Italian cinema is in the spotlight at the Academy Museum in Los Angeles where the screening series “Ennio Morricone: Essential Scores from a Movie Maestro,” programmed in partnership with Cinecittà, is currently playing to sold-out audiences.
The Oct. 6-Nov. 25 event comprises 20 titles, including Sergio Leone’s “The Good the Bad and the Ugly” in a new restored print, “Once Upon a Time in the West” (pictured) and Don Siegel’s “Two Mules for Sister Sara,” plus a selection of other works hailing both from the master composer’s native Italy and the U.S.. Among these are Brian De Palma (“The Untouchables”), Terrence Malick (“Days of Heaven”) and Quentin Tarantino’s “The Hateful Eight,” for which Morricone finally won the the Oscar for best original soundtrack in 2016.
“Hateful Eight” screened at the museum’s David Geffen Theatre in the 70mm “Roadshow” version with an intermission and an overture.
Cinecittà operates...
The Oct. 6-Nov. 25 event comprises 20 titles, including Sergio Leone’s “The Good the Bad and the Ugly” in a new restored print, “Once Upon a Time in the West” (pictured) and Don Siegel’s “Two Mules for Sister Sara,” plus a selection of other works hailing both from the master composer’s native Italy and the U.S.. Among these are Brian De Palma (“The Untouchables”), Terrence Malick (“Days of Heaven”) and Quentin Tarantino’s “The Hateful Eight,” for which Morricone finally won the the Oscar for best original soundtrack in 2016.
“Hateful Eight” screened at the museum’s David Geffen Theatre in the 70mm “Roadshow” version with an intermission and an overture.
Cinecittà operates...
- 11/16/2023
- by Nick Vivarelli
- Variety Film + TV
Marina Cicogna, a film producer and one of the first women to establish herself in the traditionally male cinema environment in Italy, died Saturday in Rome. She was 89.
Cicogna produced several important Italian films, including Metti, una Sera a Cena by Giuseppe Patroni Griffi and Indagine su un Cittadino al di Sopra di Ogni Sospetto (Investigation of a Citizen Above Suspicion) by Elio Petri, with the latter winning the Oscar for best foreign language film in 1971. The New York Times called her “one of the most powerful women in European cinema.”
Her extraordinary experience and career were recounted in 2021 in the documentary film Marina Cicogna. Life and Everything Else by Andrea Bettinetti and in her autobiography, Ancora Spero, released this year by Marsilio Publishing.
Cicogna died with Benedetta Gardona, her companion of more than 30 years, by her side.
Ahead of receiving the 2023 David Award for Lifetime Achievement this year, Cicogna...
Cicogna produced several important Italian films, including Metti, una Sera a Cena by Giuseppe Patroni Griffi and Indagine su un Cittadino al di Sopra di Ogni Sospetto (Investigation of a Citizen Above Suspicion) by Elio Petri, with the latter winning the Oscar for best foreign language film in 1971. The New York Times called her “one of the most powerful women in European cinema.”
Her extraordinary experience and career were recounted in 2021 in the documentary film Marina Cicogna. Life and Everything Else by Andrea Bettinetti and in her autobiography, Ancora Spero, released this year by Marsilio Publishing.
Cicogna died with Benedetta Gardona, her companion of more than 30 years, by her side.
Ahead of receiving the 2023 David Award for Lifetime Achievement this year, Cicogna...
- 11/6/2023
- by Livia Paccariè
- The Hollywood Reporter - Movie News
Marina Cicogna, Italy’s first major female film producer who shepherded films by Pier Paolo Pasolini, Franco Zeffirelli and Elio Petri, including Petri’s Oscar-winning “Investigation of a Citizen Above Suspicion,” has died. She was 89.
Cicogna died on Nov. 4 in her Rome home after a long battle with an unspecified form of cancer, according to Italian news agency Ansa.
The Venice Biennale foundation is a statement, praised her as “the first female film producer in Europe” and noted that she was always deeply linked to the Venice Film Festival that was founded by her grandfather, Giuseppe Volpi di Misurata.
Born in Rome on May 29, 1934, to Count Cesare Cicogna Mozzoni and Countess Annamaria Volpi di Misurata, Cicogna attended high school in Italy and graduated from Sarah Lawrence College in New York, where she struck up a friendship with Jack Warner’s daughter Barbara Warner and established a connection with Hollywood.
In...
Cicogna died on Nov. 4 in her Rome home after a long battle with an unspecified form of cancer, according to Italian news agency Ansa.
The Venice Biennale foundation is a statement, praised her as “the first female film producer in Europe” and noted that she was always deeply linked to the Venice Film Festival that was founded by her grandfather, Giuseppe Volpi di Misurata.
Born in Rome on May 29, 1934, to Count Cesare Cicogna Mozzoni and Countess Annamaria Volpi di Misurata, Cicogna attended high school in Italy and graduated from Sarah Lawrence College in New York, where she struck up a friendship with Jack Warner’s daughter Barbara Warner and established a connection with Hollywood.
In...
- 11/6/2023
- by Nick Vivarelli
- Variety Film + TV
Despite its soft-sounding title, Stefano Sollima’s crime drama is a gripping call-back to the heyday of poliziotteschi movies, a peculiarly Italian genre that dealt with inter-gang wars in a country where the police were often more venal than the bad guys. Adagio, though, takes a unique tack, borrowing from Martin Scorsese’s fatalistic masterpiece The Irishman to portray to tell a story in which a trio of gangsters — one blind, one suffering early-onset dementia, and another with terminal cancer — are forced to reunite against a team of bent cops involved in an elaborate blackmail plan.
There are shades of Elio Petri’s classic Investigation of a Citizen Above Suspicion, too, although it takes a while for this to become obvious. Indeed, for some 45 minutes, Sollima keeps us guessing as to which side the villains are actually on, starting with a long sequence in which a young man named Manuel...
There are shades of Elio Petri’s classic Investigation of a Citizen Above Suspicion, too, although it takes a while for this to become obvious. Indeed, for some 45 minutes, Sollima keeps us guessing as to which side the villains are actually on, starting with a long sequence in which a young man named Manuel...
- 9/2/2023
- by Damon Wise
- Deadline Film + TV
The 76th edition of the Cannes Film Festival came to a close on Saturday, May 27 after two weeks of films, celebrities, parties and interviews in the small city on the French Riviera. Now that the prizes have been given out, we can start looking at what could be top contenders for next year’s Oscars. Let’s analyze the results from this year’s festival and see this history that each category has when it comes to the Academy Awards.
Over the past several years the festival has been a springboard for major players in the Oscar derby. We’ve really seen it be an influence in the International Feature category where in-competition films have been nominated a regular basis. Recent Cannes films that ended up being top awards contenders in above the line categories include “Triangle of Sadness,” “Drive My Car,” “Parasite,” “Once Upon a Time in Hollywood” and “BlacKkKlansman.
Over the past several years the festival has been a springboard for major players in the Oscar derby. We’ve really seen it be an influence in the International Feature category where in-competition films have been nominated a regular basis. Recent Cannes films that ended up being top awards contenders in above the line categories include “Triangle of Sadness,” “Drive My Car,” “Parasite,” “Once Upon a Time in Hollywood” and “BlacKkKlansman.
- 5/28/2023
- by Charles Bright
- Gold Derby
After two years of cancellations and delays, the Cannes Film Festival finally returned to the south of France during the month of May. The winners of this year’s festivities were announced on Saturday, May 25. How many of these will become major players in this year’s Oscar derby? Below let’s review the results from the 75th installment of the international festival and examine the history each serves as a forecaster for the Academy Awards.
In recent years, Cannes has served as a launching pad for films that have become major contenders in awards season. This is particularly true in the International Feature category which, for the past several years, has had several nominees that were screened in competition. It’s also been true in other categories, including several above the line races, with films like “Drive My Car,” “Parasite,” “Once Upon a Time in Hollywood” and “BlacKkKlansman” having their premieres on the Croissette.
In recent years, Cannes has served as a launching pad for films that have become major contenders in awards season. This is particularly true in the International Feature category which, for the past several years, has had several nominees that were screened in competition. It’s also been true in other categories, including several above the line races, with films like “Drive My Car,” “Parasite,” “Once Upon a Time in Hollywood” and “BlacKkKlansman” having their premieres on the Croissette.
- 6/6/2022
- by Charles Bright
- Gold Derby
After going virtual last year and not handing out any prizes due to the Covid pandemic, the 2021 Cannes Film Festival returned to form by announcing its winners on July 17. How many of these will figure in the upcoming Oscar race? We recap the results from the 74th edition of this foremost of film festivals and review its history as a forecaster of the Academy Awards.
The top award at Cannes is the Palme d’Or. Over the years, 40 winners of this prize have amassed 135 Academy Award nominations. Seventeen of these have claimed a combined 32 Oscars. This year, the Palme d’Or went to French filmmaker Julia Ducournau‘s “Titane.” Her dramatic thriller centers on a father reunited with his son who was missing for a decade during which several unexplained crimes were committed. Ducournau is the second woman to take this top prize following Jane Campion‘s breakthrough in 1993 with “The Piano.
The top award at Cannes is the Palme d’Or. Over the years, 40 winners of this prize have amassed 135 Academy Award nominations. Seventeen of these have claimed a combined 32 Oscars. This year, the Palme d’Or went to French filmmaker Julia Ducournau‘s “Titane.” Her dramatic thriller centers on a father reunited with his son who was missing for a decade during which several unexplained crimes were committed. Ducournau is the second woman to take this top prize following Jane Campion‘s breakthrough in 1993 with “The Piano.
- 7/18/2021
- by Charles Bright
- Gold Derby
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and past round-ups here.
2021 Oscar-Nominated Short Films
Check out Jared Mobarak’s reviews of all of this Oscar-nominated short films, including Animation, Live-Action, and Documentary.
Where to Stream: Virtual Cinemas
Concrete Cowboy (Ricky Staub)
There is a moment of surreal wonder near the start of Concrete Cowboy, the TIFF premiere co-starring Idris Elba, that is never equaled again, a sequence of unexpected radiance conjuring a sense of astonishment. A troubled teenager has been sent from Detroit to Philadelphia to spend the summer with his long-absent father. He arrives at night to a nearly empty, rather foreboding street. Eventually he finds his (seemingly) menacing father and is led into a ramshackle, messy home. Suddenly...
2021 Oscar-Nominated Short Films
Check out Jared Mobarak’s reviews of all of this Oscar-nominated short films, including Animation, Live-Action, and Documentary.
Where to Stream: Virtual Cinemas
Concrete Cowboy (Ricky Staub)
There is a moment of surreal wonder near the start of Concrete Cowboy, the TIFF premiere co-starring Idris Elba, that is never equaled again, a sequence of unexpected radiance conjuring a sense of astonishment. A troubled teenager has been sent from Detroit to Philadelphia to spend the summer with his long-absent father. He arrives at night to a nearly empty, rather foreboding street. Eventually he finds his (seemingly) menacing father and is led into a ramshackle, messy home. Suddenly...
- 4/2/2021
- by Jordan Raup
- The Film Stage
Despite the proliferation of streaming services, it’s becoming increasingly clear that any cinephile only needs subscriptions to a few to survive. Among the top of our list are The Criterion Channel and Mubi and now they’ve each unveiled their stellar April line-ups.
Over at The Criterion Channel, highlights include spotlights on Ennio Morricone, the Marx Brothers, Isabel Sandoval, and Ramin Bahrani, plus Luchino Visconti’s The Leopard, Frank Borzage’s Moonrise, the brand-new restoration of Joyce Chopra’s Smooth Talk, and one of last year’s best films, David Osit’s Mayor.
At Mubi (where we’re offering a 30-day trial), they’ll have the exclusive streaming premiere of two of the finest festival films from last year’s circuit, Cristi Puiu’s Malmkrog and Nobuhiko Obayashi’s Labyrinth of Cinema, plus Philippe Garrel’s latest The Salt of Tears, along with films from Terry Gilliam, George A. Romero,...
Over at The Criterion Channel, highlights include spotlights on Ennio Morricone, the Marx Brothers, Isabel Sandoval, and Ramin Bahrani, plus Luchino Visconti’s The Leopard, Frank Borzage’s Moonrise, the brand-new restoration of Joyce Chopra’s Smooth Talk, and one of last year’s best films, David Osit’s Mayor.
At Mubi (where we’re offering a 30-day trial), they’ll have the exclusive streaming premiere of two of the finest festival films from last year’s circuit, Cristi Puiu’s Malmkrog and Nobuhiko Obayashi’s Labyrinth of Cinema, plus Philippe Garrel’s latest The Salt of Tears, along with films from Terry Gilliam, George A. Romero,...
- 3/26/2021
- by Jordan Raup
- The Film Stage
You’ve asked questions. Prepare for the answers.
Show Notes: Movies Referenced In This Episode
Sweet Smell Of Success (1957)
The Beguiled (1971)
Tenet (2021? Maybe?)
Smokey Is The Bandit (1983)
Robin Hood (2010)
Hollywood Boulevard (1976)
The Devils (1971)
Song of the South (1946)
Gremlins (1984)
Dillinger (1973)
Marcello I’m So Bored (1966)
Jeremiah Johnson (1972)
Big Wednesday (1978)
Swamp Thing (1982)
Forrest Gump (1994)
Payback (1999)
Bell, Book And Candle (1958)
Blowup (1966)
The Big Lebowski (1998)
Medium Cool (1969)
25th Hour (2002)
Apocalypse Now (1979)
Palm Springs (2020)
Groundhog Day (1993)
Mandy (2018)
The Sadist (1963)
Spider Baby (1968)
Night Tide (1960)
Stark Fear
Carnival of Souls (1962)
The Devil’s Messenger (1961)
Ms. 45 (1981)
Léolo (1992)
The Howling (1981)
Showgirls (1995)
Green Book (2018)
The Last Hurrah (1958)
The Best Man (1964)
Advise and Consent (1962)
The Candidate (1972)
The Manchurian Candidate (1962)
Seven Days In May (1964)
The Seduction of Joe Tynan (1979)
The Man (1972)
Investigation of a Citizen Above Suspicion (1970)
Four Lions (2010)
Pump Up The Volume (1990)
Nightmare In The Sun (1965)
The Wild Angels (1966)
The Omega Man (1971)
The Nanny (1965)
Hush… Hush, Sweet Charlotte (1964)
Live Like A Cop, Die Like A Man...
Show Notes: Movies Referenced In This Episode
Sweet Smell Of Success (1957)
The Beguiled (1971)
Tenet (2021? Maybe?)
Smokey Is The Bandit (1983)
Robin Hood (2010)
Hollywood Boulevard (1976)
The Devils (1971)
Song of the South (1946)
Gremlins (1984)
Dillinger (1973)
Marcello I’m So Bored (1966)
Jeremiah Johnson (1972)
Big Wednesday (1978)
Swamp Thing (1982)
Forrest Gump (1994)
Payback (1999)
Bell, Book And Candle (1958)
Blowup (1966)
The Big Lebowski (1998)
Medium Cool (1969)
25th Hour (2002)
Apocalypse Now (1979)
Palm Springs (2020)
Groundhog Day (1993)
Mandy (2018)
The Sadist (1963)
Spider Baby (1968)
Night Tide (1960)
Stark Fear
Carnival of Souls (1962)
The Devil’s Messenger (1961)
Ms. 45 (1981)
Léolo (1992)
The Howling (1981)
Showgirls (1995)
Green Book (2018)
The Last Hurrah (1958)
The Best Man (1964)
Advise and Consent (1962)
The Candidate (1972)
The Manchurian Candidate (1962)
Seven Days In May (1964)
The Seduction of Joe Tynan (1979)
The Man (1972)
Investigation of a Citizen Above Suspicion (1970)
Four Lions (2010)
Pump Up The Volume (1990)
Nightmare In The Sun (1965)
The Wild Angels (1966)
The Omega Man (1971)
The Nanny (1965)
Hush… Hush, Sweet Charlotte (1964)
Live Like A Cop, Die Like A Man...
- 7/24/2020
- by Kris Millsap
- Trailers from Hell
by Nathaniel R
Confession, dear reader. Two decades of writing about movies later I still feel ill-equipped to write about one of the largest tools in the filmmaking arsenal: scoring. Ennio Morricone once described music as "energy, space, and time" which is a broad and huge and cosmic enough description to explain away how overwhelming a task it is to write about... especially to those of us who are more visually attuned. As you've undoubtedly heard, Morricone, by all accounts of the all time great composers, has passed away at the age of 91 after a fall which hospitalized him. In the course of his spectacular career, which stretches across six decades of cinema, he helped defined an entire genre (the spaghetti western), and composed the scores for over three hundred movies as well as an alarming number of TV shows on the side.
His six Oscar nominations and two Oscars...
Confession, dear reader. Two decades of writing about movies later I still feel ill-equipped to write about one of the largest tools in the filmmaking arsenal: scoring. Ennio Morricone once described music as "energy, space, and time" which is a broad and huge and cosmic enough description to explain away how overwhelming a task it is to write about... especially to those of us who are more visually attuned. As you've undoubtedly heard, Morricone, by all accounts of the all time great composers, has passed away at the age of 91 after a fall which hospitalized him. In the course of his spectacular career, which stretches across six decades of cinema, he helped defined an entire genre (the spaghetti western), and composed the scores for over three hundred movies as well as an alarming number of TV shows on the side.
His six Oscar nominations and two Oscars...
- 7/7/2020
- by NATHANIEL R
- FilmExperience
“If you scroll through all the movies I’ve worked on, you can understand how I was a specialist in westerns, love stories, political movies, action thrillers, horror movies and so on,” said Ennio Morricone. “So in other words, I’m no specialist, because I’ve done everything. I’m a specialist in music.”
The specialist and legendary maestro has passed away at the age of 91, leaving behind an incredibly prolific body of work that included over 400 scores made for movies and television as well as classic work and many journeys across the world performing his music. While it’s impossible to encapsulate such a towering career––considering he began writing his first compositions at the age of six––if you’re looking to revisit or discover some of his finest scores in remembrance, we’ve gathered our twenty favorites below.
The round-up includes some of his most iconic scores,...
The specialist and legendary maestro has passed away at the age of 91, leaving behind an incredibly prolific body of work that included over 400 scores made for movies and television as well as classic work and many journeys across the world performing his music. While it’s impossible to encapsulate such a towering career––considering he began writing his first compositions at the age of six––if you’re looking to revisit or discover some of his finest scores in remembrance, we’ve gathered our twenty favorites below.
The round-up includes some of his most iconic scores,...
- 7/6/2020
- by Jordan Raup
- The Film Stage
In many ways, as both its plot and title indicate, Luciano Ercoli’s jazzy 1970 directorial debut, The Forbidden Photos of a Lady Above Suspicion, is merely highly stylized pastiche. Technically, the title is classified as a “melodrama gialli,” meaning it’s defined by psychological excess rather than the hyper violent aesthetics of the giallo craze, which would shortly take over following Dario Argento’s The Bird with the Crystal Plumage (1970). Instead, Ernesto Gastaldi’s script pays heavy homage to the gaslighting melodrama which popularized international film noir, particularly staples like (of course) Gaslight (1944) and Clouzot’s Diabolique (1955). And the fantastic, unmistakably giallo-y title capitalizes on Elio Petri’s celebrated Investigation of a Citizen Above Suspicion, released only months prior to Ercoli’s film—both Above Suspicion titles are marked by equally idiosyncratic scores from Ennio Morricone.…...
- 2/5/2019
- by Nicholas Bell
- IONCINEMA.com
Review by Roger Carpenter
While Lucio Fulci made his reputation with a series of graphically violent horror movies like Zombie (Aka Zombi 2), City of the Living Dead (Aka The Gates of Hell), The House by the Cemetery, The Beyond, and The New York Ripper, his early career was a hodgepodge of film genres including comedies, spaghetti westerns, and poliziotteschi. However, many critics argue that his greatest films were his early gialli films like A Lizard in a Woman’s Skin and Don’t Torture a Duckling. Fulci was handicapped by terribly low budgets for most of his career but some of his earlier works were actually well-funded, allowing his cinematic craftsmanship to be on full display. Such was the case with Don’t Torture a Duckling.
As was the case with many gialli of the time period, the film titles were influenced by Argento’s first three gialli, collectively known as the “Animal Trilogy.
While Lucio Fulci made his reputation with a series of graphically violent horror movies like Zombie (Aka Zombi 2), City of the Living Dead (Aka The Gates of Hell), The House by the Cemetery, The Beyond, and The New York Ripper, his early career was a hodgepodge of film genres including comedies, spaghetti westerns, and poliziotteschi. However, many critics argue that his greatest films were his early gialli films like A Lizard in a Woman’s Skin and Don’t Torture a Duckling. Fulci was handicapped by terribly low budgets for most of his career but some of his earlier works were actually well-funded, allowing his cinematic craftsmanship to be on full display. Such was the case with Don’t Torture a Duckling.
As was the case with many gialli of the time period, the film titles were influenced by Argento’s first three gialli, collectively known as the “Animal Trilogy.
- 10/23/2017
- by Movie Geeks
- WeAreMovieGeeks.com
DVD Playhouse—October 2011
By Allen Gardner
Terri (20th Century Fox) An awkward, obese teen (Jacob Wysocki) finds himself forming an odd friendship with his equally left-of-center vice-principal (John C. Reilly), who decides to help the boy navigate his way through adolescence’s rocky road. Low key film is filled with pathos and humor, but is ultimately too laid back for its own good (not to mention too long). Worth seeing for young Wysocki’s amazing, completely natural performance, and Reilly’s goofy charm. Also available on Blu-ray disc. Bonuses: Featurette; Deleted scenes. Widescreen. Dolby and DTS-hd 5.1 surround.
Mr. Nice (Mpi) Rhys Ifans stars in the true story of Howard Marks, a Welsh-born Oxford grad who gained the most notoriety in his life for being the UK’s biggest hashish smuggler during the ‘70s and ‘80s, when he wasn’t busy spying for Her Majesty’s government, hanging out with a...
By Allen Gardner
Terri (20th Century Fox) An awkward, obese teen (Jacob Wysocki) finds himself forming an odd friendship with his equally left-of-center vice-principal (John C. Reilly), who decides to help the boy navigate his way through adolescence’s rocky road. Low key film is filled with pathos and humor, but is ultimately too laid back for its own good (not to mention too long). Worth seeing for young Wysocki’s amazing, completely natural performance, and Reilly’s goofy charm. Also available on Blu-ray disc. Bonuses: Featurette; Deleted scenes. Widescreen. Dolby and DTS-hd 5.1 surround.
Mr. Nice (Mpi) Rhys Ifans stars in the true story of Howard Marks, a Welsh-born Oxford grad who gained the most notoriety in his life for being the UK’s biggest hashish smuggler during the ‘70s and ‘80s, when he wasn’t busy spying for Her Majesty’s government, hanging out with a...
- 10/3/2011
- by The Hollywood Interview.com
- The Hollywood Interview
Based on its title, and a one-line synopsis in Halliwell's Film Guide, this movie (Investigation of a Citizen Above Suspicion, Elio Petri, 1970), had long been a movie I'd wanted to see. Observe:
"A successful police inspector kills his mistress and, paranoiacally considering himself to be above suspicion, plants clues leading to himself and even [spoiler deleted]."
The fact that Leslie Halliwell seemed only mildly impressed by the film didn't put me off: the fact that he saw any virtue in a movie made after 1960 strongly suggested that this was a triumph. Often, the value of a movie could be judged by how much it annoyed Mr. Halliwell.
Director Elio Petri is probably best-known for directing The Tenth Victim, a pop-art sci-fi classic which anticipates the murderous horrors of reality TV and gave us the original bullet-bra fembots who later plagued Austin Powers, but the man was a lot more than a merchant of slick kitsch.
"A successful police inspector kills his mistress and, paranoiacally considering himself to be above suspicion, plants clues leading to himself and even [spoiler deleted]."
The fact that Leslie Halliwell seemed only mildly impressed by the film didn't put me off: the fact that he saw any virtue in a movie made after 1960 strongly suggested that this was a triumph. Often, the value of a movie could be judged by how much it annoyed Mr. Halliwell.
Director Elio Petri is probably best-known for directing The Tenth Victim, a pop-art sci-fi classic which anticipates the murderous horrors of reality TV and gave us the original bullet-bra fembots who later plagued Austin Powers, but the man was a lot more than a merchant of slick kitsch.
- 9/23/2010
- MUBI
I have always been moved in some way or another by film music, but no one has created a bigger lump in the throat or watered my eyes more than Ennio Morricone.
He made film music transcend the film. He made me realize that film music could invoke emotions that went beyond just playing sad or tense or action themes. His music became the emotional anchor of the films he scored. This is music that didn’t have to make you think of the film it was used in, but gives your life its own score. I know that may be getting a little carried away, but that’s how I’ve always viewed it.
Being a (very) amateur composer myself, I always fall back on not just his work but the context of how it’s placed in movies. The few cues that were written before filming especially in...
He made film music transcend the film. He made me realize that film music could invoke emotions that went beyond just playing sad or tense or action themes. His music became the emotional anchor of the films he scored. This is music that didn’t have to make you think of the film it was used in, but gives your life its own score. I know that may be getting a little carried away, but that’s how I’ve always viewed it.
Being a (very) amateur composer myself, I always fall back on not just his work but the context of how it’s placed in movies. The few cues that were written before filming especially in...
- 11/10/2008
- by John Mapes
- Movie-moron.com
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