When Garth Brooks penned his hit 1990 single “Friends In Low Places,” he probably never anticipated it would one day spawn a television docuseries. But that’s precisely what’s happened. Friends In Low Places is scheduled to premiere on Prime Video on Thursday, March 7, and will follow Brooks, his wife and fellow country singer Trisha Yearwood, and some “friends” as they set out to build a honky-tonk oasis in the heart of Nashville, Tennessee. According to Deadline, the show will document the couple’s plan to open an epic, four-story bar on Lower Broadway. The friends helping them bring this dream to life are Benjamin and Max Goldberg, the brothers behind Nashville’s culinary and nightlife explosion, and Jenny Deathride Bratt and Camille Tambunting of Strategic Hospitality. “This was so much more than I bargained for! With that said, what we have built is far more than just a business,...
- 2/29/2024
- TV Insider
Blame it all on his roots and how he showed up in boots: Garth Brooks, together with his wife Trisha Yearwood, are launching a new docuseries for Prime Video called Friends in Low Places.
The series follows the couple and some “friends” as they set out to build the ultimate oasis — a honky-tonk in the heart of Nashville, Tennessee. It’s set to premiere Thursday, March 7.
The plan is to open an epic, four-story bar on Lower Broadway. Those friends include Benjamin and Max Goldberg, brothers who are behind Nashville’s culinary and nightlife explosion; and Jenny Deathride Bratt and Camille Tambunting of Strategic Hospitality.
“This was so much more than I bargained for! With that said, what we have built is far more than just a business,” said Brooks in a statement. “This is by far, the craziest ride I have ever been on.”
“We started down this road fueled by passion,...
The series follows the couple and some “friends” as they set out to build the ultimate oasis — a honky-tonk in the heart of Nashville, Tennessee. It’s set to premiere Thursday, March 7.
The plan is to open an epic, four-story bar on Lower Broadway. Those friends include Benjamin and Max Goldberg, brothers who are behind Nashville’s culinary and nightlife explosion; and Jenny Deathride Bratt and Camille Tambunting of Strategic Hospitality.
“This was so much more than I bargained for! With that said, what we have built is far more than just a business,” said Brooks in a statement. “This is by far, the craziest ride I have ever been on.”
“We started down this road fueled by passion,...
- 2/29/2024
- by Lynette Rice
- Deadline Film + TV
For Max Goldberg, Zach Iannazzi’s Old Hat was one of the highlights of this year's Crossroads festival. Also in today's roundup of news and views: "Why Nerds Are So Sexist," Locarno's homage to Mario Adorf, Roschdy Zem's Chocolat opens a French film festival in Los Angeles, a Raúl Ruiz retrospective in Paris, plus: Michelle Williams is joining Julianne Moore in Todd Haynes's Wonderstruck, José Padilha (Narcos) is creating a series based on the scandal currently bringing down Brazil's president, Sam Taylor-Johnson will direct Naomi Watts in Gypsy for Netflix, and Kevin Bacon (The Following) is set to star opposite Kathryn Hahn in Jill Soloway’s Amazon comedy pilot I Love Dick, based on the novel by Chris Kraus. » - David Hudson...
- 4/18/2016
- Keyframe
For Max Goldberg, Zach Iannazzi’s Old Hat was one of the highlights of this year's Crossroads festival. Also in today's roundup of news and views: "Why Nerds Are So Sexist," Locarno's homage to Mario Adorf, Roschdy Zem's Chocolat opens a French film festival in Los Angeles, a Raúl Ruiz retrospective in Paris, plus: Michelle Williams is joining Julianne Moore in Todd Haynes's Wonderstruck, José Padilha (Narcos) is creating a series based on the scandal currently bringing down Brazil's president, Sam Taylor-Johnson will direct Naomi Watts in Gypsy for Netflix, and Kevin Bacon (The Following) is set to star opposite Kathryn Hahn in Jill Soloway’s Amazon comedy pilot I Love Dick, based on the novel by Chris Kraus. » - David Hudson...
- 4/18/2016
- Fandor: Keyframe
On paper, Les Blank and Leon Russell look like a heavenly match. Blank’s pageants of blues musicians, backyard barbeques, and dancing in the streets are infused with a sense of joy and irreverence all too often missing from documentaries of American folkways. Russell made his name with a honky-tonk mix of country, blues and gospel put over with a carney’s rasp and flash. The singer and his English producer Denny Cordell hired Blank to produce a backstage portrait, but A Poem is a Naked Person (1974) ended up being the rare film maudit of his otherwise happy-go-lucky filmography. >> - Max Goldberg...
- 7/1/2015
- Fandor: Keyframe
On paper, Les Blank and Leon Russell look like a heavenly match. Blank’s pageants of blues musicians, backyard barbeques, and dancing in the streets are infused with a sense of joy and irreverence all too often missing from documentaries of American folkways. Russell made his name with a honky-tonk mix of country, blues and gospel put over with a carney’s rasp and flash. The singer and his English producer Denny Cordell hired Blank to produce a backstage portrait, but A Poem is a Naked Person (1974) ended up being the rare film maudit of his otherwise happy-go-lucky filmography. >> - Max Goldberg...
- 7/1/2015
- Keyframe
"Art of the Real" is returning to the Film Society of Lincoln Center with a celebration of Agnès Varda (who will attend!) and more:
"The 2015 edition, taking place April 10-26, will again feature dozens of new works from around the world and in a variety of genres alongside retrospective and thematic selections. Opening Night will premiere new works by João Pedro Rodrigues and João Rui Guerra da Mata (The Last Time I Saw Macao, Mahjong), Eduardo Williams, and Matt Porterfield (I Used to Be Darker), with all filmmakers attending the evening."
Above: For The Criterion Collection, kogonada's new video essay, "Mirrors of Bergman." Abderrahmane Sissako, the director of Timbuktu, will be heading Cannes' Cinéfondation and Short Films Jury. In his NY Times home video column, J. Hoberman writes on Richard Linklater's Boyhood and Guy Maddin's My Winnipeg. Richard Brody writes about Spike Lee's Da Sweet Blood of...
"The 2015 edition, taking place April 10-26, will again feature dozens of new works from around the world and in a variety of genres alongside retrospective and thematic selections. Opening Night will premiere new works by João Pedro Rodrigues and João Rui Guerra da Mata (The Last Time I Saw Macao, Mahjong), Eduardo Williams, and Matt Porterfield (I Used to Be Darker), with all filmmakers attending the evening."
Above: For The Criterion Collection, kogonada's new video essay, "Mirrors of Bergman." Abderrahmane Sissako, the director of Timbuktu, will be heading Cannes' Cinéfondation and Short Films Jury. In his NY Times home video column, J. Hoberman writes on Richard Linklater's Boyhood and Guy Maddin's My Winnipeg. Richard Brody writes about Spike Lee's Da Sweet Blood of...
- 2/18/2015
- by Notebook
- MUBI
In today's roundup of news and views: David Bordwell and Kristin Thompson on Jacques Tati's Playtime, Godfrey Cheshire on D.W. Griffith's The Birth of a Nation, Caveh Zahedi on the day he met Robert Bresson, Max Goldberg on the influence of Alfred Hitchcock's Vertigo, Bilge Ebiri on Ousmane Sembene, J. Hoberman on Clint Eastwood and American Sniper, Gilberto Perez on Jean Renoir's A Day in the Country, Jonathan Rosenbaum on Luis Buñuel's The Young One, Howard Hampton on Nicolas Roeg and Don’t Look Now (1973), Olivier Assayas on John Carpenter’s The Fog—and lots more. » - David Hudson...
- 2/18/2015
- Fandor: Keyframe
In today's roundup of news and views: David Bordwell and Kristin Thompson on Jacques Tati's Playtime, Godfrey Cheshire on D.W. Griffith's The Birth of a Nation, Caveh Zahedi on the day he met Robert Bresson, Max Goldberg on the influence of Alfred Hitchcock's Vertigo, Bilge Ebiri on Ousmane Sembene, J. Hoberman on Clint Eastwood and American Sniper, Gilberto Perez on Jean Renoir's A Day in the Country, Jonathan Rosenbaum on Luis Buñuel's The Young One, Howard Hampton on Nicolas Roeg and Don’t Look Now (1973), Olivier Assayas on John Carpenter’s The Fog—and lots more. » - David Hudson...
- 2/18/2015
- Keyframe
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