Directed by
| James Ivory | ||
Writing Credits
| E.M. Forster | ... | (novel) |
| Ruth Prawer Jhabvala | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
| Paul Bradley | ... | associate producer |
| Jake Eberts | ... | executive producer (uncredited) |
| Peter Marangoni | ... | associate producer: Italy |
| Ismail Merchant | ... | producer |
Music by
| Richard Robbins | ||
Cinematography by
| Tony Pierce-Roberts | ... | (photography) |
Editing by
| Humphrey Dixon | ||
Casting By
| Celestia Fox | ||
Production Design by
| Brian Ackland-Snow | ||
| Gianni Quaranta | ||
Art Direction by
| Elio Altamura | ... | (as Elio Altramura) |
| Brian Savegar | ||
Costume Design by
| Jenny Beavan | ||
| John Bright | ||
Makeup Department
| Christine Beveridge | ... | makeup artist |
| Sally Harrison | ... | assistant makeup artist |
| Carol Hemming | ... | hairdresser |
| Paolo Mantini | ... | assistant hairdresser |
Production Management
| Elzbieta Araszkiewicz | ... | production associate |
| Lanfranco Diotallevi | ... | production manager |
| Ann Wingate | ... | production manager |
| Carlo U. Quinterio | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
| Kevan Barker | ... | assistant director |
| Simon Moseley | ... | second assistant director |
| Daniel Sonnis | ... | second assistant director |
Art Department
| John Chapple | ... | painter |
| Bob Coleman | ... | carpenter |
| Bob Cross | ... | construction manager |
| James Ede | ... | painter |
| Mick Flanders | ... | set dresser |
| Dennis Fruin | ... | property master |
| Mark Fruin | ... | stand-by propman |
| Roberto Galante | ... | assistant art director |
| Roy Hansford | ... | carpenter |
| James Loftus | ... | stagehand |
| Goffredo Massetti | ... | property master |
| Kieron Mcnamara | ... | stand-by prop man |
| Ulderico Nanni | ... | carpenter |
| Anita Overland | ... | assistant art director |
| Franco Pizzonia | ... | construction manager |
| Floriano Porzionato | ... | set dresser |
| Stefano Secchi | ... | assistant art director |
| Len Serpant | ... | stagehand |
| Dennis Simmonds | ... | set dresser |
| Malachi Smyth | ... | assistant art director |
| Antonio Vandilli | ... | painter |
| Umberto Vandilli | ... | painter |
| Jeanne Vertigan | ... | property buyer |
Sound Department
| Philip Alton | ... | assistant sound editor (as Phillip Alton) |
| Ray Beckett | ... | sound |
| Peter Compton | ... | sound editor |
| Tom Freeman | ... | assistant sound editor |
| Nick Hammond | ... | boom operator |
| Alan Killick | ... | sound editor |
| Richard King | ... | sound re-recordist |
| Tony Lenny | ... | sound editor |
| Anna Shepherd | ... | assistant sound editor |
Special Effects by
| Martin Gutteridge | ... | special effects supervisor (uncredited) |
Camera and Electrical Department
| Luigi Bisioli | ... | gaffer |
| Harry Bisson | ... | electrician |
| Lou Bogue | ... | gaffer |
| Stephen Dembitzer | ... | camera assistant (as Steve Dembitzer) |
| Jonathan Earp | ... | clapper loader |
| Massimo Fantauzzi | ... | rigger |
| Adriano Gangi | ... | assistant cameraman: second unit |
| Katya Grenfell | ... | still photographer |
| Dennis Harrison | ... | rigger |
| Graham Hazard | ... | follow focus |
| Malcolm Huse | ... | grip |
| Aldo Laureti | ... | electrician |
| Sergio Melaranci | ... | cameraman: second unit |
| Glen Parsons | ... | best boy |
| Sarah Quill | ... | still photographer |
| Alvaro Romagnoli | ... | best boy |
| Marco Romagnoli | ... | electrician |
| Steve Senior | ... | electrician |
| Claudio Serantoni | ... | grip |
| Sergio Serantoni | ... | grip |
| Philip Sindall | ... | camera assistant (as Phillip Sindall) |
| Angelo Tiberti | ... | grip |
| Dennis Morgan | ... | daily clapper loader (uncredited) |
| Massimo Zeri | ... | assistant camera (uncredited) |
Costume and Wardrobe Department
| Brenda Dabbs | ... | costume supervisor |
| William Pierce | ... | costume coordinator |
| Elena Puliti | ... | assistant costume supervisor |
| Sally Turner | ... | assistant costume designer |
Editorial Department
| Kevin Brooks | ... | assistant picture editor |
| Joanna Jimenez | ... | assistant picture editor |
| Paul Keye Jr. | ... | assistant picture editor |
Location Management
| Jilly Gutteridge | ... | location manager: England |
| Daniele Nepi | ... | location manager (uncredited) |
Music Department
| Barrie Guard | ... | conductor / orchestrator |
| Simon Heyworth | ... | music producer |
| Brian Masterson | ... | music recordist |
| Francis Shaw | ... | conductor / orchestrator |
Script and Continuity Department
| Renée Glynne | ... | continuity (as Renée Glynn) |
Transportation Department
| Carlo U. Quinterio | ... | transport (as Carlo Quinterio) |
Additional Crew
| Chris Allies | ... | title design |
| Nicky Kentish Barnes | ... | production secretary |
| Andrew Bergen | ... | production assistant |
| Folco Cianfanelli | ... | title backgrounds |
| Dino Colizzi | ... | re-voicing: Italian |
| Jane Delandro | ... | production assistant |
| Nayeem Hafizka | ... | production assistant |
| Caroline Hill | ... | production coordinator |
| Alan John | ... | production accountant |
| Sunil Kirparam | ... | production accountant |
| Linsey Lee | ... | special assistant to director |
| Daniele Nepi | ... | production assistant |
| Pippo Pisciotto | ... | assistant to director |
| John Porter | ... | worldwide distribution director |
| Zakiya Powell | ... | publicist |
| Luigi Riitano | ... | production accountant |
| Paul Scacchi | ... | production assistant |
| Lisa W. Strout | ... | production secretary (as Lisa Strout) |
| Elizabeth Swisher | ... | production assistant |
| Frans J. Afman | ... | financial services (uncredited) |
| John Chambers | ... | finance executive (uncredited) |
| Vincent R. Nebrida | ... | marketing coordinator (uncredited) |
| Sarah Nichols | ... | assistant accountant (uncredited) |
| Kevin Phelan | ... | unit projectionist: Mercury Theatres, London (uncredited) |
Thanks
| Donna Rezia Miari-Corsini | ... | the makers of this film would like to thank |
| John Pym | ... | the makers of this film would like to thank |
