be of both—though latent sympathies remain unspoken, like with a parent and which child is their favorite. With the Vienna Film Festival welcoming me with a tumbling collection of dog and cat short films spanning cinema's history—the Austrian Film Museum, an essential destination each year collaborating with the Viennale, is hosting a “a brief zoology of cinema” throughout the festivities—it is clear that filmmakers, too, have their preference. Silent cinema decidedly prefers the more easily trained and exhibited canine, with 1907’s surreal favorite Les chiens savants as a certain kind of cruel pinnacle. For the cats, Chris Marker, already the presiding figure over so much in 20th century art, I think we can easily claim is the cine-laureate. One need not know...
- 11/8/2015
- by Daniel Kasman
- MUBI
Swedish director Göran Hugo Olsson, who many will know from his archival triumph The Black Power Mixtape, returns from Sundance and Berlin at a rather opportune moment to present his new film, Concerning Violence. Many incendiary debates have escalated over Boko Harām and the ‘BringBackOurGirls’ campaign: one side arguing that awareness and education are the primary steps to success, while others brush off such digital profile-raising as a form of clicktivism (and at worst further Western interference into African affairs).
There was one period in African history when this meddling was irrefutable: Apartheid. To excavate it, Olsson once again mines the Swedish archives to magic up some gorgeous 16mm footage from all across Africa, predominantly shot between the 1960s and ‘70s. With an introduction by postcolonial theorist Gayatri Chakravorty Spivak, and utilising extracts from Frantz Fanon’s newly-revived (at least in the mainstream) text The Wretched of the Earth, this...
There was one period in African history when this meddling was irrefutable: Apartheid. To excavate it, Olsson once again mines the Swedish archives to magic up some gorgeous 16mm footage from all across Africa, predominantly shot between the 1960s and ‘70s. With an introduction by postcolonial theorist Gayatri Chakravorty Spivak, and utilising extracts from Frantz Fanon’s newly-revived (at least in the mainstream) text The Wretched of the Earth, this...
- 6/9/2014
- by Andrew Latimer
- HeyUGuys.co.uk
This is the fourth and final dispatch on some of the goods offered by the 57th London Film Festival’s ‘Experimenta’ section.
Is it problematic to name a film festival’s programme strand to denote some kind of aesthetic experimentation? Surely, the argument goes, all works of art operate and evolve within and along what Mark Cousins has defined as a “schema + variation” trajectory. Even the most formulaic film contains a tension between familiarity and originality. Those mainstream films we customarily understand to be genre pieces work within established parameters (aesthetic, narrative) and are often interpreted accordingly, in relation to how they fit within certain tropes.
To consciously programme a number of works under the umbrella term of ‘Experimenta’ may actually marginalize the films rather than draw new audiences to them. Great for those already inclined toward such works—those who’ll seek out films precisely because they’re unlikely...
Is it problematic to name a film festival’s programme strand to denote some kind of aesthetic experimentation? Surely, the argument goes, all works of art operate and evolve within and along what Mark Cousins has defined as a “schema + variation” trajectory. Even the most formulaic film contains a tension between familiarity and originality. Those mainstream films we customarily understand to be genre pieces work within established parameters (aesthetic, narrative) and are often interpreted accordingly, in relation to how they fit within certain tropes.
To consciously programme a number of works under the umbrella term of ‘Experimenta’ may actually marginalize the films rather than draw new audiences to them. Great for those already inclined toward such works—those who’ll seek out films precisely because they’re unlikely...
- 10/21/2013
- by Michael Pattison
- MUBI
Nb: Films by Robert Beavers, Peter Hutton, and Luther Price were unavailable for preview. However, I said some very nice things about these men and their work in general over at The Dissolve.
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
In years past, I have attempted to present this extended article as a preview; my aim has been to send it off into the world either the day before of the day of Tiff's kick-off. That has proven impossible this year, and, dear reader, I am heartily sorry for having offended thee... But the fact that Wavelengths is a beat that is becoming harder and harder for one person to adequately cover is undoubtedly a sign of good health. Since last year, when Tiff enfolded the former Visions section (a space for formally adventurous narrative features) into Wavelengths (Tiff's experimental showcase), not only has interest in the section grown exponentially. The section can now more fully reflect...
- 9/9/2013
- by Michael Sicinski
- MUBI
Browse all the sections of the 57th London Film Festival (Oct 9-20) including the galas, competition titles and individual sections.
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
Alphabetical list of titles by section including feature premiere status
Wp = Wp
Ep = European Premiere
IP = International Premiere
UK = UK Premiere
Gala’s
Opening Night
Captain Phillips, Paul Greengrass (Us) Ep
Closing Night
Saving Mr Banks, John Lee Hancock (Us/UK) Ep
Philomena, Stephen Frears (UK) UK12 Years A Slave, Steve Mcqueen (UK) EPGravity, Alfonso Cuaron (Us) UKInside Llewyn Davis, Ethan Coen, Joel Coen (Us) UKLabor Day, Jason Reitman (Us) EPThe Invisible Woman, Ralph Fiennes (UK), EPThe Epic Of Everest, John Noel (UK) WPBlue Is The Warmest Colour, Abdellatif Kechiche (France) UKNight Moves, Kelly Reichardt (Us) UKStranger By The Lake, Alain Guiraudie (France) UKDon Jon, Joseph Gordon-Levitt (Us) UKMystery Road, Ivan Sen (Australia) UKOnly Lovers Left Alive, Jim Jarmusch (Us) UKNebraska, Alexander Payne (Us) UKWe Are The Best!, Lukas Moodysson (Sweden) EPFoosball 3D, Juan Jose Campanella (Argentina...
- 9/4/2013
- ScreenDaily
Locarno Film Festival Review: Home Movie Footage of Genocide Makes 'Pays Barbare' Essential Viewing`
Redefining history in its own images, the remarkable hourlong found footage project "Pays Barbare" is less documentary than curated document. Longtime Italian avant garde directors Yervant Gianikian and Angela Ricci Lucchi ("From the Pole to the Equator") assemble material from a private archive covering Italian colonial Ethiopia and read captions to deepen its context, providing a hauntingly intimate look at under-seen persecution. The project is both a form of activism that deepens historical understanding and an instructive rumination on the dangers of allowing it to get buried with time. With no sound during its first 10 minutes, "Pays Barbare" gradually reveals slow-moving images taken in Milan in 1945 at the tail-end of the Italo-Ethiopian war, which depicts a world of fierce militant control and faces that blur together in murky black-and-white, obscuring the details of the massacres preceding them. The ensuing 50-odd minutes proceed to break them down. As a voiceover informs.
- 8/16/2013
- by Eric Kohn
- Indiewire
Programmer Andrea Picard can do no wrong. From the compiled short and medium film offerings (see listing below for huge sampling of renowned world auteurs) to the latest from Tsai Ming-liang, Ben Wheatley (Karlovy Vary winner A Field In England), Albert Serra (Locarno debuted Story Of My Death), Wang Bing and that Rotterdam offering that we never thought we’d have the chance to see from Cristi Puiu, the ’13 edition of the Wavelenths programme is for those who need a little spunk in their cinema.
Of the titles that additionally caught our attention we have the Locarno preemed A Spell To Ward Off The Darkness by Ben Rivers and Ben Russell, the world premiere of (see pic above) La ultíma película – by Raya Martin and Cinemascope/Locarno programmer Mark Peranson (making his feature debut), Into Great Silence docu-helmer Philip Gröning’s The Police Officer’s Wife and a title that...
Of the titles that additionally caught our attention we have the Locarno preemed A Spell To Ward Off The Darkness by Ben Rivers and Ben Russell, the world premiere of (see pic above) La ultíma película – by Raya Martin and Cinemascope/Locarno programmer Mark Peranson (making his feature debut), Into Great Silence docu-helmer Philip Gröning’s The Police Officer’s Wife and a title that...
- 8/13/2013
- by admin
- IONCINEMA.com
The titles just keep coming as we are now just over three weeks away from the start of the 2013 Toronto International Film Festival and they have gone and added 90 new feature length titles to the program and it's not as if they are titles you haven't heard of. New to the Galas selection is Guillaume Canet's Blood Ties which premiered at Cannes earlier this year (read my review here) and Words and Pictures starring Clive Owen and Juliette Binoche. In the Special Presentations selection you find the bulk of the more noted titles including Alex Gibney's new documentary The Armstrong Lie about cyclist Lance Armstrong, Johnnie To's Blind Detective which also premiered at Cannes, James Franco's Child of God based on the Cormac McCarthy novel, John Turturro's Fading Gigolo which features Woody Allen in one of the roles, Kevin Macdonald's How I Live Now...
- 8/13/2013
- by Brad Brevet
- Rope of Silicon
Rithy Panh’s Un Certain Regard winner takes its place alongside Ben Wheatley’s A Field In England and new films from Canada’s Stephen Broomer and Chris Kennedy in the Wavelengths section.
The selection of short, medium-length and feature work includes Caroline Strubbe’s I’m The Same, I’m An Other; Raya Martin and Mark Peranson’s La Ultima Pelicula; and Albert Serra’s Story Of My Death.
The Toronto International Film Festival is set to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
Short Film PROGRAMMESWavelengths 1: Variations On…Variations On A Cellophane Wrapper David Rimmer (Restoration courtesy of Academy Film Archive) (Canada)Pop Takes Luther Price (Us)Airship Kenneth Anger (Us)El Adios Largos Andrew Lampert (Mexico-us)The Realist Scott Stark (Us)Wavelengths 2: Now & ThenInstants Hannes Schüpbach (Switzerland)Pepper’s Ghost Stephen Broomer (Canada)Man In Motion, 2012 (Homme En Mouvement...
The selection of short, medium-length and feature work includes Caroline Strubbe’s I’m The Same, I’m An Other; Raya Martin and Mark Peranson’s La Ultima Pelicula; and Albert Serra’s Story Of My Death.
The Toronto International Film Festival is set to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
Short Film PROGRAMMESWavelengths 1: Variations On…Variations On A Cellophane Wrapper David Rimmer (Restoration courtesy of Academy Film Archive) (Canada)Pop Takes Luther Price (Us)Airship Kenneth Anger (Us)El Adios Largos Andrew Lampert (Mexico-us)The Realist Scott Stark (Us)Wavelengths 2: Now & ThenInstants Hannes Schüpbach (Switzerland)Pepper’s Ghost Stephen Broomer (Canada)Man In Motion, 2012 (Homme En Mouvement...
- 8/13/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Thanks to the inquisitive nature of one of our most unabashedly hardcore cinephile writers on the site (Blake you’re a hawk!), we’ve uncovered a slew of title offerings for this year’s Tiff (a little ahead of what should be the final announcement wave) and we’ve got a grab-bag of mention-worthy items from beloved auteurs. Among the titles (see list below – here’s our source) we find carry-over items from Cannes in Alain Guiraudie’s Stranger by the Lake, Rithy Panh’s The Missing Image, Guillaume Canet’s Blood Ties and Claire Denis’ Bastards (among one of our top films for 2013 – see pic above), while from Venice, we have the just-inserted Patrice Leconte title, A Promise and what will easily be among the most sought after Tiff 2013 coverage items in Catherine Breillat’s Abus de faiblesse. Here is the rest of the spoiler set:
Special Presentations
A Promise...
Special Presentations
A Promise...
- 8/10/2013
- by Eric Lavallee
- IONCINEMA.com
I have been invited to Locarno this year and am looking forward to going once more.
It is an amazing locale at the Swiss tip of Italy's Lago Maggiore. While the town sure looks old Italian to me people there tend to speak German.
Very charming. Their grand outdoor theater in a big piazza is rare in our film world and quite magnificent. I look forward to the films and seeing old friends.
Just announced the 20-film competition lineup features 18 world premieres and represents 16 countries, while the Piazza Grande selections run from big budget to art house films.
The Locarno Film Festival, in its first edition under the new artistic director Carlo Chatrian, on Wednesday revealed an eclectic and international lineup.
The 8,000-seat Piazza Grande, the largest silver screen in Europe and Locarno’s signature venue, this year illustrates the mixed genres Locarno traditionally features, with a lineup that includes Quentin Dupieux’s crime comedy Wrong Cops, with a cast that includes celebrity goth Marilyn Manson.
“I want the Piazza Grande selection to feature a sampling of what the festival has to offer in its various sections and tributes, and I think we made a big step in this direction,” said Chatrian, a veteran festival programmer and author who took over direction of the lakeside festival after the unexpected departure of Olivier Pere last year.
Mr. Morgan’s Last Love, a drama from Sandra Nettelbeck that stars Michael Cain as a retired professor who finds a connection with a young Parisian woman.
We’re the Millers, a comedy from Rawson Marshall Thurber with a cast that includes Jennifer Aniston and Ed Helms.
Also scheduled to screen in the picturesque Piazza Grande: 1981 classic Rich and Famous, part of the festival’s retrospective dedicated to director George Cukor (the film's star, Jacqueline Bisset, will be in Locarno to introduce the film)
Werner Herzog’s great Fitzcarraldo, the director’s 1982 biopic about Brian Sweeney Fitzgerald that will screen as part of the festival’s homage to Herzog, who will be honored with a lifetime achievement prize.
The Piazza Grande will also feature an Italian film -- La Variabile Umana (The Human Factor), the feature film debut from acclaimed documentary maker Bruno Oliviero -- for the first time in six years.
The festival previously announced that much-heralded blockbuster 2 Guns, from Baltasar Kormákur -- which stars Denzel Washington and Mark Wahlberg -- would open the festival August 7.
The competition lineup, which includes 18 world premieres and two international premieres, is nearly as varied as the selection showing in the Piazza Grande.
Among the highlights: E Agora? Lembra-me (What Now? Remind Me) from Portugal’s Joaquim Pinto, the director’s touching and vibrant telling of his battle with HIV.
Albert Serra's Historia de la Meva Mort (Story of My Death), which had been tabbed by the European press as a likely Cannes selection.
Real, the first film from Japan’s Kiyoshi Kurosawa in five years.
U Ri Sunhi (Our Sunhi) by South Kore's acclaimed Sangsoo Hong.
Sangue (Blood) from Italy’s Pippo Delbono, which explores Italy’s Red Brigade insurgency.
Short Term 12, a remake of a 2008 short (both directed by Destin Cretton), is the only U.S. film screening in competition.
“There’s an intriguing mix of young director and first time works with more experienced talent in the competition lineup,” Chatrian said. “I’m eager to see how the public will react to these films we’ve chosen.”
Piazza Grande selections:2 Guns by Baltasar Kormákur (United States)Vijay and I by Sam Garbarski (Belgium/Luxembourg/Germany)La Variabile Umana (The Human Factor) by Bruno Oliviero (Italy) Wrong Cops by Quentin Dupieux (United States)We’re the Millers by Rawson Marshall Thurber (United States)The Keeper of Lost Causes by Mikkel Nørgaard (Denmark/Germany/Sweden)Les Grandes Ondes (Longwave) by Lionel Baier (Switzerland/France/Portugal) Rich and Famous by George Cukor (United States)Gabrielle by Louise Archambault (Canada)L’Experience Blocher by Jean-Stéphane Bron (Switzerland/France)Gloria by Sebastián Lelio (Chile) Mr. Morgan’s Last Love by Sandra Nettelbeck (Germany/Belgium)Blue Ruin by Jeremy Saulnier (United States)About Time by Richard Curtis (United Kingdom)Fitzcarraldo by Werner Herzog (Germany/Peru) Sur le Chemin de l’École by Pascal Plisson (France) International competition lineup:Când se lasă seara peste Bucureşti sau metabolism (When Evening Falls on Bucharest or Metabolism) by Corneliu Porumboiu (Romania) E Agora? Lembra-me (What Now? Remind Me) by Joaquim Pinto (Portugal)Educacão Sentimental (Sentimental Education) by Júlio Bressane (Brazil)El Mudo by Daniel and Diego Vega (Peru/France/Mexico) Exhibition by Joanna Hogg (United Kingdom)Feuchtgebiete by David Wnendt (Germany)Gare du Nord by Claire Simon (France/Canada)Historia de la Meva Mort (Story of My Death) by Albert Serra (Spain/France) L’Étrange Couleur des Larmes de Ton Corps (The Strange Color of Your Body’s Tears) by Hélène Cattet and Bruno Forzani (Belgium/France/Luxembourg)Mary, Queen of Scots by Thomas Imbach (Switzerland/France) Pays Barbare by Yervant Gianikian and Angela Ricci Lucchi (France)Real by Kiyoshi Kurosawa (Japan)Sangue (Blood) by Pippo Delbono (Italy/Switzerland)Short Term 12 by Destin Cretton (United States) Shu Jia Zuo (A Time in Quchi) by Tso chi Chang (Taiwan)Tableau Noir (Black Board) by Yves Yersin (Switzerland)Tomogui (Backwater) by Shinji Aoyama (Japan)Tonnerre by Guillaume Brac (France) U Ri Sunhi (Our Sunhi) by Sangsoo Hong (South Korea)Une Autre Vie by Emmanuel Mouret (France)...
It is an amazing locale at the Swiss tip of Italy's Lago Maggiore. While the town sure looks old Italian to me people there tend to speak German.
Very charming. Their grand outdoor theater in a big piazza is rare in our film world and quite magnificent. I look forward to the films and seeing old friends.
Just announced the 20-film competition lineup features 18 world premieres and represents 16 countries, while the Piazza Grande selections run from big budget to art house films.
The Locarno Film Festival, in its first edition under the new artistic director Carlo Chatrian, on Wednesday revealed an eclectic and international lineup.
The 8,000-seat Piazza Grande, the largest silver screen in Europe and Locarno’s signature venue, this year illustrates the mixed genres Locarno traditionally features, with a lineup that includes Quentin Dupieux’s crime comedy Wrong Cops, with a cast that includes celebrity goth Marilyn Manson.
“I want the Piazza Grande selection to feature a sampling of what the festival has to offer in its various sections and tributes, and I think we made a big step in this direction,” said Chatrian, a veteran festival programmer and author who took over direction of the lakeside festival after the unexpected departure of Olivier Pere last year.
Mr. Morgan’s Last Love, a drama from Sandra Nettelbeck that stars Michael Cain as a retired professor who finds a connection with a young Parisian woman.
We’re the Millers, a comedy from Rawson Marshall Thurber with a cast that includes Jennifer Aniston and Ed Helms.
Also scheduled to screen in the picturesque Piazza Grande: 1981 classic Rich and Famous, part of the festival’s retrospective dedicated to director George Cukor (the film's star, Jacqueline Bisset, will be in Locarno to introduce the film)
Werner Herzog’s great Fitzcarraldo, the director’s 1982 biopic about Brian Sweeney Fitzgerald that will screen as part of the festival’s homage to Herzog, who will be honored with a lifetime achievement prize.
The Piazza Grande will also feature an Italian film -- La Variabile Umana (The Human Factor), the feature film debut from acclaimed documentary maker Bruno Oliviero -- for the first time in six years.
The festival previously announced that much-heralded blockbuster 2 Guns, from Baltasar Kormákur -- which stars Denzel Washington and Mark Wahlberg -- would open the festival August 7.
The competition lineup, which includes 18 world premieres and two international premieres, is nearly as varied as the selection showing in the Piazza Grande.
Among the highlights: E Agora? Lembra-me (What Now? Remind Me) from Portugal’s Joaquim Pinto, the director’s touching and vibrant telling of his battle with HIV.
Albert Serra's Historia de la Meva Mort (Story of My Death), which had been tabbed by the European press as a likely Cannes selection.
Real, the first film from Japan’s Kiyoshi Kurosawa in five years.
U Ri Sunhi (Our Sunhi) by South Kore's acclaimed Sangsoo Hong.
Sangue (Blood) from Italy’s Pippo Delbono, which explores Italy’s Red Brigade insurgency.
Short Term 12, a remake of a 2008 short (both directed by Destin Cretton), is the only U.S. film screening in competition.
“There’s an intriguing mix of young director and first time works with more experienced talent in the competition lineup,” Chatrian said. “I’m eager to see how the public will react to these films we’ve chosen.”
Piazza Grande selections:2 Guns by Baltasar Kormákur (United States)Vijay and I by Sam Garbarski (Belgium/Luxembourg/Germany)La Variabile Umana (The Human Factor) by Bruno Oliviero (Italy) Wrong Cops by Quentin Dupieux (United States)We’re the Millers by Rawson Marshall Thurber (United States)The Keeper of Lost Causes by Mikkel Nørgaard (Denmark/Germany/Sweden)Les Grandes Ondes (Longwave) by Lionel Baier (Switzerland/France/Portugal) Rich and Famous by George Cukor (United States)Gabrielle by Louise Archambault (Canada)L’Experience Blocher by Jean-Stéphane Bron (Switzerland/France)Gloria by Sebastián Lelio (Chile) Mr. Morgan’s Last Love by Sandra Nettelbeck (Germany/Belgium)Blue Ruin by Jeremy Saulnier (United States)About Time by Richard Curtis (United Kingdom)Fitzcarraldo by Werner Herzog (Germany/Peru) Sur le Chemin de l’École by Pascal Plisson (France) International competition lineup:Când se lasă seara peste Bucureşti sau metabolism (When Evening Falls on Bucharest or Metabolism) by Corneliu Porumboiu (Romania) E Agora? Lembra-me (What Now? Remind Me) by Joaquim Pinto (Portugal)Educacão Sentimental (Sentimental Education) by Júlio Bressane (Brazil)El Mudo by Daniel and Diego Vega (Peru/France/Mexico) Exhibition by Joanna Hogg (United Kingdom)Feuchtgebiete by David Wnendt (Germany)Gare du Nord by Claire Simon (France/Canada)Historia de la Meva Mort (Story of My Death) by Albert Serra (Spain/France) L’Étrange Couleur des Larmes de Ton Corps (The Strange Color of Your Body’s Tears) by Hélène Cattet and Bruno Forzani (Belgium/France/Luxembourg)Mary, Queen of Scots by Thomas Imbach (Switzerland/France) Pays Barbare by Yervant Gianikian and Angela Ricci Lucchi (France)Real by Kiyoshi Kurosawa (Japan)Sangue (Blood) by Pippo Delbono (Italy/Switzerland)Short Term 12 by Destin Cretton (United States) Shu Jia Zuo (A Time in Quchi) by Tso chi Chang (Taiwan)Tableau Noir (Black Board) by Yves Yersin (Switzerland)Tomogui (Backwater) by Shinji Aoyama (Japan)Tonnerre by Guillaume Brac (France) U Ri Sunhi (Our Sunhi) by Sangsoo Hong (South Korea)Une Autre Vie by Emmanuel Mouret (France)...
- 7/21/2013
- by Peter Belsito
- Sydney's Buzz
A total of 18 world premieres feature in the main Competition line-up of this year’s Locarno Film Festival.Scroll down for full lists
The programme for the 66th Locarno Film Festival has been unveiled and was compiled with “diversity” in mind, according to new artistic director Carlo Chatrian.
“The only categorical imperative was to work with diversity, take it to extremes,” said Chatrian.
“For years, the festival’s policy has been to position its mission of discovery within a programme that includes mainstream cinema, but only of the kind that, despite its high production values, is not just pure spectacle, the kind that doesn’t see entertainment and intelligence as incompatible.”
As previously announced, the Swiss festival will open at the open-air Piazza Grande on August 7 with the international premiere of 2 Guns, the action film starring Mark Wahlberg and Denzel Washington as cops, directed by Baltasar Kormakur (The Deep).
Other films to screen at the 8,000 seater venue include...
The programme for the 66th Locarno Film Festival has been unveiled and was compiled with “diversity” in mind, according to new artistic director Carlo Chatrian.
“The only categorical imperative was to work with diversity, take it to extremes,” said Chatrian.
“For years, the festival’s policy has been to position its mission of discovery within a programme that includes mainstream cinema, but only of the kind that, despite its high production values, is not just pure spectacle, the kind that doesn’t see entertainment and intelligence as incompatible.”
As previously announced, the Swiss festival will open at the open-air Piazza Grande on August 7 with the international premiere of 2 Guns, the action film starring Mark Wahlberg and Denzel Washington as cops, directed by Baltasar Kormakur (The Deep).
Other films to screen at the 8,000 seater venue include...
- 7/17/2013
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Many—maybe too many, looking at this bunch of bone-tired warriors of Av-virtue—were the travels the Ferroni Brigade embarked on all through 2011: oftentimes for festivals all over Europe, sometimes for visits to this archive or that as part of our programming arbeit (to be read with a Japanese drawl). During those months in the dark, we saw a lot—some of which chimed and rhymed with new works we encountered in this multiplex back home or that gallery abroad, on this collector's Steenbeck or in that producer's private projection room (they still exist).
On one of those trips, we were joined by our main Mubi-man, His Kasness a.k.a. the Kasest with whom we plunged one evening into a brainstorming on what The Festival would look and feel like (truth be told: it was more like a communal delirium—but what do you expect from folks sitting...
On one of those trips, we were joined by our main Mubi-man, His Kasness a.k.a. the Kasest with whom we plunged one evening into a brainstorming on what The Festival would look and feel like (truth be told: it was more like a communal delirium—but what do you expect from folks sitting...
- 1/5/2012
- MUBI
Roughly assembled; order within tiers based chronologically on viewing date.
01:
Cut (Amir Naderi, Japan), Anna (Alberto Grifi, Massimo Sarchielli, Italy), Faust (Aleksandr Sokurov, Russia), Louyre - This Our Still Life (Andrew Kotting, UK), Century of Birthing (Lav Diaz, Philippines)
02:
Vieni, dolce morte (dell’ego) (Paolo Brunatto, Italy), A Dangerous Method (David Cronenberg, Canada), Whores’ Glory (Michael Glawogger, Austria), A Simple Life (Ann Hui, Hk), Il potere (Augusto Tretti, Italy), Himizu (Sono Sion, Japan), Conference (Norbert Pfaffenbichler, Austria), 4:44 Last Day on Earth (Abel Ferrara, USA), Die Herde des Herrn (Romuald Karmakar, Germany), Life without Principles (Johnnie To, Hk), Late and Deep (Devin Horan, USA), Iz Tokio (Aleksej German Jr., Russia)
03:
Il canto d’amore di Alfred Prufrock (Nico D’Alessandria, Italy), Carnage (Roman Polanski, France/Germany/Poland ), Black Mirror at the National Gallery (Mark Lewis, UK), Meteor (Chrisoph Giraret, Matthias Müller, Germany), Il villaggio di cartone (Ermanno Olmi,...
01:
Cut (Amir Naderi, Japan), Anna (Alberto Grifi, Massimo Sarchielli, Italy), Faust (Aleksandr Sokurov, Russia), Louyre - This Our Still Life (Andrew Kotting, UK), Century of Birthing (Lav Diaz, Philippines)
02:
Vieni, dolce morte (dell’ego) (Paolo Brunatto, Italy), A Dangerous Method (David Cronenberg, Canada), Whores’ Glory (Michael Glawogger, Austria), A Simple Life (Ann Hui, Hk), Il potere (Augusto Tretti, Italy), Himizu (Sono Sion, Japan), Conference (Norbert Pfaffenbichler, Austria), 4:44 Last Day on Earth (Abel Ferrara, USA), Die Herde des Herrn (Romuald Karmakar, Germany), Life without Principles (Johnnie To, Hk), Late and Deep (Devin Horan, USA), Iz Tokio (Aleksej German Jr., Russia)
03:
Il canto d’amore di Alfred Prufrock (Nico D’Alessandria, Italy), Carnage (Roman Polanski, France/Germany/Poland ), Black Mirror at the National Gallery (Mark Lewis, UK), Meteor (Chrisoph Giraret, Matthias Müller, Germany), Il villaggio di cartone (Ermanno Olmi,...
- 9/11/2011
- MUBI
Above: Zoulikha Bouabdellah's Al Attlal (Ruines), left, and Pierre Léon's À la barbe d'Ivan, right.
Nicole Brenez has curated two programs of new work from the French avant-garde for this year’s Rendezvous with French Cinema 2011 in New York; below she has offered her program notes in French. Program one (on Saturday) concentrates on filmmakers reappropriating images; program two (Sunday) is the new feature by Ange Leccia, Nuit bleue. Below, I’ve translated Brenez’s extended appreciation of Leccia and Nuit bleue; as usual, I’ve tried to stay faithful to the sound and rhythm of the original where possible. Beneath the translated extract you'll find the full article by Ms. Brenez in its original French. —David Phelps
***
…Although Ange Leccia has also practiced re-appropriating images (especially Jean Luc-Godard’s) in his installations and his films, Nuit bleuetakes up a different aesthetic vein, one rich with a long tradition of the French avant-garde.
Nicole Brenez has curated two programs of new work from the French avant-garde for this year’s Rendezvous with French Cinema 2011 in New York; below she has offered her program notes in French. Program one (on Saturday) concentrates on filmmakers reappropriating images; program two (Sunday) is the new feature by Ange Leccia, Nuit bleue. Below, I’ve translated Brenez’s extended appreciation of Leccia and Nuit bleue; as usual, I’ve tried to stay faithful to the sound and rhythm of the original where possible. Beneath the translated extract you'll find the full article by Ms. Brenez in its original French. —David Phelps
***
…Although Ange Leccia has also practiced re-appropriating images (especially Jean Luc-Godard’s) in his installations and his films, Nuit bleuetakes up a different aesthetic vein, one rich with a long tradition of the French avant-garde.
- 3/19/2011
- MUBI
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