9/10
The Ultimate Holmes/Ripper Meeting
21 October 2000
Warning: Spoilers
"Murder By Decree" is the ultimate meeting between the two greatest figures of Victorian mystery: Sherlock Holmes and Jack the Ripper. There have been other meetings between the two (including a terrible novel in which Holmes WAS the Ripper), but none quite as satisfying to devotees of both Holmes and the Ripper case.

There is widespread speculation, among those of us who consider Sherlock Holmes a very real person, as to his possible role in investigating the Jack the Ripper murders of 1888. Given Holmes's passion for unsolved mysteries, it seems unlikely that he would not have taken up the Ripper case. And if he did, it seems very unlikely that Holmes would NOT have solved it. So why does the Ripper's identity remain a mystery? Is the Ripper case one of those "unpublished" cases that Dr. Watson occasionally refers to in the Sherlock Holmes stories? If so, why did Watson choose not to publish an account of Holmes's involvement in the Ripper investigation.

"Murder By Decree" answers these questions with true Holmesian style. Christopher Plummer, as Holmes, is a deductive reasoner with an ounce of compassion and a sharp sense of justice. James Mason, as Watson, is not a bungler, but is an active, intelligent aide to Holmes's investigation. And we have scenes that are mainstays of the classic Holmes tales, including the chase through dark, foggy, gaslit streets, and a visit by hansom cab to a dark foreboding asylum, which resembles Baskerville Hall.

And then there's the Ripper, the ultimate unsolved mystery. The movie places Holmes among real-life characters in the Ripper drama, such as Charles Warren, Robert Lees, Mary Kelly, Annie Crook, and Prime Minister Lord Salisbury. It re-creates the murder scenes with historical accuracy. It shows us the East End as it was (and more or less still is): A horrific maze of alleys that is the perfect stalking ground for a predator like the Ripper. The shots from the Ripper's POV, moving through a maze of dark, foggy alleys, accompanied by ominous footsteps and heavy breathing, are particularly scary. This air of mystery surrounding this unknown fiend is partially why the Ripper murders are remembered even today.

The movie takes one of the more imaginative Ripper theories (the "Prince Eddy/Annie Crook" conspiracy) as its explanation for why Holmes and Watson kept silent about their involvement in the case. The movie becomes exceptional when Holmes himself becomes a victim of the conspirators. Holmes discovers to his horror that he has been used. The conspirators have purposely set him on the Ripper's trail, knowing that he will lead them to the elusive Mary Kelly, who becomes the Ripper's last victim.

Is the "Annie Crook" theory true? Probably not, but it still refuses to die. (The NEXT Ripper movie, "From Hell" starring Johnny Depp, uses the "Annie Crook" theory as its base.) But who cares if it's fiction! It's STILL a terrific "conspiracy theory." And it makes for a case worthy of Holmes, one which he solves but cannot win. He stops the conspirators, but emerges from the case outraged and grief-stricken over having led the murderers to Mary Kelly. A more flawed, more human Holmes we have rarely seen, outside of Jeremy Brett.

But Watson reminds Holmes that Mary Kelly died willingly to protect the bastard child of Annie Crook and Prince Eddy, the source of the Ripper conspiracy. And Holmes, through his investigation of the conspiracy, has insured the child's safety. There is still decency in the world. The closing credits, played to music from Holmes's violin, give a sense that, with the Ripper nightmare over, Holmes and the city of London will emerge into the light once more.
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