Mark Roper was one of Nu Image's golden boy directors in the late 90's. Hot off the high-octane spy romp "Human Timebomb," he was more than an appropriate pick for the second "Delta Force" sequel. His craft is in fine form with "Clear Target", displaying a tighter focus on pace and plot - as thin as it may be. His skill has always been at deploying limited resources to follow the trends of Hollywood action directors. Here, his influences are clearly Michael Bay and John Woo, and he delivers a product worthy of his ambitions.
A harbor shootout kicks the film off nicely, with all the heavy artillery and explosions one watches this kind of film for. Roper shows improvement with keeping things cohesive and accessible, more notably in the next big sequence, which involves a locomotive ambush. Crane shots, dollies, and quick pans are utilized very efficiently and the many dimensions of the layered action are captured with seasoned confidence. The stuntwork is top-notch, with the actors scaling locomotive cars with apparently no safety harnesses, giving the scene raw and perilous danger.
Roper's B-movie tendencies are not completely shed in this stage of his filmography, however. Some drab sets, costumes and props drag down too many scenes and he seems to have trouble coaching the actors. Some do a fine job, most notably Gavin Hood (six or so years before winning an Oscar for directing "Tsotsi"), but plenty of the scenes are cardboard and far off hitting their mark.
This is an enjoyable film if you watch it in the context of an independent actioner. Sure there's abundant stock footage and direct-to -video cheese, but there's also an impressive use of resources and genuinely good film-making. It plays like a comic book, with a simple story tying together sequences of great action. Army/navy buffs will surely get a kick out of it, as will die-hard action fans.
(3 out of 4)
A harbor shootout kicks the film off nicely, with all the heavy artillery and explosions one watches this kind of film for. Roper shows improvement with keeping things cohesive and accessible, more notably in the next big sequence, which involves a locomotive ambush. Crane shots, dollies, and quick pans are utilized very efficiently and the many dimensions of the layered action are captured with seasoned confidence. The stuntwork is top-notch, with the actors scaling locomotive cars with apparently no safety harnesses, giving the scene raw and perilous danger.
Roper's B-movie tendencies are not completely shed in this stage of his filmography, however. Some drab sets, costumes and props drag down too many scenes and he seems to have trouble coaching the actors. Some do a fine job, most notably Gavin Hood (six or so years before winning an Oscar for directing "Tsotsi"), but plenty of the scenes are cardboard and far off hitting their mark.
This is an enjoyable film if you watch it in the context of an independent actioner. Sure there's abundant stock footage and direct-to -video cheese, but there's also an impressive use of resources and genuinely good film-making. It plays like a comic book, with a simple story tying together sequences of great action. Army/navy buffs will surely get a kick out of it, as will die-hard action fans.
(3 out of 4)
