Other Angle Pictures has boarded international sales on Christine Paillard and Chad Chenouga’s A Smile Doesn’t Lie and will kick off sales in Cannes in May.
The film, whose French title Pourquoi tu souris? means ‘why do you smile?’, follows a man who is always smiling despite life’s hassles. He heads to Bordeaux to start a new life, passes himself off as a migrant and forms an unlikely trio with a humanitarian woman and homeless man who secretly leads them into a questionable situation. It stars Simply Black’s Jean-Pascal Zadi, Emmanuelle Devos and 2023 breakout star Raphael Quenard.
The film, whose French title Pourquoi tu souris? means ‘why do you smile?’, follows a man who is always smiling despite life’s hassles. He heads to Bordeaux to start a new life, passes himself off as a migrant and forms an unlikely trio with a humanitarian woman and homeless man who secretly leads them into a questionable situation. It stars Simply Black’s Jean-Pascal Zadi, Emmanuelle Devos and 2023 breakout star Raphael Quenard.
- 4/23/2024
- ScreenDaily
Niclas Larsson’s “Mother, Couch” was awarded the Dragon Award for Best Nordic Film at Goteborg, taking home the considerable amount of Sek 400,000.
Led by Ewan McGregor – this year’s recipient of the Honorary Dragon Award – the U.S.-Swedish-Danish co-production also features Ellen Burstyn and “Bones and All” breakout Taylor Russell, making it one of the starriest Goteborg winners in recent years.
“My therapist was wrong! I pitched him this idea a few years ago and he said: ‘Don’t do it.’ I am from here and this festival has meant the world to me. Standing on this stage is a bit surreal,” said Larsson.
Jurors Lena Endre, Ramata-Toulaye Sy, William Spetz, Tonia Noyabrova and Anna Novion appreciated the way it shows “how difficult it is to let go of the past, accept loss and finally embrace the future.” They praised “original and bold storytelling, with a lot of humor,...
Led by Ewan McGregor – this year’s recipient of the Honorary Dragon Award – the U.S.-Swedish-Danish co-production also features Ellen Burstyn and “Bones and All” breakout Taylor Russell, making it one of the starriest Goteborg winners in recent years.
“My therapist was wrong! I pitched him this idea a few years ago and he said: ‘Don’t do it.’ I am from here and this festival has meant the world to me. Standing on this stage is a bit surreal,” said Larsson.
Jurors Lena Endre, Ramata-Toulaye Sy, William Spetz, Tonia Noyabrova and Anna Novion appreciated the way it shows “how difficult it is to let go of the past, accept loss and finally embrace the future.” They praised “original and bold storytelling, with a lot of humor,...
- 2/3/2024
- by Marta Balaga
- Variety Film + TV
Niclas Larsson’s Mother, Couch took the Dragon award for best Nordic film at Goteborg Film Festival, which held its closing ceremony this evening.
The Swedish-us drama received the 400,000 Sek prize from the five-person jury, consisting of actors Lena Endre and William Spetz, and directors Ramata-Toulaye Sy, Tonia Noyabrova and Anna Novion.
Scroll down for the full list of winners
The jury chose the film for its “original and bold storytelling with a lot of humour; with the use of creative cinematography and sharp and witty dialogue.”
Mother, Couch centres on three children who are brought together when their mother...
The Swedish-us drama received the 400,000 Sek prize from the five-person jury, consisting of actors Lena Endre and William Spetz, and directors Ramata-Toulaye Sy, Tonia Noyabrova and Anna Novion.
Scroll down for the full list of winners
The jury chose the film for its “original and bold storytelling with a lot of humour; with the use of creative cinematography and sharp and witty dialogue.”
Mother, Couch centres on three children who are brought together when their mother...
- 2/3/2024
- ScreenDaily
Unifrance and Film at Lincoln Center have unveiled the lineup for the 29th Rendez-Vous with French Cinema, a festival celebrating contemporary French film running from Feb. 29-March 10.
Thomas Cailley’s “The Animal Kingdom” will screen as the 2024 Opening Night Selection in its New York premiere. The film, which was nominated for 12 Cesar Awards, tells the story of an infection that mutates humans into animal hybrids.
“It is a great honor to open this year’s edition with the French critical and box-office hit ‘The Animal Kingdom’ with director Thomas Cailley in attendance,” said Daniela Elstner, executive director of Unifrance.
Elstner continued, “This remarkable film along with this year’s selection is a great example of the vitality and diversity of French cinema today. A mix of new and established filmmakers together with the stellar presence of actress Marion Cotillard indeed make for a rich 29th edition of this year’s Rendez-Vous With French Cinema.
Thomas Cailley’s “The Animal Kingdom” will screen as the 2024 Opening Night Selection in its New York premiere. The film, which was nominated for 12 Cesar Awards, tells the story of an infection that mutates humans into animal hybrids.
“It is a great honor to open this year’s edition with the French critical and box-office hit ‘The Animal Kingdom’ with director Thomas Cailley in attendance,” said Daniela Elstner, executive director of Unifrance.
Elstner continued, “This remarkable film along with this year’s selection is a great example of the vitality and diversity of French cinema today. A mix of new and established filmmakers together with the stellar presence of actress Marion Cotillard indeed make for a rich 29th edition of this year’s Rendez-Vous With French Cinema.
- 1/25/2024
- by Jaden Thompson
- Variety Film + TV
Thomas Cailley’s sci-fi thriller The Animal Kingdom and Justin Triet’s Oscar-nominated courtroom drama Anatomy Of A Fall rose to the top of the nominations at France’s Cesar awards.
The Animal Kingdom, a supernatural twist on a father-son drama that first premiered at Cannes’ Un Certain Regard, has been nominated for 12 awards including best film and will vie in that category against the five-time Academy-award nominated, Palme d’Or-winning Anatomy Of A Fall with 11 nominations, alongside Cédric Kahn’s The Goldman Case, Jeanne Herry’s All Your Faces and Jean-Baptiste Durand’s Junkyard Dogs.
Cailley, Triet, Kahn and...
The Animal Kingdom, a supernatural twist on a father-son drama that first premiered at Cannes’ Un Certain Regard, has been nominated for 12 awards including best film and will vie in that category against the five-time Academy-award nominated, Palme d’Or-winning Anatomy Of A Fall with 11 nominations, alongside Cédric Kahn’s The Goldman Case, Jeanne Herry’s All Your Faces and Jean-Baptiste Durand’s Junkyard Dogs.
Cailley, Triet, Kahn and...
- 1/24/2024
- ScreenDaily
Justine Triet’s Anatomy Of A Fall was named best film of the year at France’s Lumiere Awards on Monday evening.
Triet and co-writer Arthur Harari also took home the best screenplay award and lead Sandra Hüller earned the prize for best actress at the 29th edition of the awards, considered to be France’s version of the Golden Globes and voted on by international correspondents from 36 countries.
The courtroom drama about a woman on trial for her husband’s death in the French Alps was nominated in six categories, but Lumiere voters spread their votes across the board...
Triet and co-writer Arthur Harari also took home the best screenplay award and lead Sandra Hüller earned the prize for best actress at the 29th edition of the awards, considered to be France’s version of the Golden Globes and voted on by international correspondents from 36 countries.
The courtroom drama about a woman on trial for her husband’s death in the French Alps was nominated in six categories, but Lumiere voters spread their votes across the board...
- 1/22/2024
- ScreenDaily
Cannes’ Marché du Film will take place May 14-22, 2024.
Cannes Film Festival’s Marché du Film has selected Switzerland as country of honour at its 2024 global film market that runs May 14-22 during the annual festival.
Marché du Film will highlight Swiss content and talent across all sections of the market alongside promotion agency Swiss Films, in collaboration with the Swiss Federal Office of Culture and the Swiss Broadcasting Corporation Srg Ssr.
A Swiss delegation will include filmmakers, producers, and industry experts with the aim of nurturing international partnerships, seeking co-production opportunities and boosting projects in development. The country will...
Cannes Film Festival’s Marché du Film has selected Switzerland as country of honour at its 2024 global film market that runs May 14-22 during the annual festival.
Marché du Film will highlight Swiss content and talent across all sections of the market alongside promotion agency Swiss Films, in collaboration with the Swiss Federal Office of Culture and the Swiss Broadcasting Corporation Srg Ssr.
A Swiss delegation will include filmmakers, producers, and industry experts with the aim of nurturing international partnerships, seeking co-production opportunities and boosting projects in development. The country will...
- 12/5/2023
- by Rebecca Leffler
- ScreenDaily
The Cannes Film Market, which runs alongside the festival, has named Switzerland as Country of Honor for the 2024 edition that’s set to run May 14-22.
As part of the tribute, Cannes will highlight Switzerland’s contributions to the audiovisual industry and provide a platform for emerging Swiss talents and projects in development.
The showcase will be organized by the promotion org Swiss Films, in collaboration with the Swiss Federal Office of Culture and the Swiss Broadcasting Corporation Srg Ssr. A delegation of Swiss filmmakers, producers, and industry experts are expected to take part in several key events throughout the market, including those dedicated to fiction and non-fiction feature films, as well as immersive projects and innovation.
Switzerland has consistently ranked in the top ten countries attending the Cannes market. In recent years, the Swiss film industry has expanded and has earned critical acclaim with top European co-productions which...
As part of the tribute, Cannes will highlight Switzerland’s contributions to the audiovisual industry and provide a platform for emerging Swiss talents and projects in development.
The showcase will be organized by the promotion org Swiss Films, in collaboration with the Swiss Federal Office of Culture and the Swiss Broadcasting Corporation Srg Ssr. A delegation of Swiss filmmakers, producers, and industry experts are expected to take part in several key events throughout the market, including those dedicated to fiction and non-fiction feature films, as well as immersive projects and innovation.
Switzerland has consistently ranked in the top ten countries attending the Cannes market. In recent years, the Swiss film industry has expanded and has earned critical acclaim with top European co-productions which...
- 12/5/2023
- by Elsa Keslassy
- Variety Film + TV
Switzerland has been named the new country of honor for the upcoming Marché du Film, the 2024 Cannes Film Market, which will run May 14 to 22, 2024.
The small Alpine nation punches above its weight on the international film scene, in large part due to its positioning as an ideal co-production partner, with a skilled, multi-lingual workforce, top-end post-production facilities and competitive state support and tax incentives.
Cross-over successes, including Alice Rohrwacher’s La chimera, an Italian/Swiss/French co-production featuring The Crown star Josh O’Connor as a white-suited tomb raider; Anna Novion’s drama Marguerite’s Theorem, about a brilliant mathematics student (Raw actor Ella Rumpf) who decides to quit university; or Claude Barras’ Swiss-French stop-motion film hit My Life as a Zucchini (2016) point to the breadth and variety of the Swiss industry.
Switzerland is also strongly supportive of its new talent, including first-time director Carmen Jaquier, whose debut feature, Thunder, a period...
The small Alpine nation punches above its weight on the international film scene, in large part due to its positioning as an ideal co-production partner, with a skilled, multi-lingual workforce, top-end post-production facilities and competitive state support and tax incentives.
Cross-over successes, including Alice Rohrwacher’s La chimera, an Italian/Swiss/French co-production featuring The Crown star Josh O’Connor as a white-suited tomb raider; Anna Novion’s drama Marguerite’s Theorem, about a brilliant mathematics student (Raw actor Ella Rumpf) who decides to quit university; or Claude Barras’ Swiss-French stop-motion film hit My Life as a Zucchini (2016) point to the breadth and variety of the Swiss industry.
Switzerland is also strongly supportive of its new talent, including first-time director Carmen Jaquier, whose debut feature, Thunder, a period...
- 12/5/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Switzerland has been named as the Country of Honor at the 2024 edition of the Cannes Marché du Film, running alongside parent event the Cannes Film Festival from May 14 to 22.
The spotlight is being organized by promotional agency Swiss Films, in collaboration with the Swiss Federal Office of Culture and the Swiss Broadcasting Corporation Srg Ssr.
The Swiss delegation, featuring filmmakers, producers, and industry experts, will participate in the market’s programs dedicated to fiction and non-fiction feature films, as well as immersive projects and innovation.
The Marché du Film noted that Switzerland consistently ranks in the top ten attending countries of the event, partly thanks to the fact that the territory is a major player on the co-production scene.
Productions either led by Switzerland or involving Swiss partners that have made their mark in Cannes include Claude Barras’ stop-motion film My Life as a Zucchini, which world premiered in Directors...
The spotlight is being organized by promotional agency Swiss Films, in collaboration with the Swiss Federal Office of Culture and the Swiss Broadcasting Corporation Srg Ssr.
The Swiss delegation, featuring filmmakers, producers, and industry experts, will participate in the market’s programs dedicated to fiction and non-fiction feature films, as well as immersive projects and innovation.
The Marché du Film noted that Switzerland consistently ranks in the top ten attending countries of the event, partly thanks to the fact that the territory is a major player on the co-production scene.
Productions either led by Switzerland or involving Swiss partners that have made their mark in Cannes include Claude Barras’ stop-motion film My Life as a Zucchini, which world premiered in Directors...
- 12/5/2023
- by Melanie Goodfellow
- Deadline Film + TV
16 nominees in each category will compete in the first round of voting.
France’s Cesar Academy has revealed the breakout stars selected for its annual Revelations list of local up-and-coming talent who will vie in the most promising actor and actress categories at the 2024 awards set for February 23 in Paris.
16 nominees in each category will compete in the first round of voting among Academy members, that will then be whittled down to five in each category.
The Revelations committee is comprised of 18 casting directors active in French film production and is then validated by the board of the Academy.
Scroll...
France’s Cesar Academy has revealed the breakout stars selected for its annual Revelations list of local up-and-coming talent who will vie in the most promising actor and actress categories at the 2024 awards set for February 23 in Paris.
16 nominees in each category will compete in the first round of voting among Academy members, that will then be whittled down to five in each category.
The Revelations committee is comprised of 18 casting directors active in French film production and is then validated by the board of the Academy.
Scroll...
- 11/16/2023
- by Rebecca Leffler
- ScreenDaily
Producer is France’s Ts Productions, whose credits include Golden Bear-winner ’On The Adamant’.
France TV Distribution has taken worldwide rights to Giulio Callegari’s debut feature Robot T-0 now in production in France. It is selling the film at Rome’s Mia film market this week.
Callegari is best known in France for co-writing and co-creating Canal+ hit series All the Way Up (Validé) and as a co-writer on French anthology film Selfie that explored humans’ relationship with technology.
Robot T-0 is set in a near future where robots have replaced humans in every household. The film follows a...
France TV Distribution has taken worldwide rights to Giulio Callegari’s debut feature Robot T-0 now in production in France. It is selling the film at Rome’s Mia film market this week.
Callegari is best known in France for co-writing and co-creating Canal+ hit series All the Way Up (Validé) and as a co-writer on French anthology film Selfie that explored humans’ relationship with technology.
Robot T-0 is set in a near future where robots have replaced humans in every household. The film follows a...
- 10/13/2023
- by Rebecca Leffler
- ScreenDaily
It is a paradox worthy of Zeno himself that significant dumbing-down is necessary in order to make tales of extraordinary genius comprehensible to us lay audiences. But in her own attempt at grandly unifying these opposing poles, French director Anna Novion splits the difference so often she delivers in “Marguerite’s Theorem,” a movie riddled with cliché that plunges right past comprehensible into painfully, pedantically predictable — even to those of us who stumble when subtracting one two-digit number from another. Its heroine loves math because through it she can “put order on infinity,” but “Marguerite’s Theorem” is proof as incontrovertible as Andrew Wiles’ 1994 Fermat solution, that one can have too much order.
Marguerite Hoffman is a tacitly spectrum-coded PhD student at France’s École Normale Supérieure, which is legendary in science circles for churning out geniuses at a rate it might take one of its graduates to compute. As one of...
Marguerite Hoffman is a tacitly spectrum-coded PhD student at France’s École Normale Supérieure, which is legendary in science circles for churning out geniuses at a rate it might take one of its graduates to compute. As one of...
- 6/15/2023
- by Jessica Kiang
- Variety Film + TV
The French outfit has had a productive Cannes.
Pyramide International has signed a number of key sales for mathematics world-set Marguerite’s Theorem and Critics’ Week opener Marie Amachoukeli’s Ama Gloria and kept up the momentum on Catherine Breillat’s Competition title Last Summer.
Anna Novion’s Special Screening title Marguerite’s Theorem has sold to Adso in Spain, Red Cape in Israel, Angel Films for Scandinavia, Jinjin in Korea, Wanted in Italy, Weltkino Filmverleih in Germany, Teleview in the Middle East and Discovery in the former Yugoslavia, with discussions ongoing for Australia, Latin America and Taiwan.
Ella Rumpf stars a...
Pyramide International has signed a number of key sales for mathematics world-set Marguerite’s Theorem and Critics’ Week opener Marie Amachoukeli’s Ama Gloria and kept up the momentum on Catherine Breillat’s Competition title Last Summer.
Anna Novion’s Special Screening title Marguerite’s Theorem has sold to Adso in Spain, Red Cape in Israel, Angel Films for Scandinavia, Jinjin in Korea, Wanted in Italy, Weltkino Filmverleih in Germany, Teleview in the Middle East and Discovery in the former Yugoslavia, with discussions ongoing for Australia, Latin America and Taiwan.
Ella Rumpf stars a...
- 5/26/2023
- by Rebecca Leffler
- ScreenDaily
“One buyer said they received 138 scripts at the market,” said Orange Studio’s Charlotte Boucon.
France’s sales companies arrived in Cannes with busy slates, rich with festival titles and market packages. Nearly two weeks on and Screen finds out how business has been for them.
When it comes to French films, buyers in general seem to be both more restrained about rushing to scoop up titles and pay big money up front, yet at the same time are looking for more audacious titles with unique subjects to woo younger audiences.
“We’re seeing the adrenaline again that’s been...
France’s sales companies arrived in Cannes with busy slates, rich with festival titles and market packages. Nearly two weeks on and Screen finds out how business has been for them.
When it comes to French films, buyers in general seem to be both more restrained about rushing to scoop up titles and pay big money up front, yet at the same time are looking for more audacious titles with unique subjects to woo younger audiences.
“We’re seeing the adrenaline again that’s been...
- 5/26/2023
- by Rebecca Leffler
- ScreenDaily
Anna Novion’s Marguerite's Theorem (Le théorème de Marguerite), co-written with Agnès Feuvre, Marie-Stéphane Imbert, and Mathieu Robin, stars Ella Rumpf (Julia Ducournau’s Raw) as Marguerite Hoffmann, PhD student of mathematics at the prestigious École Normale Supérieure in Paris and Jean-Pierre Darroussin (unforgettable since Cédric Kahn’s Red Lights) as her professor, Laurent Werner. The film had its world premiere at the 2023 Cannes Film Festival.
Maths formulae written in chalk and with urgency on a blackboard, followed by a quick edit to the most serious face of a scientist or two have been the fodder of spy movies for the past century. Alfred Hitchcock in Torn Curtain made it particularly tongue-in-cheek and sexy with Paul Newman’s Cold War quest traversing East Germany in 1966.
Marguerite’s Theorem is decidedly not a thriller with secret agents, but the profile of a 25-year-old obsessed with maths, who, in a world dominated by men,...
Maths formulae written in chalk and with urgency on a blackboard, followed by a quick edit to the most serious face of a scientist or two have been the fodder of spy movies for the past century. Alfred Hitchcock in Torn Curtain made it particularly tongue-in-cheek and sexy with Paul Newman’s Cold War quest traversing East Germany in 1966.
Marguerite’s Theorem is decidedly not a thriller with secret agents, but the profile of a 25-year-old obsessed with maths, who, in a world dominated by men,...
- 5/23/2023
- by Anne-Katrin Titze
- eyeforfilm.co.uk
The burnout associated with gifted kid syndrome — the crushing realization that, after constant praise and validation as a child, you’re not as special as everybody told you that you were — has become a self-diagnosed internet ailment of the most annoying people you know, determined to blame their obnoxious high standards on their parents and teachers. It’s a well-worn screen trope, whether through countless “yep, that’s me, you probably are wondering how I ended up here”–style biopics of real-life geniuses to the Rachel Berry brand of insufferable know-it-alls.
Perhaps that explains how initially unlikeable Marguerite is, then: a dazzlingly smart student of mathematics at the prestige École Normale Supérieure, whose three year quest to make a field-shattering breakthrough ends in humiliation, disbelief, and the childish instinct to retreat into a hole. French-Swedish director Anna Novion crafts a film that plots its coordinates in a familiar territory — that...
Perhaps that explains how initially unlikeable Marguerite is, then: a dazzlingly smart student of mathematics at the prestige École Normale Supérieure, whose three year quest to make a field-shattering breakthrough ends in humiliation, disbelief, and the childish instinct to retreat into a hole. French-Swedish director Anna Novion crafts a film that plots its coordinates in a familiar territory — that...
- 5/22/2023
- by Steph Green
- Indiewire
’Jim’s Story’ is an adaptation of the novel of the same name by Pierric Bailly.
French filmmaking duo the Larrieu brothers, known for their eccentric comedies are turning to melodrama with Jim’s Story for which Pyramide International has rights and is kicking off sales at the Cannes Market.
Jim’s Story is an adaptation of the novel of the same name by Pierric Bailly and stars Sara Forestier, Sara Giraudeau, Karim Leklou, and Valérie Donzelli, director of Cannes Premiere title Just The Two of Us, alongside Noé Abita.
The film is about a family living in the Jura...
French filmmaking duo the Larrieu brothers, known for their eccentric comedies are turning to melodrama with Jim’s Story for which Pyramide International has rights and is kicking off sales at the Cannes Market.
Jim’s Story is an adaptation of the novel of the same name by Pierric Bailly and stars Sara Forestier, Sara Giraudeau, Karim Leklou, and Valérie Donzelli, director of Cannes Premiere title Just The Two of Us, alongside Noé Abita.
The film is about a family living in the Jura...
- 5/16/2023
- by Rebecca Leffler
- ScreenDaily
Pyramide seals deals on Cannes Competition title ‘Last Summer’; boards Wang Bing trilogy (exclusive)
Catherine Breillat’s erotic drama is a remake of May el-Toukhy’s Queen Of Hearts.
Paris-based Pyramide International has closed deals in key territories for Catherine Breillat’s erotic thriller Last Summer ahead of the film’s world premiere in Competition at Cannes later this month.
Pyramide has sold the film to September Films in Benelux, Potential Films in Australia and New Zealand, Nk Contents in South Korea, Xenix Film in Switzerland, Hooray Films in Taiwan, Estinfilm in the Baltics and Nashe Kino in Russia.
Last Summer stars Léa Drucker as a lawyer who develops a relationship with her 17-year-old...
Paris-based Pyramide International has closed deals in key territories for Catherine Breillat’s erotic thriller Last Summer ahead of the film’s world premiere in Competition at Cannes later this month.
Pyramide has sold the film to September Films in Benelux, Potential Films in Australia and New Zealand, Nk Contents in South Korea, Xenix Film in Switzerland, Hooray Films in Taiwan, Estinfilm in the Baltics and Nashe Kino in Russia.
Last Summer stars Léa Drucker as a lawyer who develops a relationship with her 17-year-old...
- 5/3/2023
- by Rebecca Leffler
- ScreenDaily
The 2023 Cannes Film Festival lineup was officially announced on April 13, but Monday the organization included the last of the entries for competition and non-competition categories, most notably with the addition of Robert Rodriguez’s “Hypnotic,” a science-fiction opus starring Ben Affleck and Alice Braga, in the Midnight section.
Also Read:
Cannes Film Festival Lineup Includes New Films From Wes Anderson, Todd Haynes, Jonathan Glazer
Other high-profile titles include Jean-Stéphane Sauvaire’s “Black Flies”, a NYC-set drama starring Sean Penn, Tye Sheridan and Mike Tyson, Catherine Corsini’s buzzy French film “Le Retour,” and Sahra Mani’s documentary “Bread and Roses,” concerning Afghan women living under Taliban rule.
Below are the 14 new features and shorts that round out the 2023 Cannes Film Festival lineup:
Also Read:
Tribeca 2023: Steve Buscemi, Michael Shannon, Chelsea Peretti and Randall Park Among Participating Filmmakers
Competition
“Black Flies” (Jean-Stéphane Sauvaire)
“Le Retour
“Le Retour” (Catherine Corsini)
Cannes...
Also Read:
Cannes Film Festival Lineup Includes New Films From Wes Anderson, Todd Haynes, Jonathan Glazer
Other high-profile titles include Jean-Stéphane Sauvaire’s “Black Flies”, a NYC-set drama starring Sean Penn, Tye Sheridan and Mike Tyson, Catherine Corsini’s buzzy French film “Le Retour,” and Sahra Mani’s documentary “Bread and Roses,” concerning Afghan women living under Taliban rule.
Below are the 14 new features and shorts that round out the 2023 Cannes Film Festival lineup:
Also Read:
Tribeca 2023: Steve Buscemi, Michael Shannon, Chelsea Peretti and Randall Park Among Participating Filmmakers
Competition
“Black Flies” (Jean-Stéphane Sauvaire)
“Le Retour
“Le Retour” (Catherine Corsini)
Cannes...
- 4/24/2023
- by Jason Clark
- The Wrap
Catherine Corsini’s Le Retour has landed a Cannes competition slot after apparent complaints about the filmmaker, while Sean Penn starrer Black Flies by director Jean-Stehane Sauvair will also compete, festival organizers said on Monday.
A berth for Le Retour in Cannes had been put on hold while festival organizers took note of alleged events that took place during the filming of the French film. Fest organizers had no comment on the addition of Corsini’s film beyond a short announcement.
Le Retour, which stars Virgini Ledoyen, portrays a woman who works for a wealthy Parisian family who offers her the opportunity to take care of their children for a summer in Corsica. That’s an opportunity for her to return with her daughters, Jessica and Farah, to the island they left 15 years earlier in tragic circumstances.
Sauvaire’s paramedic thriller Black Flies also stars Tye Sheridan, Katherine Waterston, Michael Pitt and Mike Tyson.
A berth for Le Retour in Cannes had been put on hold while festival organizers took note of alleged events that took place during the filming of the French film. Fest organizers had no comment on the addition of Corsini’s film beyond a short announcement.
Le Retour, which stars Virgini Ledoyen, portrays a woman who works for a wealthy Parisian family who offers her the opportunity to take care of their children for a summer in Corsica. That’s an opportunity for her to return with her daughters, Jessica and Farah, to the island they left 15 years earlier in tragic circumstances.
Sauvaire’s paramedic thriller Black Flies also stars Tye Sheridan, Katherine Waterston, Michael Pitt and Mike Tyson.
- 4/24/2023
- by Etan Vlessing
- The Hollywood Reporter - Movie News
Two further Competition films, three more in Cannes Premiere.
Cannes has added 14 further films to its Official Selection ahead of next month’s festival, including two more Competition titles.
Jean-Stephane Sauvaire’s Black Flies and Catherine Corsini’s Le Retour take the Competition total up to 21; and increase the record number of films in Competition directed by women to seven.
Black Flies is a US thriller based on Shannon Burke’s 2008 novel of the same name; Sean Penn stars alongside Tye Sheridan, Katherine Waterston, Michael Pitt and Mike Tyson.
Le Retour follows a 40-something woman working for a wealthy Parisian...
Cannes has added 14 further films to its Official Selection ahead of next month’s festival, including two more Competition titles.
Jean-Stephane Sauvaire’s Black Flies and Catherine Corsini’s Le Retour take the Competition total up to 21; and increase the record number of films in Competition directed by women to seven.
Black Flies is a US thriller based on Shannon Burke’s 2008 novel of the same name; Sean Penn stars alongside Tye Sheridan, Katherine Waterston, Michael Pitt and Mike Tyson.
Le Retour follows a 40-something woman working for a wealthy Parisian...
- 4/24/2023
- by Ben Dalton
- ScreenDaily
We’re now only a few weeks away from the 2023 Cannes Film Festival and with the lineup thus far already announced, the final slate is locking into place with a few more additions. Today, the festival revealed some notable new premieres across various sections, including Lisandro Alonso’s highly-anticipated Eureka, Amat Escalante’s Perdidos en la Noche, Jean-Stéphane Sauvaire’s Black Flies starring Katherine Waterston, Michael Pitt, Sean Penn, Tye Sheridan and Mike Tyson, plus a new short by Pedro Costa.
Check out the newly-added selections below ahead of the festival, taking place May 16-27.
Competition
Black Flies by Jean-Stéphane Sauvaire
Le Retour by Catherine Corsini
Cannes Premiere
Perdidos En LA Noche by Amat Escalante
L’Amour Et Les FORÊTS by Valérie Donzelli
Eureka by Lisandro Alonso
Out Of Competition
L’ABBÉ Pierre – Une Vie De Combats by Frédéric Tellier
Un Certain Regard
Only The River Flows by Wei Shujun...
Check out the newly-added selections below ahead of the festival, taking place May 16-27.
Competition
Black Flies by Jean-Stéphane Sauvaire
Le Retour by Catherine Corsini
Cannes Premiere
Perdidos En LA Noche by Amat Escalante
L’Amour Et Les FORÊTS by Valérie Donzelli
Eureka by Lisandro Alonso
Out Of Competition
L’ABBÉ Pierre – Une Vie De Combats by Frédéric Tellier
Un Certain Regard
Only The River Flows by Wei Shujun...
- 4/24/2023
- by Leonard Pearce
- The Film Stage
The 2023 Cannes Film Festival, taking place May 16 — 27, has added an array of new titles to its already eagerly anticipated Official Selection: Jean-Stéphane Sauvaire’s “Black Flies” starring Sean Penn and in competition; Catherine Corsini’s “Le Retour,” upping the lineup’s record total of seven female directors in competition; Amat Escalante’s Mexican drama “Perdidos en la Noche”; and Lisandro Alonso’s thriller “Eureka,” starring Viggo Mortensen and José María Yazpik.
Alonso and Mortensen previously collaborated on 2014’s “Jauja,” which premiered in the festival’s Un Certain Regard and won its top honor, the Fipresci Prize. “Perdidos en la Noche” and “Eureka” will play in the non-competitive Cannes Premiere section.
Additional titles added on Monday include an Out of Competition screening of Frédéric Tellier’s “L’Abbé Pierre – Une Vie de Combats”; Un Certain Regard titles “Only the River Flows” from Wei Shujun and “Une Nuit” from Alex Lutz; Special...
Alonso and Mortensen previously collaborated on 2014’s “Jauja,” which premiered in the festival’s Un Certain Regard and won its top honor, the Fipresci Prize. “Perdidos en la Noche” and “Eureka” will play in the non-competitive Cannes Premiere section.
Additional titles added on Monday include an Out of Competition screening of Frédéric Tellier’s “L’Abbé Pierre – Une Vie de Combats”; Un Certain Regard titles “Only the River Flows” from Wei Shujun and “Une Nuit” from Alex Lutz; Special...
- 4/24/2023
- by Ryan Lattanzio
- Indiewire
The Cannes Film Festival on Monday announced a raft of new additions to the Official Selection of its 76th edition running May 16-27.
Two new films have been added to the Competition lineup: Jean-Stéphane Sauvaire’s Black Flies and Catherine Corsini’s Le Retour.
Sauvaire’s thriller stars Tye Sheridan opposite Sean Penn as a rookie paramedic paired with a veteran on a drive through New York.
According to local media reports, Corsini’s mother-and-daughters drama Le Retour was to have been announced as the seventh female-directed film in Competition during the main line-up press conference on April 13.
Allegations of inappropriate behaviour on the Corsica-based set – detailed in reports by French newspapers Le Parisien and Libération – forced the festival to put its selection on hold, while it looked into the matter.
Cannes Delegate General Thierry Frémaux is reported to have said that he would not be swayed by rumors.
The...
Two new films have been added to the Competition lineup: Jean-Stéphane Sauvaire’s Black Flies and Catherine Corsini’s Le Retour.
Sauvaire’s thriller stars Tye Sheridan opposite Sean Penn as a rookie paramedic paired with a veteran on a drive through New York.
According to local media reports, Corsini’s mother-and-daughters drama Le Retour was to have been announced as the seventh female-directed film in Competition during the main line-up press conference on April 13.
Allegations of inappropriate behaviour on the Corsica-based set – detailed in reports by French newspapers Le Parisien and Libération – forced the festival to put its selection on hold, while it looked into the matter.
Cannes Delegate General Thierry Frémaux is reported to have said that he would not be swayed by rumors.
The...
- 4/24/2023
- by Melanie Goodfellow
- Deadline Film + TV
Jean-Stéphane Sauvaire’s “Black Flies,” starring Sean Penn, and Catherine Corsini’s “Le retour” have been added to the competition lineup of the upcoming 76th Cannes Film Festival. As many as 13 movies have been peppered across several sections, including the Competition, Special Screenings, Un Certain Regard and Out of Competition.
Robert Rodriguez’s “Hypnotic” and Kim Tae-gon’s “Project Silence” are joining the Midnight Screening roster, while Amat Escalante’s Mexican drama “Perdidos en la Noche” and Argentinian helmer Lisandro Alonso’s thriller “Eureka,” starring Viggo Mortensen and José María Yazpik, will bow in Cannes Premiere, a non-competitive section launched in 2021. (Alonso previously won Cannes’ Un Certain Regard with his 2014 movie “Jauja.”) Also slated for Cannes Premiere is Valerie Donzelli’s drama “L’Amour et les forets.”
This year, Un Certain Regard has expanded by two titles, including Chinese director Wei Shujun’s “Only the River Flows” and French director Alex Lutz’s “Une nuit.
Robert Rodriguez’s “Hypnotic” and Kim Tae-gon’s “Project Silence” are joining the Midnight Screening roster, while Amat Escalante’s Mexican drama “Perdidos en la Noche” and Argentinian helmer Lisandro Alonso’s thriller “Eureka,” starring Viggo Mortensen and José María Yazpik, will bow in Cannes Premiere, a non-competitive section launched in 2021. (Alonso previously won Cannes’ Un Certain Regard with his 2014 movie “Jauja.”) Also slated for Cannes Premiere is Valerie Donzelli’s drama “L’Amour et les forets.”
This year, Un Certain Regard has expanded by two titles, including Chinese director Wei Shujun’s “Only the River Flows” and French director Alex Lutz’s “Une nuit.
- 4/24/2023
- by Elsa Keslassy
- Variety Film + TV
Paris-based sales company beefs up slate ahead of Berlinale market.
Paris-based sales company Pyramide International has boarded Anna Novion’s Le Théorème de Marguerite and Marie Garel-Weiss’s Sur La Branche and will kick off pre-sales for the French dramas at the upcoming EFM.
Novion’s Le Théorème de Marguerite stars Ella Rumpf as the titular character, a brilliant mathematics student at France’s top university the Ecole Normale Supérieure. On the day of her thesis presentation, a mistake shakes up all the certainty in her planned-out life and she decides to quit everything and start afresh.
Rumpf notably starred...
Paris-based sales company Pyramide International has boarded Anna Novion’s Le Théorème de Marguerite and Marie Garel-Weiss’s Sur La Branche and will kick off pre-sales for the French dramas at the upcoming EFM.
Novion’s Le Théorème de Marguerite stars Ella Rumpf as the titular character, a brilliant mathematics student at France’s top university the Ecole Normale Supérieure. On the day of her thesis presentation, a mistake shakes up all the certainty in her planned-out life and she decides to quit everything and start afresh.
Rumpf notably starred...
- 2/13/2023
- by Rebecca Leffler
- ScreenDaily
In this week’s International TV Newswire, Netflix goes back to the Flx well in Sweden, “The Bureau” is selected to close Canneseries, BBC4 picks up two new series for its Saturday night lineup, Endemol Shine announces a “Love is Forever” spinoff in Spain, and Conecta Fiction earns the honor of selecting this year’s International Emmy Short-Form semi-finalists.
Netflix Commissions Third Swedish Original, “Love & Anarchy”
Created by Swedish screenwriter Lisa Langseth, “Love & Anarchy” has been announced as Netflix’s third Original Series from Sweden. Production company Flx will produce, marking the renewal of a partnership with Netflix which began when the company produced the platform’s first Swedish Original, “Quicksand.” “Love & Anarchy” follows Sofie, played by “A Man Called Ove’s” Ida Engvoll, a career driven consultant and mother of two assigned to modernize an outdated publishing house. Upon her arrival, a flirty relationship kicks off with young It tech Max,...
Netflix Commissions Third Swedish Original, “Love & Anarchy”
Created by Swedish screenwriter Lisa Langseth, “Love & Anarchy” has been announced as Netflix’s third Original Series from Sweden. Production company Flx will produce, marking the renewal of a partnership with Netflix which began when the company produced the platform’s first Swedish Original, “Quicksand.” “Love & Anarchy” follows Sofie, played by “A Man Called Ove’s” Ida Engvoll, a career driven consultant and mother of two assigned to modernize an outdated publishing house. Upon her arrival, a flirty relationship kicks off with young It tech Max,...
- 2/14/2020
- by Jamie Lang and John Hopewell
- Variety Film + TV
Jacques Audiard, whose latest film “The Sisters Brothers” with John C. Reilly, Joaquin Phoenix and Jake Gyllenhaal earned him a best director prize at Venice, will make his TV debut with the Canal Plus hit original spy series “The Bureau.”
The Palme d’Or winning director of “Dheepan” will direct some episodes of the fifth and final season of “The Bureau,” along with the series creator Eric Rochant, Jérôme Salle, Thomas Bidegain, Anna Novion, Samuel Collardey and Mathieu Kassovitz, who is also the star of “The Bureau.”
Audiard, one of France’s most revered filmmakers, also co-wrote the fifth season of “The Bureau” with Bidegain, his writing partner on several films including “The Sisters Brothers,” as well as Cécile Ducrocq, Capucine Rochant, Hippolyte Girardot, Dominique Baumard, Camille de Castelnau, Olivier Dujols, Raphaël Chevènement, with the collaboration of Valentine Milville.
“The Bureau” revolves around a member of a clandestine branch of...
The Palme d’Or winning director of “Dheepan” will direct some episodes of the fifth and final season of “The Bureau,” along with the series creator Eric Rochant, Jérôme Salle, Thomas Bidegain, Anna Novion, Samuel Collardey and Mathieu Kassovitz, who is also the star of “The Bureau.”
Audiard, one of France’s most revered filmmakers, also co-wrote the fifth season of “The Bureau” with Bidegain, his writing partner on several films including “The Sisters Brothers,” as well as Cécile Ducrocq, Capucine Rochant, Hippolyte Girardot, Dominique Baumard, Camille de Castelnau, Olivier Dujols, Raphaël Chevènement, with the collaboration of Valentine Milville.
“The Bureau” revolves around a member of a clandestine branch of...
- 6/7/2019
- by Elsa Keslassy
- Variety Film + TV
The Cannes Film Festival’s official selection might be lacking in new works from female directors, but elsewhere in this year’s lineup, women are staking a claim for supremacy. In the International Critics’ Week sidebar, they’re actually leading the way. In the first time in a decade, this year’s competition slate includes a majority of films made by female directors.
The seven titles that will play in Critics’ Week include four directed by women: Agnieszka Smoczynska’s (best known for her wild debut “The Lure”) “Fugue,” Anja Kofmel’s “Chris the Swiss,” Rohena Gera’s “Sir,” and Sofia Szilagyi’s “One Day.” Also competing in the section: Benedikt Erlingsson’s “Kona Fer I Strid” (“Woman at War”), Camille Vidal-Naquet’s “Sauvage,” and Gabriel Abrantes and Daniel Schmidt’s “Diamantino.”
The last time female directors offered up the majority of films in the sidebar’s competition, it was...
The seven titles that will play in Critics’ Week include four directed by women: Agnieszka Smoczynska’s (best known for her wild debut “The Lure”) “Fugue,” Anja Kofmel’s “Chris the Swiss,” Rohena Gera’s “Sir,” and Sofia Szilagyi’s “One Day.” Also competing in the section: Benedikt Erlingsson’s “Kona Fer I Strid” (“Woman at War”), Camille Vidal-Naquet’s “Sauvage,” and Gabriel Abrantes and Daniel Schmidt’s “Diamantino.”
The last time female directors offered up the majority of films in the sidebar’s competition, it was...
- 4/16/2018
- by Kate Erbland
- Indiewire
Chinese director of A Touch Of Sin to be feted by French Film Directors Guild at Cannes Film Festival.
The French Film Directors Guild, which runs Cannes parallel section Directors’ Fortnight, is to honour Chinese director Jia Zhangke with its Carrosse d’Or (Golden Carriage) award during this year’s festival.
The guild, known as the Société de Réalisateurs de Films (Sfr) in France, will present Jia with the award on the opening night of Directors’ Fortnight (May 14-24).
The guild published an extract of a letter sent to Jia by the Sfr board, explaining why it had chosen him for the honour: “We are captivated by the boldness of your body of works. Your ability to capture the constant changes in Chinese society, to show its corruption and violence, clearly and concisely, your commitment to younger generations, resonate within each of us.
“Your films are visual poems, with the precision of each shot offering a constant...
The French Film Directors Guild, which runs Cannes parallel section Directors’ Fortnight, is to honour Chinese director Jia Zhangke with its Carrosse d’Or (Golden Carriage) award during this year’s festival.
The guild, known as the Société de Réalisateurs de Films (Sfr) in France, will present Jia with the award on the opening night of Directors’ Fortnight (May 14-24).
The guild published an extract of a letter sent to Jia by the Sfr board, explaining why it had chosen him for the honour: “We are captivated by the boldness of your body of works. Your ability to capture the constant changes in Chinese society, to show its corruption and violence, clearly and concisely, your commitment to younger generations, resonate within each of us.
“Your films are visual poems, with the precision of each shot offering a constant...
- 3/16/2015
- ScreenDaily
Col*Coa is winding down, but you can still catch a few stellar films and see the award winners for free Monday, April 22, 2013.
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
Award Screenings at 6:00 pm: The evening will start with the rerun of two awarded films in the Renoir and Truffaut Theaters at the DGA. Films will be announced on Sunday April 21 on the Col*Coa website, on Facebook, Twitter and on the Col•Coa info line (310) 289 5346. Free admission on a First comes First Served basis. No RSVP needed.
You can stay and also see the Closing Night Films at 8:30 pm at the DGA. Reservations needed. Those are both North American Premieres of two very anticipated French films. The thriller Moebus by Eric Rochant will show for free as will the comedy Like Brothers by Hugo Gélin.
Being among the French filmmakers (and I saw way too few of the films) gave me such a surprising sense of renewal - again because of this upcoming generation. After seeing City of Lights, the short by Pascal Tessaud which preceded the classic Jacques Demy film Bay of Angels starring a platinum blond gambling-addicted Jeanne Moreau in Cannes, Nice and Monte Carlo in 1963, we spoke at length about what is called "The New Vibe". City of Lights stars a deeply quiet young man from "les banlieus", the notorious "suburbs" surrounding Paris where the international mix of young (and old) proletariat population is invisible to the rest of France except when the anger erupts into riots. This first generation has the French education but not the money or jobs and it hurts. They have picked up the cameras and with no money are creating films which express their lives in many ways like the new Latin American filmmakers or the new Eastern European filmmakers. Tessaud gave me an entire education in the hour we talked and I will share this in time. For now, aside from his wonderfuly trenchant film which played like a feature, which captured the Paris this young generation recognizes as The City of Lights - dancing, the kitchen of a very upscale restaurant, the dreary streets filled with construction, there is another example of The New Vibe, started by Rachid Djaïdani (a story in himself) the film Hold Back (Rengaine) leads the pack of the 20-some-odd new films of The New Vibe. It is produced by Anne-Dominque Toussaint (Les Films des Tournelles) whose films are too numerous to name but include my favorite The Hedgehog which I wrote about at Col*Coa two years ago, Col*Coa's current Cycling with Moliere, 2002's Respiro and many many others. Hold Back took 9 years to make and most of the team was unpaid. The New Vibe makes films without the aid of the French system of funding; it is more guerilla-style, not New Wave, not Dogma but New Vibe. Hold Back took Cannes by storm when it showed last year in Directors Fortnight and went on to New Directors/ New Films in New York. The classic story of a Catholic and a Muslim who want to marry but whose family objects, this rendition the Juliet has a brother who marches throughout Paris to alert her 39 other brothers that she wants to marry outside her cultural and religious traditions. "This fresh debut mixes fable, plucky social commentary - particularly about France's Arab community - and inventive comic setpieces" (Col*Coa)
Hold Back (Rengaine) (Isa: Pathe) goes beyond the funny but "establishmant" film Intouchable which played here last year. It is the exact opposite of such films as Sister or even Aliyah (Isa: Rezo) which played here this year and also in Directors Fortnight last year. Aliyah is about a young French Jewish man who must make his last drug sale in order to escape his brother's destructive behavior. He escapes by immigrating to Israel. These films are made by filmmakers within the French establishment and describe a proletariat existence which exists in their bourgeois minds. They lack a certain "verite" which can only be captured by one who knows viscerally what such marginal existence is.
At the opposite end of the contemporary spectrum of films today, a real establishment film is You Ain't Seen Nothing Yet by Alain Renais (you have to be a Renais fan to love it who was so avant-garde in his day). Those old New Wave films one could see here stand out in beautiful contrast to today's New Vibe: Renais' Stavisky or the 1963 film The Fire Within (Le feu follet) by Louis Malle again starring the beautiful Jeanne Moreau. I missed them both to my regret. When I miss a film I always tell myself I can see it when it's released or on DVD or Mubi, but rarely do I get to see it. Instead I can only read about it as here written up by Beth Hanna on Indiewire blog ToH. The Fire Within was part of Wes Anderson's choices, one of the various showcases of Col*Coa. Says Hanna: "Anderson's taste is impeccable: He has selected Louis Malle's 1963 lyrical depression drama The Fire Within." It was made after the classic Elevator to the Gallows (1958) which Miles Davis scored and which also starred the young Jeanne Moreau. She also could be seen her in Col*Coa in the classic 1963 Jacques Demy-directed Bay of Angels.
Col*Coa really offered something for everyone this year. Another of my favorite film genres, the Jewish film, was represented by Aliyah and The Dandelions (Du Vent dans mes mollets) (Isa: Gaumont), Stavisky, and It Happened in St. Tropez (Isa: Pathe), a classic French comedy -- though a bit dark and yet still comedic, about romance, love and marriage switching between generations in a neurotic, comfortably wealthy Jewish family. The Dandelions was, according to my friend Debra Levine, a writer on culture including film and dance, (see her blog artsmeme), "darling, so touching, so well made, so creative ... i really liked it. Went into that rabbit hole of little girls together ... Barbie doll play. Crazy creative play. As looney as kids can be."
Ian Birnie's favorite film was Becoming Traviata. Greg Katchel's favorite originally was Rendez-vous à Kiruna by Anna Novion, but when I saw him later in the festival his favorite was Cycling with Moliere (Alceste a bicyclette) (Isa: Pathe), again produced by Anne-Dominque Toussaint and directed by Philippe Le Guay who directed one of my favorites, The Women on the 6th Floor. Greg also liked Three Worlds though it was a bit "schematic" in depicting the clash of different cultures which were also shown in Hold Back.
Of the few films I was able to see, the most interesting was Augustine by Alice Winokur. It is the French response to David Cronenberg's A Dangerous Method and the British film Hysteria. All three were about the turn of the century concern of psychologists or doctors with female hysteria. This one concerned Jean-Martin Charcot and the neurologist's belief that hysteria was a neurological disease and he used hypnosis to get at its roots, whild in A Dangerous Method it was seen by Freud and Jung as a mental disorder and in Hysteria by Tanya Wexler (Tiff 2011) in which Dr. Mortimer Granville devises the invention of the first vibrator in the name of medical science.
Take a look at Indiewire's own article here for more on Los Angeles's greatest French attraction, the second largest French film festival in the world.
Several American distributors will present their films at Col•Coa before their U.S. release: Kino Lorber – You Ain’t Seen Nothing Yet, co-written and directed by Alain Resnais (Focus on a Filmmaker); Mpi Media – Thérèse, the last film of director/co-writer Claude Miller starring Audrey Tautou; Cohen Media Group – In the House, written and directed by François Ozon and The Attack, co-written and directed by Ziad Doueiri; Distrib Films for two documentaries: Becoming Traviata and The Invisibles; Film Movement for two thrillers: Aliyah and Three Worlds; The Weinstein Company - Populaire.
Below you can see the international sales agents for the current features showing.
11.6 / 11.6 (Isa: Wild Bunch)
Directed by: Philippe Godeau
Written by: Philippe Godeau, Agnès De Sacy
A Few Hours Of Spring / Quelques heures de printemps (Isa: Rezo)
Directed by: Stéphane Brizé ♀
Written by: Stéphane Brizé, Florence Vignon
Cast: Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier
Aliyah/Alyah ✡ (Isa: Rezo, U.S.: Film Movement
Directed by: Élie Wajeman
Written by: Élie Wajeman, Gaëlle Macé
Armed Hands / Mains armées (Isa: Films Distribution)
Directed by: Pierre Jolivet
Written by: Pierre Jolivet, Simon Michaël
Augustine / Augustine (Isa: Kinology, U.S.: Music Box)
Directed by: Alice Winocour ♀
Written by: Alice Winocour
Aya Of Yop City / Aya de Yopougon (Isa: TF1)
Directed by: Clément Oubrerie, Marguerite Abouet ♀
Written by: Marguerite Abouet
Bay Of Angels / La Baie des anges (U.S.: Criterion)
Directed by: Jacques Demy
Written by: Jacques Demy
Becoming Traviata /Traviata et nous (Isa: Films Boutique, U.S. Distrib Films and Cinema Guild)
Directed by: Philippe Béziat
Written by: Philippe Béziat
Cycling With MOLIÈRE / Alceste à bicyclette (Isa: Pathe)
Directed by: Philippe Le Guay
Written by: Philippe Le Guay, based on an original idea by Fabrice Luchini and Philippe Le Guay
Fly Me To The Moon / Un plan parfait (Isa: Kinology)
Directed By: Pascal Chaumeil
Written By: Laurent Zeitoun, Yoann Gromb, Philippe Mechelen
Haute Cuisine / Les Saveurs du palais (Isa: Wild Bunch, U.S.: The Weinstein Company)
Directed by: Christian Vincent
Written by: Etienne Comar & Christian Vincent, based on the life of Danièle Mazet-Delpeuch
Hidden Beauties / Mille-Feuille (Isa: Other Angle Pictures)
Directed by: Nouri Bouzid
Written by: Nouri Bouzid, Joumène Limam
Hold Back / Rengaine (Isa: Pathe)
Directed by: Rachid Djaïdani
Written by: Rachid Djaïdani
In The House / Dans la maison (Isa: Wild Bunch, U.S.: Cohen Media Group)
Directed by: François Ozon
Written by: François Ozon
It Happened In Saint-tropez / Des Gens qui s’embrassent (Isa: Pathe)
Directed by: Danièle Thompson ♀
Written by: Danièle Thompson, Christopher Thompson
Jappeloup/ Jappeloup (Isa: Pathe)
Directed by: Christian Duguay
Written by: Guillaume Canet
Le Grand Soir / Le grand soir (Isa: Funny Balloons)
Directed by: Benoît Delépine and Gustave de Kervern
Written by: Benoît Delépine and Gustave de Kervern
Little Lion / Comme un Lion (Isa: Pyramide)
Directed by: Samuel Collardey
Written by: Catherine Paillé, Nadège Trebal, Samuel Collardey
Moon Man / Jean de la lune (Isa: Le Pacte)
Directed By: Stephan Schesch
Written By: Stephan Schesch, Ralph Martin. Based on the book by: Tomi Ungerer
Populaire / Populaire (Isa: Wild Bunch, U.S.: TWC)
Directed By: Régis Roinsard
Written By: Régis Roinsard, Daniel Presley, Romain Compingt
Rendezvous In Kiruna / Rendez-vous à Kiruna (Isa: Pyramide)
Directed by: Anne Novion ♀
Written by: Olivier Massart, Anne Novion, Pierre Novion
Sons Of The Wind / Les Fils du vent (Isa: Wide)
Directed by: Bruno Le Jean
Written by: Bruno Le Jean
Stavisky / Stavisky (1974) (Isa: StudioCanal)
Directed by: Alain Resnais
Written by: Jorge Semprún
The Attack / L’Attentat
France, Belgium, Lebanon, Qatar, 2013
Directed by: Ziad Doueiri (Isa: Wild Bunch, U.S.: Cohen Media Group)
The BRONTË Sisters / Les Soeurs Brontë (Isa: Gaumont, U.S.: Cohen Media Group)
Directed by: André Téchiné
Written by: André Téchiné, Jean Gruault, Pascal Bonitzer
The Dandelions / Du Vent dans mes mollets ✡
Directed By: Carine Tardieu ♀
Written By: Carine Tardieu, Raphaële Moussafir, Olivier Beer
The Fire Within / Le Feu Follet (1963) (Isa: Pyramide, U.S.: Janus Films)
Directed by: Louis Malle
Written by: Louis Malle
The Invisibles / Les Invisibles (Isa: Doc & Film, U.S. Distrib Films))
Directed By: Sébastien Lifshitz
The Man Who Laughs/ L’Homme qui rit (Isa: EuropaCorps)
Directed by: Jean-Pierre Améris
Written by: Jean-Pierre Améris , Guillaume Laurant
THÉRÈSE / Thérèse Desqueyroux (Isa: TF1, U.S.: Mpi)
Directed by: Claude Miller
Written by: Claude Miller, Natalie Carter
Three Worlds / Trois mondes (Isa: Pyramide, U.S.: Film Movement)
Directed by: Catherine Corsini ♀
Written by: Catherine Corsini, Benoît Graffin
To Our Loves / À nos amours (1983) (U.S. Janus)
Directed By: Maurice Pialat
Written By: Arlette Langmann, Maurice Pialat
True Friends / Amitiés sincères (Isa: Snd Groupe 6)
Directed By: Stéphan Archinard, François Prévôt-Leygonie
Written By: Stéphan Archinard, François Prévôt-Leygonie, Marie-Pierre Huster
Welcome To Argentina / Mariage à Mendoza (Isa: Kinology)
Directed By: Édouard Deluc
Written By: Anaïs Carpita, Édouard Deluc, Thomas Lilti, Philippe Rebbot
What’S In A Name / Le prénom (Isa: Pathe, U.S. Under The Milky Way)
Directed by: Alexandre de La Patellière, Matthieu Delaporte
Written by: Alexandre de La Patellière, Matthieu Delaporte
You Ain’T Seen Nothin’ Yet / Vous n’avez encore rien vu (Isa: StudioCanal, U.S.: Kino Lorber)
Directed By: Alain Resnais
Written By: Alain Resnais, Laurent Herbiet...
- 4/20/2013
- by Sydney Levine
- Sydney's Buzz
Bird People
Director: Pascale Ferran
Writer(s): Ferran and Guillaume Bréaud
Producer(s): Archipel 35′s Denis Freyd
U.S. Distributor: Rights Available
Cast: Radha Mitchell, Josh Charles, Clark Johnson, Anaïs Demoustier, Roschdy Zem, Hippolyte Girardot
Not sure why we’ve waited more than seven year’s for Pascale Ferran’s fourth feature film which proposes a sort of Before Sunrises meets Terminal as her 2006 epic Lady Chatterley was perhaps one of the best literary adaptations we’ll have seen in the past decade. It cleaned up at the César Awards and won the prestigious Prix Louis Delluc. This film sees Anaïs Demoustier (random pic above) in the lead which whom we have our yearly meet-up in Cannes with since her debuts with La belle personne and Anne Novion’s Grown Ups.
Gist: An American arrives in Paris, checks into a hotel, turns off his cell phone and starts his life anew.
Director: Pascale Ferran
Writer(s): Ferran and Guillaume Bréaud
Producer(s): Archipel 35′s Denis Freyd
U.S. Distributor: Rights Available
Cast: Radha Mitchell, Josh Charles, Clark Johnson, Anaïs Demoustier, Roschdy Zem, Hippolyte Girardot
Not sure why we’ve waited more than seven year’s for Pascale Ferran’s fourth feature film which proposes a sort of Before Sunrises meets Terminal as her 2006 epic Lady Chatterley was perhaps one of the best literary adaptations we’ll have seen in the past decade. It cleaned up at the César Awards and won the prestigious Prix Louis Delluc. This film sees Anaïs Demoustier (random pic above) in the lead which whom we have our yearly meet-up in Cannes with since her debuts with La belle personne and Anne Novion’s Grown Ups.
Gist: An American arrives in Paris, checks into a hotel, turns off his cell phone and starts his life anew.
- 1/14/2013
- by Eric Lavallee
- IONCINEMA.com
Cologne, Germany -- The Nrw Film Board will back "Sponsoring," the new film starring Juliette Binoche from Polish director Malgoska Szumowska ("33 Scenes from Life") with €500,000 ($700,000) in production financing.
Binoche plays a Parisian journalist investigating prostitution among female students. Anais Demoustier, nominated for a Cesar last year as most promising actress for her role in Anne Novion's "Grown Up," co-stars as Charlotte, a French student who sees selling herself for sex as the only way to escape her social condition.
Produced by Zentropa's Polish and Cologne-based production outfits together with France's Slot Machine -- a co-producer on Zentropa's "Antichrist" -- "Sponsoring" will shoot in France and Poland, with a 10-day shoot planned in Nrw in Spring to qualify for the funding.
Binoche plays a Parisian journalist investigating prostitution among female students. Anais Demoustier, nominated for a Cesar last year as most promising actress for her role in Anne Novion's "Grown Up," co-stars as Charlotte, a French student who sees selling herself for sex as the only way to escape her social condition.
Produced by Zentropa's Polish and Cologne-based production outfits together with France's Slot Machine -- a co-producer on Zentropa's "Antichrist" -- "Sponsoring" will shoot in France and Poland, with a 10-day shoot planned in Nrw in Spring to qualify for the funding.
- 1/28/2010
- by By Scott Roxborough
- The Hollywood Reporter - Movie News
Berlin -- Irish up-and-coming actor Robert Sheehan has dropped out of next year's Shooting Star event at the Berlin Film Festival, citing conflicts with his shooting schedule for Nick Hamm's "Killing Bono."
Sheehan was one of ten young European actors picked for the 2010 Shooting Stars -- a networking event in which young talent gets to meet international producers, scouts and casting agents for one-on-one face time. But "Killing Bono" will be shooting throughout January and February, making it impossible for Sheehan to travel to Berlin.
"I am, of course, hugely disappointed that I will not be able to attend this event," Sheehan said in a letter to Shooting Stars organizers. "I was deeply honored to be selected for this prestigious award and I send my very best wishes to all the other Shooting Stars and the festival."
Sheehan will be replaced by French actress Anais Demoustier, whose credits include...
Sheehan was one of ten young European actors picked for the 2010 Shooting Stars -- a networking event in which young talent gets to meet international producers, scouts and casting agents for one-on-one face time. But "Killing Bono" will be shooting throughout January and February, making it impossible for Sheehan to travel to Berlin.
"I am, of course, hugely disappointed that I will not be able to attend this event," Sheehan said in a letter to Shooting Stars organizers. "I was deeply honored to be selected for this prestigious award and I send my very best wishes to all the other Shooting Stars and the festival."
Sheehan will be replaced by French actress Anais Demoustier, whose credits include...
- 12/17/2009
- by By Scott Roxborough
- The Hollywood Reporter - Movie News
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